Vincent Scully has shaped not only how we view the evolution of architecture in the twentieth century but also the course of that evolution itself. Combining the modes of historian and critic in unique and compelling ways--with an audience that reaches from students and scholars to professional architects and ardent amateurs--Scully has profoundly influenced the way architecture is thought about and made.

This extensively illustrated and elegantly designed volume distills Scully's incalculable contribution. Neil Levine, a former student of Scully's, selects twenty essays that reveal the breadth and depth of Scully's work from the 1950s through the 1990s. The pieces are included for their singular contribution to our understanding of modern architecture as well as their relative unavailability to current readers. Levine offers a perceptive overview of Scully's distinguished career and introduces each essay, skillfully setting the scholarly and cultural scene. The selections address almost all of modern architecture's major themes and together go a long way toward defining what constitutes the contemporary experience of architecture and urbanism. Each is characteristically Scully--provocative, yet precise in detail and observation, written with passionate clarity. They document Scully's seminal views on the relationship between the natural and the built environment and trace his progressively intense concern with the fabric of the street and of our communities. The essays also highlight Scully's engagement with the careers of so many of the twentieth century's most significant architects, from Frank Lloyd Wright and Louis Kahn to Robert Venturi.

In the tradition of great intellectual biographies, this finely made book chronicles our most influential architectural historian and critic. It is a gift to architecture and its history.

THE object of the following unpretentious little volume is to give a simple and readable account in English of the life and writings of a remarkable Flemish Mystic of the fourteenth century, a contemporary of our own Walter Hilton. Though his memory and honour have never faded in his own native Belgium, and though France and Germany have vied with each other in spreading his teaching and singing his praises, the very name of Blessed John Ruysbroeck is practically unknown this side of the water. We are acquainted with only one small work in English dealing directly with the Saint or his work at all, viz. Reflections from the Mirror of Mystic, giving the briefest sketch of his life and some short extracts from his writings as translated from the French rendering of Ernest Hello. The original authorities for the history of Ruysbroeck are practically reduced to one, the biography by Henry Pomerius, a Canon Regular of Groenendael. It is certain that a disciple of John Ruysbroeck, John of Scoenhoven, also of Groenendael, who undertook the defence of Blessed John's Writings against Gerson, composed a short biography, but this, vas embodied in the, york of Pomerius, and thereby as a separate volume fell out of use and memory. Pomerius had Scoenhoven's book to work upon, and some of Ruysbroeck's contemporaries were still living at Groenendael when he composed his biography there. The brief references by the Venerable Thomas a Kempis in his Vita Gerardi magni are likewise of great interest and intrinsic worth.

This collection of literature attempts to compile many of the classic, timeless works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone

The object of the following unpretentious little volume is to give a simple and readable account in English of the life and writings of a remarkable Flemish Mystic of the fourteenth century, a contemporary of our own Walter Hilton. Though his memory and honour have never faded in his own native Belgium, and though France and Germany have vied with each other in spreading his teaching and singing his praises, the very name of Blessed John Ruysbroeck is practically unknown this side of the water. We are acquainted with only one small work in English dealing directly with the Saint or his work at all, viz. Reflections from the Mirror of Mystic, giving the briefest sketch of his life and some short extracts from his writings as translated from the French rendering of Ernest Hello. The original authorities for the history of Ruysbroeck are practically reduced to one, the biography by Henry Pomerius, a Canon Regular of Groenendael, entitled De Origine monasterii Viridisvallis una cum vitis B. Joannis Rusbrochii primi prioris hujus monasterii et aliquot coaetaneorum ejus, re-edited by the Bollandists, Brussels, 1885. It is certain that a disciple of John Ruysbroeck, John of Scoenhoven, also of Groenendael, who undertook the defence of Blessed John's writings against Gerson, composed a short biography, but this was embodied in the work of Pomerius, and thereby as a separate volume fell out of use and memory. Pomerius had Scoenhoven's MS. to work upon, and some of Ruysbroeck's contemporaries were still living at Groenendael when he composed his biography there. The brief references by the Venerable Thomas a Kempis in his Vita Gerardi Magni are likewise of great interest and intrinsic worth.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

As the definitive study of the complex inspirations and cultural influences that were fused in the Shingle Style of wooden suburban and resort buildings of the period 1872 to 1889, Mr. Scully's book has received much critical acclaim. He presents the published designs and the written statements of the architects, as well as contemporary criticisms of the buildings to analyze the development of the Shingle Style from Richardson's early work to Wright's first house in Oak Park. An analysis of the Colonial Revival is central to the work, which is now enhanced by the addition of an extensive related chapter on the "Stick Style" of the mid-century. A new preface has been added and the bibliography and footnotes are brought up to date. "The last section of the book, on the origins and early development of Frank Lloyd Wright, is one of Scully's best. This chapter...shows a mature understanding and a just handling of the academic tradition and of the early work of one of America's greatest architects."-The Art Bulletin "Scully's research is exhaustive, his scholarship impeccable. His illustrations alone form a gold mine of information on the period."-Journal of the Society of Architectural Historians

The vast and beautiful landscape of the American Southwest has long haunted artists and writers seeking to understand the mysteries of the deep affinity between the land and the Native Americans who have lived on it for centuries. In this pioneering study, art historian Vincent Scully explores the inhabitants' understanding of the natural world in an entirely original way--by observing and analyzing the complex yet visible relationships between the landscape of mountain and desert, the ancient ruins and the pueblos, and the ceremonial dances that take place with them. Scully sees these intricate dances as the most profound works of art yet produced on the American continent--as human action entwined with the natural world and framed by architectural forms, in which the Pueblos express their belief in the unity of all earthly things.
Scully's observations, presented in lively prose and exciting photographs, are based on his own personal experiences of the Southwest; on his exploration of the region of the Rio Grande and the Hopi mesas; on his witnessing of the dances and ceremonies of the Pueblos and others; and on his research into their culture and history. He draws on the vast literature inspired by the Native Americans--from early exploration narratives to the writing of D. H. Lawrence to recent scholarship--to enrich and support his unique approach to the subject.
To this second edition Scully has added a new preface that raises issues of preservation and development. He has also written an extensive postscript that reassesses the relationship between nature and culture in Native American tradition and its relevance to contemporary architecture and landscape.
Coming to Pueblo architecture as he does from a provocative study of sacred architecture in ancient Greece, Scully has much to say that is both striking and moving of the Pueblo attitudes toward sacred places, the arrangement of structures in space, the lives of men and beasts, and man's relation to rain, earth, vegetation.--Robert M. Adams, New York Review of Books