New York, Bern, Berlin, Bruxelles, Frankfurt/M., Oxford, Wien, 2002. Currents in Comparative Romance Languages and Literatures. Vol. 116 General Editors: Tamara Alvarez-Detrell and Michael G. Paulson The first epic poem written in Italian is the Teseida delle nozze di Emilia (Theseid of the Nuptials of Emilia) by Giovanni Boccaccio, the well-known author of the Decameron. Conceived and composed during the Florentine author's stay in Naples, it combines masterfully both epic and lyric themes in a genre that may be defined as an epic of love. Besides its intrinsic literary value, the poem reflects the author's youthful emotions and nostalgia for the happiest times of his life. The Translator: Vincenzo Traversa, a United States citizen born and educated in Italy, has taught Italian language and literature at UCLA, Stanford University, and the University of Kansas. He holds a Doctorate in English language and literature and a Ph.D. in Romance languages and literatures from UCLA. He is Professor of Italian and Humanities at California State University, Hayward, where he served as Chairman of the Department of Foreign Languages and Literatures for thirteen years. His works include Parola e Pensiero, Idioma in Prospettiva, Frequency Dictionary of Italian Words (coauthor), Racconti di Alberto Moravia, Luigi Capuana: Critic and Novelist, and The Laude in the Middle Ages (Peter Lang, 1994). The Italian government awarded him the Cross of Knight in the Order of Merit and he was honored in the 2000 edition of Who's Who Among America's Teachers.

Any one wishing to investigate the literary development of the golden century of early Italian literature, the Trecento, must read Natalino Sapegno's extensive writings on the subject, in particular his Storia Letteraria del Trecento (A Literary History of the Fourteenth Century). The original Italian edition appeared in April 1963 as part of the vast collection, La Letteratura Italiana - Storia e Testi (Italian Literature - History and Texts), directed by Raffaele Mattioli, Pietro Pancrazi, and Alfredo Schiaffini for the Riccardo Ricciardi publishing house. Storia Letteraria del Trecento focuses equally on Dante, Petrarch, and Boccaccio while minor writers are introduced in proportion to their importance and position in the cultural, historical, and social events of the time.

Several poetic and prose compositions in early Italian literature contain references to the bubonic plague and other illnesses that were used in the language both literally and metaphorically. The first detailed description of a plague epidemic, however, was written by Giovanni Boccaccio in the introduction to The Decameron. It is a precise and dramatic view of the physical, social, and medical conditions of Florence during the epidemic of 1348. The Theme of the Plague in Italian Letters follows the subsequent developments, both in poetic and prose works, until the time of the plague of Milan of 1630. With the report of Giuseppe Ripamonti and other writers, the plague became not only a medical issue but also a topic involving the laws of the time as they appear in the trials of the presumed untori (spreaders of the disease). A combination of faith, fear, and superstition led the legal officials and the populace to imagine that the plague was a divine punishment and was deliberately spread by individuals of criminal nature. Arrests and trials involving interrogations and the use of merciless physical tortures (a legitimate procedure in Europe at that time) brought about a formidable reaction led by early humanitarians, such as Cesare Beccaria and Pietro Verri, who determined the eventual changes in the laws and legal procedures. The Plague of Milan of 1630 by Giuseppe Ripamonti, the treatise by L. A. Muratori Del Governo della Peste, 1720, and several interventions contributed to a series of radical changes that appeared in the works of Alessandro Manzoni, such as The Betrothed and The History of the Pillar of Infamy that are discussed in part or in full in this study.