During the refounding of the Anthroposophical Society as the General Anthroposophical Society at Christmas 1923/24, Rudolf Steiner also reconstituted, as the School of Spiritual Science, the Esoteric School he had led in three classes from 1904 to 1914, at the same time extending its scope by adding artistic and scientific Sections. However, owing to his illness and later death in March 1925, he was only able to make a beginning by establishing the First Class and the Sections. The actual step from the Esoteric School to the School of Spiritual Science was nevertheless an exceptional one. The Esoteric School from Helena Blavatsky's time had been secret. Its existence was known only to those personally invited to participate. In contrast, the existence of the School of Spiritual Science was stated openly in the public statutes of the General Anthroposophical Society. From the Christmas Conference onwards, Rudolf Steiner worked within this publicly acknowledged framework. The Class Lessons comprise a complete spiritual course of nineteen fundamental lessons given between February and August 1924, several lessons given at other locations, and seven further lessons from September 1924 which take up the themes of the first part of the nineteen lessons in a modified form. This authentic, accurate and high-quality bilingual edition - with English and German texts printed side by side - is published in conjunction with the School of Spiritual Science at the Goetheanum. A compact four-volume clothbound set, it features plates with Rudolf Steiner's handwritten notes of the mantras and reproductions of his original colour blackboard drawings. The translations of the mantric verses have been reworked by a committed group of translators, linguists and editors, expressing subtleties of meaning, grammatical accuracy and poetic style whilst retaining the original sound and metre of the German mantric forms. Three versions of the existing English translations are also included.

Eurythmy is an art form that makes sounds visible. By incorporating zodiac gestures into their art, as indicated by Rudolf Steiner, eurythmists can draw on a deep connection between the earth and the cosmos. The zodiac, as representative of the whole cosmos, is a vital part of human spirituality, acting as the backdrop to human life. But it can be hard to fathom the zodiac's secrets, even through meditation. Barfod draws a parallel between meditative exercises and eurythmy practice, and shows how zodiac gestures in eurythmy can reveal cosmic insights. This is a book for eurythmy teachers and practitioners who want to deepen their art and spiritual work.

'Whether souls have returned in physical incarnations as Platonists, as Aristotelians, as pupils of Chartres, as members of the Dominican Order, as Templars, as Cathars, or whether these souls accompany us as spiritual beings, a stream of spiritual continuity that begins in the Middle Ages flows through human history.'- Manfred Schmidt-Brabant. Why do people today look back to the Middle Ages with such interest? Do those times have anything to do with the present? In this enlightening series of lectures, Manfred Schmidt-Brabant and Virginia Sease suggest that our sense of selfhood depends on whether we can create a true relationship to the present age. But to do this we need to understand the spiritual roots of our time. These roots, they indicate, are present in the Middle Ages.The impulses that originate from that time continue to stream into modern times, helping to determine our thinking, feeling and actions. Even the biography of Europe is largely determined by what people of the Middle Ages thought, endured, believed and fought over. All of this emerges today in the consciousness of the individual and in the fabric of our communities. To aid our comprehension of this critical period, the authors embark on a broad historical survey of the culture and history - both exoteric and esoteric - of the Middle Ages. Their journey takes in King Arthur and the Celtic Mysteries; Francis of Assisi, the Franciscans and the School of Chartres; Thomas Aquinas, Averroes and the Dominicans; Cabbala and Jewish Mysticism; heretics and the Cathars; Templar secrets; spiritual Alchemy and Gothic architecture; Columbus and the Mysteries of America; and, the Consciousness Soul and the historical Figure of Faust.

Among Rudolf Steiner's many initiatives that evoked visible, sustained impulses, there was one that did not develop as planned - his so-called 'endowment' of 1911. This was his attempt to create a 'Society for a Theosophical Art and Way of Life', that would work 'under the protectorate of Christian Rosenkreutz'. Rudolf Steiner envisaged a grouping of individuals who were '...deeply moved by a spiritual power like the one that lived earlier in Christianity'. Through the forming of such a Society, he sought to enable a true spiritual culture to arise on earth - a culture that would 'engender artists in every domain of life'. Virginia Sease's reflections - a century after Rudolf Steiner's attempt - place a special emphasis on three considerations. Firstly, that the Endowment impulse allows us to experience the art of 'interpreting' in the Rosicrucian way. Secondly, that the best initiative, even one undertaken by a great individuality, is doomed to failure if the participants are unable to overcome their personal ambitions. And finally, that we may live with the fact that, despite the passing of time, the seeds dormant in Rudolf Steiner's attempt still have the possibility to come to fruition in the future.

In ancient times, people's experience of the divine was imbued with the feminine archetype. The world of spirit was seen to be populated by goddesses, and women were honoured as priestesses and guardians of sacred rites. The later Greek and Roman civilizations, in contrast, were characterized by the principle of patriarchy, which still dominates our culture - despite the political and social emancipation of women in the West. This unique study of the feminine archetype throws new light on the spiritual significance and meaning of the feminine principle today, as well as its task and destiny in the future. Beginning with Eve in tradition and legend, the authors provide insightful commentaries on the Queen of Sheba, the image of the Virgin in esoteric Christianity, Isis-Sophia and the Great Mother, the birth of art from the primal source of the feminine, and the importance of women in modern esotericism. Through a study of the esoteric background to human and earth evolution, Sease and Schmidt-Brabant arrive at clear and accessible perspectives that could transform human life, and in particular family culture, in our time.

'Christianity is not a matter of a religion or even a denomination; it is not a question of a particular culture. Christ is there for all humanity.' In the old Mystery cultures the human being experienced himself as a child of the Gods, or even an instrument of them. According to Rudolf Steiner's spiritual-scientific research, the birth of independent thinking came only with our present state of consciousness - through becoming aware of the individual self. But who is this self? Who am I? Virginia Sease and Manfred Schmidt-Brabant maintain that real self-knowledge is intimately connected with knowledge of the central being of world evolution: the Christ, or the 'I AM'. Focusing on the being of Christ and on Christianity, "The New Mysteries" presents a series of engaging lectures on the developing Mystery wisdom of our age. Having given an overview of the history of the Mysteries in their book "Paths of the Christian Mysteries", the authors deepen and further their study by paying special attention to the effect of the "Christ Mysteries". Among the essential themes of the new volume are the transformation of conscience, the place of prayer and meditation, and the significance of sacrifice today.

Over the past decades there has been an upsurge of interest in 'the Camino', the pilgrim's route to Santiago de Compostela in northern Spain. But where does this fascination in the spiritual exploration of the Middle Ages come from, and what is its significance? Rudolf Steiner stated that people have a need to live not only with external history but also with the esoteric, hidden narrative that lies behind it. Now, at the beginning of the twenty-first century, it is increasingly necessary for us to live consciously with this veiled history of humanity's search for communion with the divine world. It is within this context that the Camino's historic importance is re-echoed in many souls today. Based on lifelong research and contemplation, Paths of the Christian Mysteries presents a survey of extraordinary breadth and depth, taking us from the cosmic origin of the Grail Mysteries to the supersensible Michael Cultus and the Being Anthroposophia. The intervening chapters present studies of the School of Athens, early Christian art and its Gnostic impulses, the Grail Initiation in northern Spain, the role of the Cathars and Troubadours in the Manichaean stream, the Camino to Santiago de Compostela and the esoteric aspect of music for the pilgrims, the Music of the Spheres and the Elders of the Apocalypse, the Templars as emissaries of the Holy Grail, the initiations of Christian Rosenkreutz and his relation to anthroposophical art, and the early Rosicrucian impulses in America and Europe.