This book addresses the centrality of race and racism in consolidating the nationalisms currently prominent in Brexit Britain. Particular attention is given to the issues of refugees, borders and bordering, and the wider forms of nativist and anti- Muslim sentiments that anchor today's increasingly populist forms of nationalist politics. It is argued that the forms of scapegoating and alarmism integral to the revival of nationalism in British politics are fundamentally tied to racialised processes. Equally however, it is argued that such a political climate is not simply discursive, but also yields acute forms of governance, wherein an increasingly violent attention is given by the state to the border. The chapters in the book do however also attempt to think through the possibilities of a constructive response to this moment. Emphasis is given here to the everyday cultural textures that might help shape a popular opposition to racial nationalism. Similarly, the book attempts to unpack the appeal of today's distinctive populism in ways that might be more responsive to anti-racist and anti-nationalist sentiments. Racial Nationalisms will be of interest to academics and researchers studying postcolonialism, nationalism, ethnic and racial studies, and to advanced students of sociology, political science and public policy. This book was originally published as a special issue of the journal Ethnic and Racial Studies.

This book addresses the centrality of race and racism in consolidating the nationalisms currently prominent in Brexit Britain. Particular attention is given to the issues of refugees, borders and bordering, and the wider forms of nativist and anti- Muslim sentiments that anchor today's increasingly populist forms of nationalist politics. It is argued that the forms of scapegoating and alarmism integral to the revival of nationalism in British politics are fundamentally tied to racialised processes. Equally however, it is argued that such a political climate is not simply discursive, but also yields acute forms of governance, wherein an increasingly violent attention is given by the state to the border. The chapters in the book do however also attempt to think through the possibilities of a constructive response to this moment. Emphasis is given here to the everyday cultural textures that might help shape a popular opposition to racial nationalism. Similarly, the book attempts to unpack the appeal of today's distinctive populism in ways that might be more responsive to anti-racist and anti-nationalist sentiments. Racial Nationalisms will be of interest to academics and researchers studying postcolonialism, nationalism, ethnic and racial studies, and to advanced students of sociology, political science and public policy. This book was originally published as a special issue of the journal Ethnic and Racial Studies.

This volume looks at the interface between ideology, religion and culture in Punjab in the 20th century, spanning from colonial to post-colonial times. Through a rereading of the history of Punjab and of Punjabi migrant networks the world over, it interrogates the term 'radicalism' and its relationship with terms such as 'militancy', 'terrorism' and 'extremism' in the context of Punjab and elsewhere during the period; explores the relationship between left and religious radicalism - such as the Ghadar movement and the Akalis - and the continuing role of radical movements from British Punjab to the independent states of India and Pakistan. Expanding the dimensions on the study of Punjab and its historical impact in the South Asian region, this book will interest scholars and students of modern Indian history, politics and sociology.

How does the sacred/secular opposition explain itself in the context of musical production? This volume traces this binary as it frames Western Classical music and Indian Classical music in the 18th and 19th centuries, laying the ground for a contemporary exploration of what is ostensibly sacred music in South Asia. Offering a potent critique of musicological knowledge-making, Virinder S. Kalra explores examples of South Asian musics in various domains and traverses a new cartography of music in which the sacred and the secular overlap. Drawing on examples which include Qawwali, kirtan and popular devotional genres, Sacred and Secular Musics offers new empirical material, as well as new insights into conceptualising religion and music, and the ways in which music performs sacredness and secularity across the contested India-Pakistan border in the region of Punjab. Through its deconstruction of the sacred/secular opposition, Sacred and Secular Musics explores the relationship of religion and music to wider questions of religion and politics. Its postcolonial approach brings Asia into the Western sacred/secular opposition, and provides a set of analytical tools - a language and range of theories - to allow further exploration of non-western religious music.

Drawing on insights from theoretical engagements with borders and subalternity, Beyond Religion in India and Pakistan suggests new frameworks for understanding religious boundaries in South Asia. It looks at the ways in which social categories and structures constitute the bordering logics inherent within enactments of these boundaries, and positions hegemony and resistance through popular religion as an important indication of wider developments of political and social change. The book also shows how borders are continually being maintained through violence at national, community and individual levels. By exploring selected sites and expressions of piety including shrines, texts, practices and movements, Virinder S. Kalra and Navtej K. Purewal argue that the popular religion of Punjab should neither be limited to a polarised picture between formal, institutional religion, nor the 'enchanted universe' of rituals, saints, shrines and village deities. Instead, the book presents a picture of 'religion' as a realm of movement, mobilization, resistance and power in which gender and caste are connate of what comes to be known as 'religious'. Through extensive ethnographic research, the authors explore the reality of the complex, dynamic and contested relations that characterize everyday material and religious lives on the ground. Ultimately, the book highlights how popular religion challenges the borders and boundaries of religious and communal categories, nationalism and theological frameworks while simultaneously reflecting gender/caste society.

Drawing on insights from theoretical engagements with borders and subalternity, Beyond Religion in India and Pakistan suggests new frameworks for understanding religious boundaries in South Asia. It looks at the ways in which social categories and structures constitute the bordering logics inherent within enactments of these boundaries, and positions hegemony and resistance through popular religion as an important indication of wider developments of political and social change. The book also shows how borders are continually being maintained through violence at national, community and individual levels. By exploring selected sites and expressions of piety including shrines, texts, practices and movements, Virinder S. Kalra and Navtej K. Purewal argue that the popular religion of Punjab should neither be limited to a polarised picture between formal, institutional religion, nor the 'enchanted universe' of rituals, saints, shrines and village deities. Instead, the book presents a picture of 'religion' as a realm of movement, mobilization, resistance and power in which gender and caste are connate of what comes to be known as 'religious'. Through extensive ethnographic research, the authors explore the reality of the complex, dynamic and contested relations that characterize everyday material and religious lives on the ground. Ultimately, the book highlights how popular religion challenges the borders and boundaries of religious and communal categories, nationalism and theological frameworks while simultaneously reflecting gender/caste society.

How does the sacred/secular opposition explain itself in the context of musical production? This volume traces this binary as it frames Western Classical music and Indian Classical music in the 18th and 19th centuries, laying the ground for a contemporary exploration of what is ostensibly sacred music in South Asia. Offering a potent critique of musicological knowledge-making, Virinder S. Kalra explores examples of South Asian musics in various domains and traverses a new cartography of music in which the sacred and the secular overlap. Drawing on examples which include Qawaali, Kirtan and popular devotional genres, Sacred and Secular Musics offers new empirical material, as well as new insights into conceptualising religion and music, and the ways in which music performs sacredness and secularity across the contested India-Pakistan border in the region of Punjab. Through its deconstruction of the sacred/secular opposition, Sacred and Secular Musics explores the relationship of religion and music to wider questions of religion and politics. Its postcolonial approach brings Asia into the Western sacred/secular opposition, and provides a set of analytical tools - a language and range of theories - to allow further exploration of non-western religious music.