Vita Daphna Arbel uses critical theories of gender to offer an alternative reading of the multilayered conceptualization of the Song of Song's feminine protagonist: "the most beautiful woman". Arbel treats "the most beautiful woman" as a culturally constructed and performed representation of "woman," and situates this representation within the cultural- discursive contexts in which the Song partly emerged. She examines the gender norms and cultural ideologies it both reflects and constructs, and considers the manner in which this complex representation disrupts rigid, ahistorical notions of femininity, and how it consequently indirectly characterizes "womanhood" as dynamic and diverse. Finally, Arbel examines the reception and impact of these ideas on later conceptualizations of the Song of Songs' female protagonist with a heuristic examination of Mark Chagall's Song of Songs painting cycle, Le Cantique des Cantiques. These compositions-selected for their diverse depictions of the Song's protagonist, their impact on European art, and their vast popularity and bearing in the broader cultural imagination-illustrate a fascinating dialogue between the present and the past about the "most beautiful woman" and about multiple femininities.

Vita Daphna Arbel uses critical theories of gender to offer an alternative reading of the multilayered conceptualization of the Song of Song's feminine protagonist: “the most beautiful woman”. Arbel treats “the most beautiful woman” as a culturally constructed and performed representation of “woman,” and situates this representation within the cultural-­discursive contexts in which the Song partly emerged. She examines the gender norms and cultural ideologies it both reflects and constructs, and considers the manner in which this complex representation disrupts rigid, ahistorical notions of femininity, and how it consequently indirectly characterizes “womanhood” as dynamic and diverse. Finally, Arbel examines the reception and impact of these ideas on later conceptualizations of the Song of Songs' female protagonist with a heuristic examination of Mark Chagall’s Song of Songs painting cycle, Le Cantique des Cantiques. These compositions—selected for their diverse depictions of the Song’s protagonist, their impact on European art, and their vast popularity and bearing in the broader cultural imagination—illustrate a fascinating dialogue between the present and the past about the “most beautiful woman” and about multiple femininities.

The phrase "and so they went out" is often used to describe the departure of Adam and Eve from the Garden of Eden. Yet it also aptly describes the many versions of the stories of Adam and Eve as they began to circulate about the turn of the Common Era: they too "went out", and the appearance of these stories in multiple versions and languages attests both to their widespread popularity and to their ongoing appeal in the ancient world. Nor is their appeal confined to antiquity-these stories continue to fascinate, and the various versions of the apocryphal "Books of Adam and Eve" have begun to command considerable attention in the academic world. Thus far, the scholarly community has concentrated principally on the complex tradition-history of these texts, their date, provenance and language. But the process of the reshaping and transformation of the stories within the "Books of Adam and Eve" has not yet been thoroughly studied. This book sets out to redress this imbalance by focusing primarily upon conceptual, literary, and thematic issues. By making use contemporary critical methods such as literary-critical analysis, ritual theory, and social-scientific taxonomy, the book explores how these stories represent a profound transformation and reshaping of ancient attitudes to gender, body, sexuality, sin, social hierarchies, and human aspirations.

The role of human sacrifice in the ancient Mediterranean world and its implications continue to be topics that fire the popular imagination and engender scholarly discussion and controversy. This volume provides balanced and judicious treatments of the various facets of these topics from a cross-disciplinary and cross-cultural perspective. It provides nuanced examinations of ancient ritual, exploring the various meanings that human sacrifice held for antiquity, and examines its varied repercussions up into the modern world. The book explores evidence to shed new light on the origins of the rite, to whom these sacrifices were offered, and by whom they were performed. It presents fresh insights into the social and religious meanings of this practice in its varied biblical landscape and ancient contexts, and demonstrates how human sacrifice has captured the imagination of later writers who have employed it in diverse cultural and theological discourses to convey their own views and ideologies. It provides valuable perspectives for understanding key cultural, theological and ideological dimensions, such as the sacrifice of Christ, scapegoating,self-sacrifice and martyrdom in post-biblical and modern times.

The role of human sacrifice in the ancient Mediterranean world and its implications continue to be topics that fire the popular imagination and engender scholarly discussion and controversy. This volume aims to advance the discussion by providing balanced and judicious treatments of the various facets of these topics from a cross-disciplinary and cross-cultural perspective. It provides nuanced examinations of ancient ritual, exploring the various meanings that human sacrifice held for antiquity, and examines its varied repercussions up into the modern world. The book explores evidence to shed new light on the origins of the rite, to whom these sacrifices were offered, and by whom they were performed. It presents fresh insights into the social and religious meanings of this practice in its varied biblical landscape and ancient contexts, and demonstrates how human sacrifice has captured the imagination of later writers who have employed it in diverse cultural and theological discourses to convey their own views and ideologies. It provides valuable perspectives for understanding key cultural, theological and ideological dimensions, such as the sacrifice of Christ, scapegoating, self-sacrifice and martyrdom in post-biblical and modern times.

In Forming Femininity in Antiquity, Vita Daphna Arbel investigates depictions of the emblematic Eve that are embedded in one of the most influential accounts of Adam and Eve after the Hebrew Bible, namely the apocryphal Greek Life of Adam and Eve (GLAE) from antiquity. Treating the figure of Eve as a culturally constructed representation of ''woman,'' Arbel examines a crucial transformative stage in the literary and conceptual discourse of Eve, with a focus on several pivotal issues that have not been looked at in previous scholarship. She offers a nuanced analysis of the GLAE's multifaceted and at times contradictory portrayals of Eve and, by extension, women. She also situates these depictions in the hybrid Greco-Roman cultural world in which they emerged, and discusses the extent to which they both reflect and construct contemporaneous overlapping and competing concepts and norms regarding Eve/women's standing, role, authority, and realms of experiences. Finally, Arbel examines how the GLAE's representations of Eve/women resonate with later Jewish and Christian traditions, which often characterize the figure of Eve in accordance with views that are embedded in the GLAE, rather than in Genesis.

The process of the reshaping and transformation of the Adam and Eve stories within the "Books of Adam and Eve" has not yet been studied as thoroughly as it warrants. This book sets out to help redress this imbalance. The phrase 'and so they went out' is often used to describe the departure of Adam and Eve from the Garden of Eden. Yet it also aptly describes the many versions of the stories of Adam and Eve as they began to circulate about the turn of the Common Era: they too 'went out', and the appearance of these stories in multiple versions and languages attests both to their widespread popularity and to their ongoing appeal in the ancient world. Nor is their appeal confined to antiquity-these stories continue to fascinate, and the various versions of the apocryphal "Books of Adam and Eve" have begun to command considerable attention in the academic world. Thus far, the scholarly community has concentrated principally on the complex tradition-history of these texts, their date, provenance and language. But the process of the reshaping and transformation of the stories within the "Books of Adam and Eve" has not yet been thoroughly studied. This book sets out to redress this imbalance by focusing primarily upon conceptual, literary, and thematic issues. By making use contemporary critical methods such as literary-critical analysis, ritual theory, and social-scientific taxonomy, the book explores how these stories represent a profound transformation and reshaping of ancient attitudes to gender, body, sexuality, sin, social hierarchies, and human aspirations.

Beholders of Divine Secrets provides a fascinating exploration of the enigmatic Hekhalot and Merkavah literature, the Jewish mystical writings of late antiquity. Vita Daphna Arbel delves into the unique nature of the mystical teachings, experiences, revelations, and spiritual exegesis presented in this literature. While previous scholarship has demonstrated the connection between Hekhalot and Merkavah mysticism and parallel traditions in Rabbinical writings, the Dead Sea Scrolls, apocalyptic, early Christian, and Gnostic sources, this work points out additional mythological traditions that resonate in this literature. Arbel suggests that mythological patterns of expression, as well as themes and models rooted in Near Eastern mythological traditions are employed, in a spiritualized fashion, to communicate mystical content. The possible cultural and social context of the Hekhalot and Merkavah mysticism and its composers is discussed.