This book examines Shyam Benegal's films and alternative image(s) of India in his cinema, and traces the trajectory of changing aesthetics of his cinema in the post-liberalisation era. The book engages with the challenges faced by India as a nation-state in post-colonial times. Looking at hybrid and complex narratives of films like Manthan, Junoon, Kalyug, Charandas Chor, Sooraj Ka Satvaan Ghoda, Zubeidaa and Well Done Abba , among others, it analyses how these stories and characters, adapted and derived from mythology, folk-tales, historical fiction and novels, are rooted in the socio-political contexts of modern India. The author explores diverse themes in Benegal's cinema such as the loss of home and identity, women's sexuality, and the status of dalits and Muslims in India. He also focuses on how the filmmaker expertly weaves history with myth, culture, and contemporary politics and discusses the debate around the interpretive value of film adaptations, adaptation of history and the representations of marginalised communities and liminal spaces. The book will be useful for students and researchers of film studies, cultural studies, and the humanities. It will also interest readers of Indian cinema and the social and cultural history of India.

This book examines how identities are formed and expressed in political, social and cultural contexts across South Asia. It is a comprehensive intervention on how, why and what identities have come to be, and takes a closer look at the complexities of their interactions. Drawing on an interdisciplinary approach, combining methodologies from history, literary studies, politics, and sociology, this book: * Explores the multiple ways in which personal and collective identities manifest and engage, are challenged and resisted across time and space.; * Highlights how the shared history of colonialism and partition, communal violence, bloodshed and pogrom are instrumental in understanding present-day developments in identity politics.; * Sheds light on a number of current themes such as borders and nations, race and ethnicity, identity politics and fundamentalism, language and regionalism, memory and community, and resistance and assertion. A key volume in South Asian Studies, this book will be of great interest to scholars and researchers of modern South Asian history, politics, sociology, literary studies and social exclusion.

This book examines how identities are formed and expressed in political, social and cultural contexts across South Asia. It is a comprehensive intervention on how, why and what identities have come to be, and takes a closer look at the complexities of their interactions. Drawing on an interdisciplinary approach, combining methodologies from history, literary studies, politics, and sociology, this book: * Explores the multiple ways in which personal and collective identities manifest and engage, are challenged and resisted across time and space.; * Highlights how the shared history of colonialism and partition, communal violence, bloodshed and pogrom are instrumental in understanding present-day developments in identity politics.; * Sheds light on a number of current themes such as borders and nations, race and ethnicity, identity politics and fundamentalism, language and regionalism, memory and community, and resistance and assertion. A key volume in South Asian Studies, this book will be of great interest to scholars and researchers of modern South Asian history, politics, sociology, literary studies and social exclusion.

This book examines Shyam Benegal's films and alternative image(s) of India in his cinema, and traces the trajectory of changing aesthetics of his cinema in the post-liberalisation era. The book engages with the challenges faced by India as a nation-state in post-colonial times. Looking at hybrid and complex narratives of films like Manthan, Junoon, Kalyug, Charandas Chor, Sooraj Ka Satvaan Ghoda, Zubeidaa and Well Done Abba , among others, it analyses how these stories and characters, adapted and derived from mythology, folk-tales, historical fiction and novels, are rooted in the socio-political contexts of modern India. The author explores diverse themes in Benegal's cinema such as the loss of home and identity, women's sexuality, and the status of dalits and Muslims in India. He also focuses on how the filmmaker expertly weaves history with myth, culture, and contemporary politics and discusses the debate around the interpretive value of film adaptations, adaptation of history and the representations of marginalised communities and liminal spaces. The book will be useful for students and researchers of film studies, cultural studies, and the humanities. It will also interest readers of Indian cinema and the social and cultural history of India.