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Exodus in the Jewish Experience: Echoes and Reverberations
investigates how the Exodus has been, and continues to be, a
crucial source of identity for both Jews and Judaism. It explores
how the Exodus has functioned as the primary model from which Jews
have created theological meaning and historical self-understanding.
It probes how and why the Exodus has continued to be vital to Jews
throughout the unfolding of the Jewish experience. As an
interdisciplinary work, it incorporates contributions from a range
of Jewish Studies scholars in order to explore the Exodus from a
variety of vantage points. It addresses such topics as: the Jewish
reception of the biblical text of Exodus; the progressive unfolding
of the Exodus in the Jewish interpretive tradition; the religious
expression of the Exodus as ritual in Judaism; and the Exodus as an
ongoing lens of self-understanding for both the State of Israel and
contemporary Judaism. The essays are guided by a common goal: to
render comprehensible how the re-envisioning of Exodus throughout
the unfolding of the Jewish experience has enabled it to function
for thousands of years as the central motif for the Jewish people.
Jewish texts are a hidden treasure of information on Jewish art and artists, the patronage and use of art, and the art created by non-Jews. Most of these texts are written in Hebrew and Aramaic. Those scholars able to read them do not understand their art historical importance, while many art historians who would understand these references are hindered from access to these texts because of language barriers. Jewish Texts on the Visual Arts includes fifty-one newly translated texts dating from the biblical period to the twentieth century. They touch on issues such as iconoclasm, the art of the ‘other’, artists and their practices, synagogue architecture, Jewish ceremonial art, and collecting. Through the introduction and essays that accompany each text, Vivian Mann articulates the importance and relevance of these sources to our understanding of art history.
Jewish texts are a hidden treasure of information on Jewish art and
artists, the patronage and use of art, and the art created by
non-Jews. Most of these texts are written in Hebrew and Aramaic.
Those scholars able to read them often do not understand their
art-historical importance, while many art historians who would
understand the references to art are hindered by language barriers.
Jewish Texts on the Visual Arts includes fifty translated texts
dating from the bibilical period to the twentieth century. They
touch on issues such as iconoclasm, the art of the 'Other', artists
and their practices, synagogue architecture, Jewish ceremonial art,
and collecting. Through the introduction and essays that accompany
each text, Vivian Mann articulates the importance and relevance of
these sources to our understanding of art history.
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