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Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
1737 was a year in which Voltaire was in great danger from his
political enemies and in place of literary work, threw himself into
Newtonian metaphysics, focussing on an "Essai sur la nature du feu,
et sur sa propagation" for the prestigious Academie des sciences
annual essay prize. Clarifying his 'systeme de morale' on human
happiness and liberty, Voltaire wrote seven "Discours en vers sur
l'homme" and was also inspired to write "Le Songe de Platon", a
conte philosophique contesting Plato's social ideas. He also began
the tragedy most acclaimed during his lifetime, the
classically-inspired "Merope".
Every six seconds-or every two minutes-someone, somewhere, is
raped. Such an attack affects the targeted victim, to be sure. But
the ripples of pain, tears and trauma spread in exploding,
concentric circles outward from the victim to engulf partners,
parents, siblings, friends and coworkers in a never-ending cycle of
dealing with the aftermath. In FACES OF RAPE, you will meet many
hesitant-but brave-spokespersons for those who are often shunned,
silenced and forgotten by society. Rape is the one crime that, for
some reason, brings shame on its victims, and, too often,
congratulatory slaps on the back to its perpetrators. In raw,
intense, candid accounts, men and women share their heartbreak,
their failures and their triumphs. If you, or someone you know, has
been raped, this book will make you angry, and this book will give
you hope. Through solidarity-knowing that others have walked where
you may be walking and are still here to live, breathe and
succeed-you will realize that there is life after rape, and there
is strength even after debilitating weakness.
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