First published in 1964, Indaba, My Children is an internationally acclaimed collection of African folk tales that chart the story of African tribal life since the time of the Phoenicians. It is these stories that have shaped Africa as we know it.

In this rare window into Zulu mysticism Vusamazulu Credo Mutwa breaks the bonds of traditional silence to share his personal experiences as a sangoma--a Zulu shaman. Set against the backdrop of post-colonial South Africa ZULU SHAMAN relays the first-person accounts of an African healer and reveals the cosmology of the Zulu. Mutwa begins with the compelling story of his personal journey as an English-trained Christian schoolteacher who receives a calling to follow in his grandfather's footsteps as a shaman and keeper of folklore. He then tells the stories of his ancestors including creation myths; how evil came to the world; the adventures of the trickster god Kintu; and Zulu relations with the fiery visitors whom he likens to extraterrestrial. In an attempt to preserve the knowledge of his ancestors and encourage his vision of a world united in peace and harmony Mutwa also shares previously guarded secrets of Zulu healing and spiritual practices: including the curing power of the sangoma and the psychic powers of his people. Previously published by Station Hill. . Includes 14 Zulu myths as told by a traditional Zulu story keeper . Reveals Zulu shamanic practices, including healing techniques, dreamwork, oracles, prophecy, and interactions with star beings

A definitive compendium of African myth and folktale, retold in rich, vibrant prose, Indaba, My Children is a stunning literary and ethnographic achievement. As a young man, Vusamazulu Credo Mutwa, a Zulu from the South African province of Natal, was determined to follow in the footsteps of his grandfather and become a tribal historian in order to keep the rich oral tradition of his culture alive. In this book, begun in response to the injustices against Africans and their culture, he sets these legends down in writing. He begins with the creation myth, when Ninavanhu-Ma, the Great Mother, created the human race. From there, an epic unfolds, an intricate and vivid cultural tapestry populated by gods and mortals, cattle herders and supreme kings, witch doctors, lovers, grave diggers, warriors, and handmaidens. The story continues all the way up to the colonial era, when a Portuguese Kapitanoh and his crew arrive on the African shore. Indaba, My Children is a classic and indispensable resource for anyone interested in the cultural life of Africa and the human experience as it is filtered into myth.