Sci-fi action thriller sequel directed by Wes Ball and starring Dylan O'Brien, Kaya Scodelario and Thomas Brodie-Sangster. Thomas (O'Brien) and his fellow Runners return for the biggest challenge of their lives as they attempt to find their way through the mysterious Scorch, a barren landscape covered with seemingly endless obstacles and tests. As they work their way through the maze, they simultaneously try to uncover the forces behind the organisation known as WCKD.

Two-movie collection featuring Disney's classic live-action/animation and the 2016 remake. In 'Pete's Dragon' (1977) lonely orphan Pete (Sean Marshall) finds a new friend in a surprising form: Elliott (voice of Charlie Callas), a 12-foot tall dragon that has the power to make itself invisible. Together they innocently cause chaos in their sleepy home town, but their partnership is put in jeopardy when visiting medicine seller Dr Terminus (Jim Dale) tries to kidnap Elliott. In 'Pete's Dragon' (2016) young boy Pete (Oakes Fegley) is found by forest ranger Grace (Bryce Dallas Howard) after having lived in a forest for the last six years alongside his best friend, a dragon called Elliot (voice of John Kassir). After taking him home to try and find his family, Grace is shocked to learn of the dragon's existence. However, when Elliot comes under threat from a hunter (Karl Urban), Pete, Grace, her father Meacham (Robert Redford) and lumber mill owner Jack (Wes Bentley)'s daughter Natalie (Oona Laurence) set out to protect him.

Peter Bogdanovich directs and co-writes this comedy starring Owen Wilson, Jennifer Aniston and Imogen Poots. One of prostitute Isabella Patterson (Poots)'s clients is Broadway director Arnold Albertson (Wilson). When she auditions for one of his plays things get complicated, especially since he is married to the star of the production Delta Simmons (Kathryn Hahn). The situation only gets more out of hand when Isabella becomes involved with her therapist Jane Claremont (Aniston)'s boyfriend, playwright Joshua Fleet (Will Forte). The cast also includes Rhys Ifans, Cybill Shepherd, Illeana Douglas and Joanna Lumley. Wes Anderson and Noah Baumbach are among the film's executive producers.

Diego Luna directs this biographical drama based on the life and achievements of Mexican American civil rights activist and labour movement leader Cesar Chavez. The film shows how Chavez (Michael Peña) went from being just another Latino American farm worker to a passionate and respected spokesperson whose embrace of non-violent means of protest led to the securing of a living wage for workers like himself.

Dane Cook and Stacy Keach return as the voices of lovable aeroplanes Dusty and Skipper in this sequel to the 2013 Disney animation 'Planes'. When world-famous air racer Dusty gets told his engine is damaged and that he may never race again he refuses to let go and launches head first into the world of aerial firefighting. Joining the ranks of veteran fire and rescue helicopter Blade Ranger (Ed Harris), Dusty begins his training to become a real hero. The voice cast also includes Jerry Stiller, Steve Schirripa and Erik Estrada.

Family adventure loosely based on the novel by Jack London. Christopher Lloyd stars as Bill Hale, a recently widowed man living in Montana who has his nine-year-old granddaughter Ryann (Ariel Gade) to stay for several weeks while her parents go abroad. When Ryann finds a wounded wild dog on the back porch one night, she names him 'Buck' and dreams of taking him back to the city as a pet. But her grandfather knows that the animal will eventually have to return to the wild, and to help her understand this he starts reading Jack London's 'Call of the Wild' aloud to her each night. However, Ryann has hatched a plan of her own, and enlists the help of a local boy to train Buck up as a sled dog champion.

Elgar Advanced Introductions are stimulating and thoughtful introductions to major fields in the social sciences and law, expertly written by the world's leading scholars. Designed to be accessible yet rigorous, they offer concise and lucid surveys of the substantive and policy issues associated with discrete subject areas. This cutting edge book introduces the origins and consequences of digital platforms, examining how artificial intelligence-enabled digital platforms collect and process data from and about users by providing social media and e-commerce services. Robin Mansell and W. Edward Steinmueller compare and contrast neoclassical, institutional and critical political economy approaches. They show how uneven power relationships between platform operators and their users are analysed in different economic traditions. Key features include: analysis of economic and public values provides a foundation for platform regulation examines the impacts of platforms on the media industry challenges claims of the inevitability of platform dominance discusses key challenges, including: artificial intelligence, data sharing and competition in the digital economy. This concise book will be indispensable for advanced undergraduate and postgraduate students of media and communication studies, innovation studies and economics, particularly those focusing on platform economics.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.