With the 50th Anniversary of Victory in World War II comes PROTECT & AVENGE: The 49th Fighter Group in World War II.\nAfter six years of research, author and illustrator S.W. Ferguson, Along with 49ERS Association historian William K. Pascalis, have recreated the war-years odyssey of the famous 49ERS, the most successful fighter group in the war against Japan. Flyers Paul Wrutsmith, Bob Morrissey, Ernie Harris, Gerry Johnson, Bob DeHaven and leading American ace Dick Bong, are but a few of the men who contribute to the 49ERS legend. \nFrom their desert air strips of Northwest Territory, Australia, through their jungle camps of New Guinea and the Philippines, to the final moment of victory on the Japanese homeland, all are detailed in this new volume. Derived from the diaries and logs of 49ERS veterans, the groups official USAF history and the U.S. National Archives, the story chronicles more than thirty aces and their crews who achieved over 600 aerial kills in three years of continuous combat.\nThe text is highlighted by more than 600 black and white photos, six compaign maps, and twenty-four color profiles of select P-40s, P-57s, and P-38s.\nS.W. Ferguson lives in Colorado Springs where he has pursued his teaching, writing and art career for the last ten years. His interests are American writers and history of the 20th century, and swift waters that yield trout. \nBill Pascalis is a veteran aircraft mechanic of the 49ERS Selfridge AFB cadre and served through the New Guinea campaign of mid-1943. After the war, he established a long career with Tranworld Airlines. He now lives with his wife in retirement in Florida, enjoying golf, his grandchildren and research in the 5th Air Force archives.

Exhibitions have become "the" medium through which most art becomes known and assessed. But the art exhibition is an increasingly critical and unstable category. Constantly reshaped by artists and curators, the exhibition has become both a prominent and diverse part of contemporary culture. "Thinking About Exhibitions" presents a multi-disciplinary anthology of writings on exhibition practice by curators, critics, artists, sociologists and historians from North America, Europe and Australia. Texts in the collection are grouped in sections which focus on the history of the exhibition, forms of staging and spectacle, and questions of curatorship, spectatorship and narrative. As well as critical essays, the anthology includes exhibition proposals, dialogues, position papers, case studies, polemic articles and interviews.

First published in 1987. Passionately praised and equally passionately criticised by contemporary and later writers, the figure of Milton inherited by the twentieth century is by no means unified, despite the appearance of monumental unity his work sometimes acquires in the classroom and in academic criticism. This collection of essays gathers together disparate and often conflicting representations of Milton as author and cultural figure. Critics familiar with the traditions of Milton scholarship and with debates in literary theory reconstruct Milton from evidence provided by his own prose and poetry, by his contemporaries (including some little-known women writers), by Romantics such as Blake and Wordsworth, and, finally, by a tradition of Afro-American writing that reflects Milton's influence in ways previously unexamined by critics. The process of reconstruction can also be seen as a process of "re-membering." The volume draws inspiration from, but also interrogates, the figure used in Areopagita to describe the quest for truth. Likening Truth to the dismembered body of Osiris, Milton urges Truth's friends to seek up and down, gathering "limb by limb" the body scattered through time and space. Re-membering Milton includes work by established critics from both sides of the Atlantic. Together these contributors place Milton and different Milton traditions firmly within the arenas of modem critical debate. As a result, the collection will be of interest to a wide range of readers: scholars concerned with Milton and Renaissance literature and history; advanced undergraduates and graduate students; researchers in women’s studies; and all readers generally concerned with trends in literary and cultural theory.

An anthology of writings on exhibition practice from artists, critics, curators and art historians plus artist-curators. It addresses the contradictions posed by museum and gallery sited exhibitions, as well as investigating the challenge of staging art presentations, displays or performances, in settings outside of traditional museum or gallery locales.

First published in 1987. Passionately praised and equally passionately criticised by contemporary and later writers, the figure of Milton inherited by the twentieth century is by no means unified, despite the appearance of monumental unity his work sometimes acquires in the classroom and in academic criticism. This collection of essays gathers together disparate and often conflicting representations of Milton as author and cultural figure. Critics familiar with the traditions of Milton scholarship and with debates in literary theory reconstruct Milton from evidence provided by his own prose and poetry, by his contemporaries (including some little-known women writers), by Romantics such as Blake and Wordsworth, and, finally, by a tradition of Afro-American writing that reflects Milton's influence in ways previously unexamined by critics. The process of reconstruction can also be seen as a process of "re-membering." The volume draws inspiration from, but also interrogates, the figure used in Areopagita to describe the quest for truth. Likening Truth to the dismembered body of Osiris, Milton urges Truth's friends to seek up and down, gathering "limb by limb" the body scattered through time and space. Re-membering Milton includes work by established critics from both sides of the Atlantic. Together these contributors place Milton and different Milton traditions firmly within the arenas of modem critical debate. As a result, the collection will be of interest to a wide range of readers: scholars concerned with Milton and Renaissance literature and history; advanced undergraduates and graduate students; researchers in women's studies; and all readers generally concerned with trends in literary and cultural theory.

Elizabeth Cary (c.1585-1639) was an accomplished scholar of languages and theology. Her considerable strength of character was demonstrated by her public conversion to Catholicism in 1625 thereby creating an irrevocable rift in her marriage and her family. Her biography, written by her daughter, says she wrote 'for her private recreation' and mentions various works, now lost, including the lives of saints, and poems to the Virgin Mary. She is best known today, however, for the works reproduced here.

A wild ride through Canadian history, fully revised and updated

This new edition of "Canadian History For Dummies" takes readers on a thrilling ride through Canadian history, from indigenous native cultures and early French and British settlements through Paul Martin's shaky minority government. This timely update features all the latest, up-to-the-minute findings in historical and archeological research. In his trademark irreverent style, Will Ferguson celebrates Canada's double-gold in hockey at the 2002 Olympics, investigates Jean Chretien's decision not to participate in the war in Iraq, and dissects the recent sponsorship scandal.

The discovery and re-examination of women authors has been a key part of early modern women's studies, but a major problem has been the inaccessibility of the texts themselves. This series is designed to make available a comprehensive collection of writing in English from 1500 to 1700, both by women and for and about them. Each text is preceded by a short introduction providing an overview of the life and work of the writer, along with a survey of important relevant scholarship. The series is in two parts, covering the periods 1500 to 1640, and 1641 to 1700. It is complemented by a separate facsimile series of essential works and original monographs.

"The Tragedy of Mariam" (1613) is the first original play by a woman to be published in England, and its author is the first English woman writer to be memorialized in a biography, which is included with this edition of the play.
"Mariam" is a distinctive example of Renaissance drama that serves the desire of today's readers and scholars to know not merely how women were represented in the early modern period but also how they themselves perceived their own condition.
With this textually emended and fully annotated edition, the play will now be accessible to all readers. The accompanying biography of Cary further enriches our knowledge of both domestic and religious conflicts in the seventeenth century.

This is a new release of the original 1929 edition.

This is a new release of the original 1930 edition.

This volume presents fifteen original essays that move from structural and thematic subjects to matters of historical and cultural significance. Contributors to Quick Springs of Sense cover a remarkably wide variety of the literary interests and figures of England from the Augustan Age until midcentury including the periodical, Gulliver's Travels, Defoe, Fielding, the episodic novel as a genre, Smollett, Sterne, and the poetry of Swift and Pope. Its variety and liveliness aptly convey the vigor of the neoclassical age itself where there were many quick springs of sense.

With Special Particulars For Intending Settlers.

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

With Special Particulars For Intending Settlers.

With Special Particulars For Intending Settlers.

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!