The distinguished American civil rights leader, W. E. B. Du Bois first published these fiery essays, sketches, and poems individually nearly 80 years ago in the Atlantic, the Journal of Race Development, and other periodicals. Reflecting the author's ideas as a politician, historian, and artist, this volume has long moved and inspired readers with its militant cry for social, political, and economic reforms for black Americans. Essential reading for students of African-American history.

A new edition with a new introduction, Du Bois' radical text is a rare statement of values formed around the vision of a collective life, where the humanity of black women and men is treated with dignity and equality. He expresses his themes through a series of literary forms: polemic essay, spirituals, poetry and short science fiction, each of which forms a pulse of social justice from a time when a true understanding of intersections between poverty, work, racism and feminism was rare. A new title in the Foundations of Black Science Fiction series. FLAME TREE 451: From mystery to crime, supernatural to horror and myth, fantasy and science fiction, Flame Tree 451 offers a healthy diet of werewolves and robots, mad scientists, secret worlds, lost civilizations and escapist fantasies. Discover a storehouse of tales, ancient and modern gathered specifically for the reader of the fantastic. The Foundations titles also explore the roots of modern fiction and brings together neglected works which deserve a wider readership as part of a series of classic, essential books.

Sweeping across African American history and culture in the shadow of slavery and ongoing racism, The Souls of Black Folk laid bare challenging issues sadly still relevant more than 100 years after its first publication. This collection of 14 essays is a cornerstone work of African-American literature. The author examines history and the social conditions of his era, balancing his observations with philosophical asides and autobiographical insights. He describes the central issue of the 20th century as "the problem of the color line" --a divide both visible and invisible, a veil between blacks and the white world that needs to be broken through before those on either side of it can truly know one another. He describes the tension arising from being both black and American as a dual consciousness, a unique identity which had long been a disadvantage but could conceivably become a source of strength. First published in 1903, this profoundly influential text is an acclamation of human rights, a condemnation of the systems that infringe upon them, and one of the most significant books to contribute to the cause of racial equality in US history. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Souls of Black Folk is both modern and readable.

One of the preeminent Black scholars of his era traces the life and bold aspirations of a man who devoted his life to opposing slavery at any cost. W.E.B. Du Bois examines John Brown as a man as well as a motive force behind the abolitionist sympathies that helped lead to the Civil War. He traces Brown's sympathy for slaves to an incident in his youth when he was warmly received by a family that treated their slave with casual brutality. At the time it was written, John Brown was widely considered a fanatic at best, a lunatic at worst, but here he is seen clearly as a man driven by his Christianity and his personal morals to oppose what he clearly perceived as a tremendous wrong in society, and to do so regardless of whatever toll it might take upon him. The author examines Brown's impact on the minds of those who understood that the abolitionist cause was supported primarily by Blacks, on the lives of Blacks who discovered a white man willing to fight and die for their freedom, and by the masses who found that slavery was not only an actionable moral issue, but one of deadly urgency. Originally published in 1909, on the 50th anniversary of Brown's execution, this is W.E.B. Du Bois's only work of biography. Although less known than the author's The Souls of Black Folk or Black Reconstruction in America, John Brown remains a classic distinguished by its author's deep understanding and eloquence. With an eye-catching new cover, and professionally typeset manuscript, this edition of John Brown is both modern and readable.

Undoubtedly the most influential black intellectual of the twentieth century and one of America's finest historians, W.E.B. Du Bois knew that the liberation of African Americans required liberal education and not vocational training. He saw education as a process of teaching certain timeless values: moderation, an avoidance of luxury, a concern for courtesy, a capacity to endure, a nurturing love for beauty. At the same time, Du Bois saw education as fundamentally subversive. This was as much a function of the well-established role of education-from Plato forward-as the realities of the social order under which he lived. He insistently calls for great energy and initiative; for African Americans controlling their own lives and for continued experimentation and innovation, while keeping education's fundamentally radical nature in view. Taken together, these ten essays cover half a century during which the social, political, and technological transformations were unparalleled by any in recorded history. And while Du Bois reflects these changes, certain constants persist: a demand for excellence, sacrifice, and a life of service; and an insistence that while such a life will bring hardships and temptations, it will also bring fulfillment. In Du Bois's view, only with such a life will one truly live. In this affirmation, there runs a particular feeling that the history of African Americans has profoundly influenced their ideas about service, of compassion, of justice. Though containing speeches written nearly one-hundred years ago, and on a subject that has seen more stormy debate and demagoguery than almost any other in recent history, The Education of Black People approaches education with a timelessness and timeliness, at once rooted in classical thought that reflects a remarkably fresh and contemporary relevance.

A thorough account of Africa's history and its lasting influence on Western culture told from the perspective of the disparate descendants who inherited its legacy. W.E.B. Du Bois highlights the hidden stories that connect these varied communities. Originally published in 1915, The Negro presents an expansive analysis of the African diaspora over the course of history. W.E.B. Du Bois uses a critical eye to survey the early depictions of the continent, debunking stereotypical myths about its social structure. He addresses the generational impact of slavery as well as the capitalistic system that made it possible. It's an honest look at the effects of white supremacy, classism and its place in modern society. From Ethiopia and Egypt to the West Indies and Latin America, Africa's influence is undeniable. The Negro sheds light on the ignored history of the continent and its many descendants. It's a vital piece of literature that acknowledges and celebrates its cultural power. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Negro is both modern and readable.

This 100th Anniversary edition of Du Bois's most widely read book offers significant updates and advantages over all other editions of this classic of African American history. A new Introduction by Manning Marable, Du Bois biographer and eminent historian, puts The Souls of Black Folk into context for 21st Century readers and recounts Du Bois's life-long relationship with his text, which Du Bois continued to rework over many decades. A rarely seen 1953 Re-Introduction by Du Bois is included in this edition, as are the many corrections and changes Du Bois made to the original text during this era. Finally, an explication of the Du Bois text in the new Foreword by Charles Lemert helps the reader better understand the book's historical and current relevance, as does the afterword by Cheryl Townsend Gilkes reflecting on Du Bois's influence on feminism.

The Gift of Black Folk (1924) is a book of essays by W. E. B. Du Bois. Written while the author was using his role at The Crisis, the official magazine of the NAACP, to publish emerging Black artists of the Harlem Renaissance, The Gift of Black Folk is a purposeful work of history which revises the narrative of European and British influence and emphasizes the outsized role of African Americans in building the nation and establishing its definitive culture. "[Despite] slavery, war and caste, and despite our present Negro problem, the American Negro is and has been a distinct asset to this country and has brought a contribution without which America could not have been." This thesis could not be stated clearly enough. Recognizing, in the words of Dr. King, "that the keystone in the arch of oppression was the myth of inferiority," Du Bois set out to revise American history to properly tell the story of his people. As he does in his magnum opus Black Reconstruction in America (1935), Du Bois recognizes that the failures of the Reconstruction era were due in large part to an unwillingness to accept Black people, enslaved or free, as human. In these essays, he emphasizes the role of African Americans as workers, soldiers, and explorers, situates them in the movement for women's rights, and celebrates their contribution to the arts and culture of the nation. With a beautifully designed cover and professionally typeset manuscript, this edition of W. E. B. Du Bois' The Gift of Black Folk is a classic of African American literature reimagined for modern readers.

LARGE PRINT EDITION. Sweeping across African American history and culture in the shadow of slavery and ongoing racism, The Souls of Black Folk laid bare challenging issues sadly still relevant more than 100 years after its first publication. This collection of 14 essays is a cornerstone work of African-American literature. The author examines history and the social conditions of his era, balancing his observations with philosophical asides and autobiographical insights. He describes the central issue of the 20th century as “the problem of the color line" --a divide both visible and invisible, a veil between blacks and the white world that needs to be broken through before those on either side of it can truly know one another. He describes the tension arising from being both black and American as a dual consciousness, a unique identity which had long been a disadvantage but could conceivably become a source of strength. First published in 1903, this profoundly influential text is an acclamation of human rights, a condemnation of the systems that infringe upon them, and one of the most significant books to contribute to the cause of racial equality in US history. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Souls of Black Folk is both modern and readable.

When two young people are given a life-changing opportunity they encounter moral and systemic challenges that are directly tied to their racial and economic backgrounds. In The Quest of the Silver Fleece, W.E.B. Du Bois confronts covert discrimination in contemporary America. Cotton, also known as "silver fleece," is still a prized possession in the early-twentieth century. It continues to generate massive profits that are barely distributed amongst its predominantly Black workforce. Zora is a child of the South, and Bles, is a man with Northern sensibilities-yet, they both feel the weight of oppression. Set in Alabama and Washington D.C., The Quest of the Silver Fleece examines the struggle for upward mobility and the compromises to sustain it. As a sociologist, Du Bois explores the ongoing effects of racial inequality in both the North and South. With The Quest of the Silver Fleece, he highlights the glaring disparity between the white establishment and African American labor. It's an explicit indictment of continued oppression in a post-slavery society. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Quest of the Silver Fleece is both modern and readable.

Sweeping across African American history and culture in the shadow of slavery and ongoing racism, The Souls of Black Folk laid bare challenging issues sadly still relevant more than 100 years after its first publication. This collection of 14 essays is a cornerstone work of African-American literature. The author examines history and the social conditions of his era, balancing his observations with philosophical asides and autobiographical insights. He describes the central issue of the 20th century as "the problem of the color line" --a divide both visible and invisible, a veil between blacks and the white world that needs to be broken through before those on either side of it can truly know one another. He describes the tension arising from being both black and American as a dual consciousness, a unique identity which had long been a disadvantage but could conceivably become a source of strength. First published in 1903, this profoundly influential text is an acclamation of human rights, a condemnation of the systems that infringe upon them, and one of the most significant books to contribute to the cause of racial equality in US history. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Souls of Black Folk is both modern and readable.

A thorough account of Africa's history and its lasting influence on Western culture told from the perspective of the disparate descendants who inherited its legacy. W.E.B. Du Bois highlights the hidden stories that connect these varied communities. Originally published in 1915, The Negro presents an expansive analysis of the African diaspora over the course of history. W.E.B. Du Bois uses a critical eye to survey the early depictions of the continent, debunking stereotypical myths about its social structure. He addresses the generational impact of slavery as well as the capitalistic system that made it possible. It's an honest look at the effects of white supremacy, classism and its place in modern society. From Ethiopia and Egypt to the West Indies and Latin America, Africa's influence is undeniable. The Negro sheds light on the ignored history of the continent and its many descendants. It's a vital piece of literature that acknowledges and celebrates its cultural power. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Negro is both modern and readable.

Initially published in 1920, Darkwater: Voices from Within the Veil is a combination of essays that tackle the power dynamics of gender, race and religion. It's a searing portrait of America influenced by Du Bois' own personal experiences. Du Bois delivers a contemporary examination of African American life during the first half of the twentieth century. He addresses issues of segregation, employment disparity and misogyny, specifically toward Black women. Darkwater: Voices from within the Veil is one of his prominent autobiographies, detailing internal and external conflicts and their effect on the whole. He presents an overall indictment of systemic racism, oppression and exploitation of any kind. W.E.B. Du Bois was a celebrated figure who dedicated his life to uplifting and educating the African American community. Darkwater: Voices from within the Veil is a critical part of his enduring legacy. It broaches tough topics and presents a valid critique of American culture. With an eye-catching new cover, and professionally typeset manuscript, this edition of Darkwater: Voices from within the Veil is both modern and readable.

When two young people are given a life-changing opportunity they encounter moral and systemic challenges that are directly tied to their racial and economic backgrounds. In The Quest of the Silver Fleece, W.E.B. Du Bois confronts covert discrimination in contemporary America. Cotton, also known as "silver fleece," is still a prized possession in the early-twentieth century. It continues to generate massive profits that are barely distributed amongst its predominantly Black workforce. Zora is a child of the South, and Bles, is a man with Northern sensibilities-yet, they both feel the weight of oppression. Set in Alabama and Washington D.C., The Quest of the Silver Fleece examines the struggle for upward mobility and the compromises to sustain it. As a sociologist, Du Bois explores the ongoing effects of racial inequality in both the North and South. With The Quest of the Silver Fleece, he highlights the glaring disparity between the white establishment and African American labor. It's an explicit indictment of continued oppression in a post-slavery society. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Quest of the Silver Fleece is both modern and readable.

The Gift of Black Folk (1924) is a book of essays by W. E. B. Du Bois. Written while the author was using his role at The Crisis, the official magazine of the NAACP, to publish emerging Black artists of the Harlem Renaissance, The Gift of Black Folk is a purposeful work of history which revises the narrative of European and British influence and emphasizes the outsized role of African Americans in building the nation and establishing its definitive culture. "[Despite] slavery, war and caste, and despite our present Negro problem, the American Negro is and has been a distinct asset to this country and has brought a contribution without which America could not have been." This thesis could not be stated clearly enough. Recognizing, in the words of Dr. King, "that the keystone in the arch of oppression was the myth of inferiority," Du Bois set out to revise American history to properly tell the story of his people. As he does in his magnum opus Black Reconstruction in America (1935), Du Bois recognizes that the failures of the Reconstruction era were due in large part to an unwillingness to accept Black people, enslaved or free, as human. In these essays, he emphasizes the role of African Americans as workers, soldiers, and explorers, situates them in the movement for women's rights, and celebrates their contribution to the arts and culture of the nation. With a beautifully designed cover and professionally typeset manuscript, this edition of W. E. B. Du Bois' The Gift of Black Folk is a classic of African American literature reimagined for modern readers.

The Comet (1920) is a science fiction story by W. E. B. Du Bois. Written while the author was using his role at The Crisis, the official magazine of the NAACP, to publish emerging black artists of the Harlem Renaissance, The Comet is a pioneering work of speculative fiction which imagines a catastrophic event not only decimating New York City, but bringing an abrupt end to white supremacy. "How silent the street was! Not a soul was stirring, and yet it was high-noon-Wall Street? Broadway? He glanced almost wildly up and down, then across the street, and as he looked, a sickening horror froze in his limbs." Sent to the vault to retrieve some old records, bank messenger Jim Davis emerges to find a city descended into chaos. A comet has passed overhead, spewing toxic fumes into the atmosphere. All of lower Manhattan seems frozen in time. It takes him a few moments to see the bodies, piled into doorways and strewn about the eerily quiet streets. When he comes to his senses, he finds a wealthy woman asking for help. Soon, it becomes clear that they could very well be the last living people in the planet, that the fate of civilization depends on their ability to come together, not as black and white, but as two human beings. But how far will this acknowledgment take them? With a beautifully designed cover and professionally typeset manuscript, this edition of W. E. B. Du Bois' The Comet is a classic work of African American literature reimagined for modern readers.

The second edition of this strong collection brings together classical statements on social stratification with current and original scholarship, providing a foundation for theoretical debate on the nature of race, class, and gender inequality. Designed for students in courses on social stratification, inequality, and social theory, this new edition includes a revised and updated editor's introduction and conclusion, along with five new chapters on race and gender from distinguished scholars in the field.

The second edition of this strong collection brings together classical statements on social stratification with current and original scholarship, providing a foundation for theoretical debate on the nature of race, class, and gender inequality. Designed for students in courses on social stratification, inequality, and social theory, this new edition includes a revised and updated editor's introduction and conclusion, along with five new chapters on race and gender from distinguished scholars in the field.