Originally published in 1947, The Vertical Man explores a form of Indian sculpture largely ignored in other studies, with a focus on two kinds of sculpture from the province of Bihar. The book provides detailed analysis of the formal characteristics of the sculpture and the influences of the myth, ritual, and context in which they were commissioned and made. It explains why the sculpture is regional and "why the styles are what they are". It is an original study which throws light on important subjects such as the relations of art and religion and of art and economics. The Vertical Man will appeal to those with an interest in art, specifically sculpture and the art of the Indian countryside.

Originally published in 1963, The Love Songs of Vidy�pati explores one hundred poems by the poet Vidy�pati. The book opens with an extensive introduction providing an overview into the life of Vidy�pati and offering a wealth of information relating to the themes, development, and significance of his poetry. The poems are accompanied by detailed notes and enhanced further by a selection of illustrations. The Love Songs of Vidy�pati will appeal to anyone with an interest in poetry, literary history, and Indian cultural history.

This book, first published in 1957, was the first in English to provide a full and clear introduction to one of the most significant of Indian gods, and stresses his supreme role in Indian religion and art. The book relates the full Krishna story, explaining his role in Indian religion, and traces the history of Krishna in Indian painting. There are 39 plates of Indian pictures, each accompanied by a commentary by the author, revealing a wealth of subtle and poetic detail.

This book, first published in 1957, was the first in English to provide a full and clear introduction to one of the most significant of Indian gods, and stresses his supreme role in Indian religion and art. The book relates the full Krishna story, explaining his role in Indian religion, and traces the history of Krishna in Indian painting. There are 39 plates of Indian pictures, each accompanied by a commentary by the author, revealing a wealth of subtle and poetic detail.

Originally published in 1974, The Hill of Flutes, is a descriptive account of the Santals and their poetry in their heartland of the Santal Parganas. The book explores the Santal world view, including approaches to education, love, sex, and marriage. It describes and discusses Santal dances, festivals and ceremonies, and other key events and gatherings, such as annual hunts. Through the close consideration of song and poetry, The Hills of Flutes offers an engaging insight into life in Santal society.

Originally published in 1940, The Blue Grove is a study of the poetry of the Uraons. This unique consideration of the poetry and folk song of the Uraons presents a wide range of poems organised by theme, including dance poems, cultivation poems, and marriage poems. It also includes examples of a Uraon marriage sermon, a Uraon farewell address, and Uraon riddles. The poems are preceded by a detailed analysis of Uraon marriages and dancing, providing important contextual information. The Blue Grove will appeal to anyone with an interest in the rich history of Uraon folk songs, poetry, and dance.

Originally published in 1974, The Hill of Flutes, is a descriptive account of the Santals and their poetry in their heartland of the Santal Parganas. The book explores the Santal world view, including approaches to education, love, sex, and marriage. It describes and discusses Santal dances, festivals and ceremonies, and other key events and gatherings, such as annual hunts. Through the close consideration of song and poetry, The Hills of Flutes offers an engaging insight into life in Santal society.

Originally published in 1963, The Love Songs of Vidyapati explores one hundred poems by the poet Vidyapati. The book opens with an extensive introduction providing an overview into the life of Vidyapati and offering a wealth of information relating to the themes, development, and significance of his poetry. The poems are accompanied by detailed notes and enhanced further by a selection of illustrations. The Love Songs of Vidyapati will appeal to anyone with an interest in poetry, literary history, and Indian cultural history.

Originally published in 1940, The Blue Grove is a study of the poetry of the Uraons. This unique consideration of the poetry and folk song of the Uraons presents a wide range of poems organised by theme, including dance poems, cultivation poems, and marriage poems. It also includes examples of a Uraon marriage sermon, a Uraon farewell address, and Uraon riddles. The poems are preceded by a detailed analysis of Uraon marriages and dancing, providing important contextual information. The Blue Grove will appeal to anyone with an interest in the rich history of Uraon folk songs, poetry, and dance.

Originally published in 1947, The Vertical Man explores a form of Indian sculpture largely ignored in other studies, with a focus on two kinds of sculpture from the province of Bihar. The book provides detailed analysis of the formal characteristics of the sculpture and the influences of the myth, ritual, and context in which they were commissioned and made. It explains why the sculpture is regional and "why the styles are what they are". It is an original study which throws light on important subjects such as the relations of art and religion and of art and economics. The Vertical Man will appeal to those with an interest in art, specifically sculpture and the art of the Indian countryside.