Silent Catastrophes encompasses two major books of literary criticism, Describing Disaster (1985) and Strange Homeland (1991). These collections of essays examine the great German writers of modernity, including Franz Kafka, Joseph Roth, Elias Canetti and Thomas Bernheard, who were among Sebald's most important influences as a writer.

New Directions is delighted to announce beautiful new editions of these three classic Sebald novels, including his two greatest works, The Emigrants and The Rings of Saturn. All three novels are distinguished by their translations, every line of which Sebald himself made pitch-perfect, slaving to carry into English all his essential elements: the shadows, the lambent fallings-back, nineteenth-century Germanic undertones, tragic elegiac notes, and his unique, quiet wit.

The first-ever volume of the photographs of German writer W.G. Sebald, exquisitely designed to shed new light on his creative process, as it chronicles the images and encounters that shaped his writing life. Shadows of Reality presents a unique, fully illustrated catalogue of W.G. Sebald's photographs- an extraordinary combination of film negatives, prints, and slides from the University of East Anglia's photographic collection, the Deutsches Literaturarchiv Marbach, and the Sebald Estate. Complementing the exhibition Lines of Sight- W.G. Sebald's East Anglia and edited by literary scholar Clive Scott and photography curator Nick Warr, this wonderfully comprehensive book covers the multiple photographic facets of Sebald's published work and includes a substantial amount of material that has not been made public before. Introduced by Nick Warr, who offers an intriguing overview of the author's critical relationship to photography, Shadows of Reality also includes an illuminating interview with Michael Brandon-Jones, the photographer who collaborated with Sebald on all of his publications. The book features a collection of extracts-principally on photography-from interviews with Sebald himself, bequeathed to the archive of recordings held at the University of East Anglia by his close friend Gordon Turner, who also provides a memoir. Accompanying these are inspired essays by Clive Scott and Angela Breidbach on Sebald's writing-with-photographs and the complex and mercurial interactions of those photographs with narrative design. A deeply important collection for anyone interested in Sebald's creative processes or the ways in which photography might serve fiction, Shadows of Reality is an inexhaustible treasure trove of new discoveries and revelations about the cherished international author.

In the last years of World War II, the Allies dropped a million bombs on Germany. Yet the German people have been silent about the resulting devestation and loss of life, failing to recognise the terrible shadow that destruction from the air cast over their land. Here W.G. Sebald asks why it is we turn our backs on the horrors of war, and in addressing our response to the past, offers insights into how we live now.

The Rings of Saturn-with its curious archive of photographs-records a walking tour of the eastern coast of England. A few of the things which cross the path and mind of its narrator (who both is and is not Sebald) are lonely eccentrics, Sir Thomas Browne's skull, a matchstick model of the Temple of Jerusalem, recession-hit seaside towns, wooded hills, Joseph Conrad, Rembrandt's "Anatomy Lesson," the natural history of the herring, the massive bombings of WWII, the dowager Empress Tzu Hsi, and the silk industry in Norwich. W.G. Sebald's The Emigrants (New Directions, 1996) was hailed by Susan Sontag as an "astonishing masterpiece perfect while being unlike any book one has ever read." It was "one of the great books of the last few years," noted Michael Ondaatje, who now acclaims The Rings of Saturn "an even more inventive work than its predecessor, The Emigrants."

The four long narratives in The Emigrants appear at first to be the straightforward biographies of four Germans in exile. Sebald reconstructs the lives of a painter, a doctor, an elementary-school teacher, and Great Uncle Ambrose. Following (literally) in their footsteps, the narrator retraces routes of exile which lead from Lithuania to London, from Munich to Manchester, from the South German provinces to Switzerland, France, New York, Constantinople, and Jerusalem. Along with memories, documents, and diaries of the Holocaust, he collects photographs-the enigmatic snapshots which stud The Emigrants and bring to mind family photo albums. Sebald combines precise documentary with fictional motifs, and as he puts the question to realism, the four stories merge into one unfathomable requiem.

A Place in the Country is a window into the brilliant mind of W. G. Sebald 'The greatest writer of our time' Peter Carey When W. G. Sebald travelled to Manchester in 1966, he packed in his bags certain literary favourites which would remain central to him throughout the rest of his life and during the years when he was settled in England. In A Place in the Country, he reflects on six of the figures who shaped him as a person and as a writer, from Jean-Jacques Rousseau to Jan Peter Tripp. Fusing biography and essay, and finding, as ever, inspiration in place - as when he journeys to the Ile St. Pierre, the tiny, lonely Swiss island where Jean-Jacques Rousseau found solace and inspiration - Sebald lovingly brings his subjects to life in his distinctive, inimitable voice. 'A fascinating volume that confirms Sebald as one of Europe's most mysterious and best-loved literary imaginations' Evening Standard 'Sebald was in possession of the uncanny ability to make his own intellectual obsessions, immediately, compulsively his reader's' Observer 'Irresistible . . . an intimate anatomy of the pathos, absurdity and perverse splendour of trying to find patterns in the chaos of the world' Independent W . G. Sebald was born in Wertach im Allgau, Germany, in 1944 and died in December 2001. He studied German language and literature in Freiburg, Switzerland and Manchester. In 1996 he took up a position as an assistant lecturer at the University of Manchester and settled permanently in England in 1970. He was Professor of European Literature at the University of East Anglia and is the author of The Emigrants, The Rings of Saturn, Vertigo, Austerlitz, After Nature, On the Natural History of Destruction, Campo Santo, Unrecounted and a selection of poetry, Across the Land and the Water. Jo Catling taught German for a number of years alongside W. G. Sebald at the University of East Anglia, where she is currently a senior lecturer in the School of Literature, Drama and Creative Writing.

Perfectly titled, Vertigo -W.G. Sebald's marvelous first novel - is a work that teeters on the edge: compelling, puzzling, and deeply unsettling. An unnamed narrator, beset by nervous ailments, journeys accross Europe to Vienna, Venice, Verona, Riva, and finally to his childhood home in a small Bavarian village. He is also journeying into the past. Traveling in the footsteps of Stendhal, Casanova, and Kafka, the narrator draws the reader, line by line, into a dizzying web of history, biography, legends, literature, and - most perilously - memories.

Austerlitz is W. G. Sebald's haunting novel of post-war Europe. In 1939, five-year-old Jacques Austerlitz is sent to England on a Kindertransport and placed with foster parents. This childless couple promptly erase from the boy all knowledge of his identity and he grows up ignorant of his past. Later in life, after a career as an architectural historian, Austerlitz - having avoided all clues that might point to his origin - finds the past returning to haunt him and he is forced to explore what happened fifty years before. Austerlitz is W.G. Sebald's melancholic masterpiece. 'Mesmeric, haunting and heartbreakingly tragic. Simply no other writer is writing or thinking on the same level as Sebald' Eileen Battersby, Irish Times 'Greatness in literature is still possible' John Banville, Irish Times, Books of the Year 'A work of obvious genius' Literary Review 'A fusion of the mystical and the solid ... His art is a form of justice - there can be, I think, no higher aim' Evening Standard 'Spellbindingly accomplished; a work of art' The Times Literary Supplement 'I have never read a book that provides such a powerful account of the devastation wrought by the dispersal of the Jews from Prague and their treatment by the Nazis' Observer 'A great book by a great writer' Boyd Tonkin, Independent W . G. Sebald was born in Wertach im Allgau, Germany, in 1944 and died in December 2001. He studied German language and literature in Freiburg, Switzerland and Manchester. In 1996 he took up a position as an assistant lecturer at the University of Manchester and settled permanently in England in 1970. He was Professor of European Literature at the University of East Anglia and is the author of The Emigrants, The Rings of Saturn, Vertigo, Austerlitz, After Nature, On the Natural History of Destruction, Campo Santo, Unrecounted, A Place in the Country. His selected poetry is published in a volume called Across the Land and the Water.

A classic novel of post-war Europe, haunting and timelessly beautiful 'The greatest writer of our time' Peter Carey In 1939, five-year-old Jacques Austerlitz is sent to England on a Kindertransport and placed with foster parents. This childless couple promptly erase from the boy all knowledge of his identity and he grows up ignorant of his past. Later in life, after a career as an architectural historian, Austerlitz - having avoided all clues that might point to his origin - finds the past returning to haunt him and he is forced to explore what happened fifty years before. Austerlitz is W.G. Sebald's melancholic masterpiece. 'Mesmeric, haunting and heartbreakingly tragic. Simply no other writer is writing or thinking on the same level as Sebald' Eileen Battersby, Irish Times 'Greatness in literature is still possible' John Banville, Irish Times, Books of the Year 'A work of obvious genius' Literary Review 'A fusion of the mystical and the solid ... His art is a form of justice - there can be, I think, no higher aim' Evening Standard 'Spellbindingly accomplished; a work of art' The Times Literary Supplement 'I have never read a book that provides such a powerful account of the devastation wrought by the dispersal of the Jews from Prague and their treatment by the Nazis' Observer 'A great book by a great writer' Boyd Tonkin, Independent W . G. Sebald was born in Wertach im Allgau, Germany, in 1944 and died in December 2001. He studied German language and literature in Freiburg, Switzerland and Manchester. In 1996 he took up a position as an assistant lecturer at the University of Manchester and settled permanently in England in 1970. He was Professor of European Literature at the University of East Anglia and is the author of The Emigrants, The Rings of Saturn, Vertigo, Austerlitz, After Nature, On the Natural History of Destruction, Campo Santo, Unrecounted, A Place in the Country. His selected poetry is published in a volume called Across the Land and the Water.

Encountering an eccentric cast of characters along the way, Sebald confronts the frailty of human existence as he voyages along the Suffolk coast on foot. What begins as the record of a journey on foot through coastal East Anglia becomes the great, constellated story of people and cultures past and present: of Chateaubriand, Thomas Browne, Swinburne and Conrad, of fishing fleets, skulls and silkworms. A rich meditation on the past via a melancholy trip along the Suffolk coast, The Rings of Saturn is an intricately patterned and haunting book on the transience of all things human. VINTAGE VOYAGES: A world of journeys, from the tallest mountains to the depths of the mind

At first The Emigrants appears simply to document the lives of four Jewish émigrés in the twentieth century. But gradually, as Sebald's precise, almost dreamlike prose begins to work its magic, the four narrations merge into one overwhelming evocation of exile and loss.

This tenth anniversary edition of W. G. Sebald's celebrated masterpiece includes a new Introduction by acclaimed critic James Wood. "Austerlitz" is the story of a man's search for the answer to his life's central riddle. A small child when he comes to England on a "Kindertransport" in the summer of 1939, Jacques Austerlitz is told nothing of his real family by the Welsh Methodist minister and his wife who raise him. When he is a much older man, fleeting memories return to him, and obeying an instinct he only dimly understands, Austerlitz follows their trail back to the world he left behind a half century before. There, faced with the void at the heart of twentieth-century Europe, he struggles to rescue his heritage from oblivion.

A powerful work by the heralded writer, this collection is a touchstone event in German literature of the post-war era. On April 8, 1945, several American bomber squadrons were informed that their German targets were temporarily unavailable due to cloud cover. As it was too late to turn back, the assembled ordnance of more than two hundred bombers was diverted to nearby Halberstadt. A mid-sized cathedral town of no particular industrial or strategic importance, Halberstadt was almost totally destroyed, and a then-thirteen-year-old Alexander Kluge watched his town burn to the ground. Incorporating photographs, diagrams, and drawings, Kluge captures the overwhelming rapidity and totality of the organized destruction of his town from numerous perspectives, bringing to life both the strategy from above and the futility of the response on the ground. Originally published in German in 1977, this exquisite report, fragmentary and unfinished, is one of Kluge's most personal works and one of the best examples of his literary technique. The English edition of Air Rair includes additional new stories by the author and features an appreciation of the work by W. G. Sebald. "More than a few of Kluge's many books are essential, brilliant achievements. None are without great interest."-Susan Sontag

Part fiction, part travelogue, the narrator of this compelling masterpiece pursues his solitary, eccentric course from England to Italy and beyond, succumbing to the vertiginous unreliability of memory itself. What could possibly connect Stendhal's unrequited love, the artistry of Pisanello, a series of murders by a clandestine organisation, a missing passport, Casanova, the suicide of a dinner companion, stale apple cake, the Great Fire of London, a story by Kafka about a doomed huntsman and a closed-down pizzeria in Verona?

A Walking tour through the haunted landscapes of the past, in the company of the exiled and the departed.The Rings of Saturn begins as the record of a journey on foot through coastal East Anglia. From Lowestoft to Southwold to Bungay, Sebald's own story becomes the conductor of evocations of people and cultures past and present: of Chateau briand, Thomas Browne, Swinburne and Conrad, of fishing fleets, skulls and silkworms. The result is a book unlike any other in contemporary literature, an intricately patterned and endlessly thought-provoking meditation on the transience of all things human.

Three men walk the pages of W. G. Sebald’s first literary work – the painter Mathias Grünewald, the botanist G. W. Steller and W. G. Sebald himself. Written as a long poem in three parts, After Nature delves into each of these lives in turn, teasing out the haunting uncertainties of the past and revealing the terrible burden that history places on all of our shoulders.

Unrecounted combines thirty-three of what W. G. Sebald called his "micropoems" miniatures as unclassifiable as all of his works with thirty-three exquisitely exact lithographs by one of his oldest friends, the acclaimed artist Jan Peter Tripp. The lithographs portray, with stunning precision, pairs of eyes the eyes of Beckett, Borges, Proust Jasper Johns, Francis Bacon, Tripp, Sebald, Sebald's dog Maurice. Brief as haiku, the poems are epiphanic and anti-narrative. What the author calls "time lost, the pain of remembering, and the figure of death" here find a small home. The art and poems do not explain one another, but rather engage in a kind of dialogue. "The longer I look at the pictures of Jan Peter Tripp," Sebald comments in his essay, "the better I understand that behind the illusions of the surface, a dread-inspiring depth is concealed. It is the metaphysical lining of reality, so to speak."

Campo Santo is a collection of essays by W. G. Sebald When W.G. Sebald died tragically in 2001 a unique voice was silenced. Campo Santo is a collection of the pieces he left behind - none of them previously published in book form - which provide a powerful insight into the themes that came to dominate his life. Four pieces pay tribute to Corsica, weaving elegiacally between past and present. Sebald also examines the works of writers such as Kafka, Nabokov, and Gunter Grass, showing both how literature can provide restitution for the injustices of the world and how such literature came to have so great an influence on him. Campo Santo is a fitting memorial to W.G. Sebald, who himself studied the shifting nature of memory and time with such sensitivity. 'A precious addition to the canon' Independent 'Will come to be seen as indispensable to an understanding of his work' Sunday Times 'Full of a sense of liberation and lightness ... these [pieces] abound in energy and work the authentic Sebaldian magic' Literary Review 'We have become suspicious, rightly, of claims for literary greatness, but in Sebald's case the claim was triumphantly justified. He was, he is, the real thing' John Banville, Guardian 'Sebald was probably the greatest intellect and voice of the late twentieth century' Anthony Beevor, The Times 'A writer whose explorations of time and memory make him arguably the closest author modern European letters has to rival Borges' Sunday Times W . G. Sebald was born in Wertach im Allgau, Germany, in 1944 and died in December 2001. He studied German language and literature in Freiburg, Switzerland and Manchester. In 1996 he took up a position as an assistant lecturer at the University of Manchester and settled permanently in England in 1970. He was Professor of European Literature at the University of East Anglia and is the author of The Emigrants, The Rings of Saturn, Vertigo, Austerlitz, After Nature, On the Natural History of Destruction, Campo Santo, Unrecounted, For Years Now and A Place in the Country. His selected poetry is published in a volume called Across the Land and the Water.

During World War Two, 131 German cities and towns were targeted by Allied bombs, a good number almost entirely flattened. Six hundred thousand German civilians died--a figure twice that of all American war casualties. Seven and a half million Germans were left homeless. Given the astonishing scope of the devastation, W. G. Sebald asks, why does the subject occupy so little space in Germany's cultural memory? On the Natural History of Destruction probes deeply into this ominous silence.

After Nature, W. G. Sebald’s first literary work, now translated into English by Michael Hamburger, explores the lives of three men connected by their restless questioning of humankind’s place in the natural world. From the efforts of each, “an order arises, in places beautiful and comforting, though more cruel, too, than the previous state of ignorance.” The first figure is the great German Re-naissance painter Matthias Grünewald. The second is the Enlightenment botanist-explorer Georg Steller, who accompanied Bering to the Arctic. The third is the author himself, who describes his wanderings among landscapes scarred by the wrecked certainties of previous ages.

After Nature introduces many of the themes that W. G. Sebald explored in his subsequent books. A haunting vision of the waxing and waning tides of birth and devastation that lie behind and before us, it confirms the author’s position as one of the most profound and original writers of our time.


From the Hardcover edition.

"A splendid addition to an already extraordinary oeuvre."--Teju Cole, "The New Yorker"
German-born W. G. Sebald is best known as the innovative author of "Austerlitz, "the prose classic of World War II culpability and conscience that put its author in the company of Nabokov, Calvino, and Borges. Now comes the first major collection of this literary master's poems. Skillfully translated by Iain Galbraith, they range from pieces Sebald wrote as a student in the sixties to those completed right before his untimely death in 2001. In nearly one hundred poems--the majority published in English for the first time--Sebald explores his trademark themes, from nature and history, to wandering and wondering, to oblivion and memory. Soaring and searing, the poetry of W. G. Sebald is an indelible addition to his superb body of work, and this collection is bound to become a classic in its own right.
"How fortunate we are to have this writer's startling imagination freshly on display once again, expressed in language honed to a perfect simplicity."--Billy Collins
"A watershed volume . . . nothing less than transcendent."--"BookPage"
" Sebald was] a defining writer of his era."--"The New Republic"

In this final collection of sixteen essays by W. G. Sebald, one of the most elegant and incisive authors of our time, all of his trademark themes are contained-the power of memory and personal history, the connections between images in the arts and life, the presence of ghosts in places and artifacts.
Four pieces pay tribute to the Mediterranean island of Corsica, weaving elegiacally between past and present. In "A Little Excursion to Ajaccio," Sebald visits the birthplace of Napoleon and muses on the hints in his childhood home of a great man's future. Inspired by an Italian cemetery, "Campo Santo" is a reverie on death, ranging from the ambiguity of inscriptions to the size of and adornment of gravestones to the blood-soaked legend of Saint Julien.
Sebald also examines how the works of Gunter Grass and Heinrich Boll reveal "the grave and lasting deformities in the emotional lives" of postwar Germans, how Kafka echoes Sebald's own interest in spirit presences among mortal beings, and how literature can be an attempt at restitution for the injustices of the real world.
Dazzling in its erudition, accessible in its deep emotion, "Campo Santo confirms Sebald's place beside Proust and Nabokov, great writers who perceive the invisible connections that determine our lives.

"From the Hardcover edition.