"The Plain Speaker" was the last great original work of William Hazlitt (1778-1830), the finest prose writer of the romantic period. It is written with characteristic passion, and displays his erudition and wit to fine effect in some of his most important essays: "On the Prose-Style of Poets," "On the Conversation of Authors," "On Reason and Imagination," and "On Envy," to name a few.

In this selection from the two-volume "Plain Speaker," Tom Paulin and Duncan Wu have given priority to essays that address key critical issues both in romantic studies today and the poetics of prose. The volume contains a brilliant introduction to the central themes of the volume by Tom Paulin who reads Hazlitt's improvisatory, intensely physical and tactile prose, along a dazzling line of critical discourse that ranges from Burke to Barthes and Derrida, embracing en route, Lawrence and Hughes, Picasso and Pollock, and Stravinsky.

Appended are: the "Advertisement" to the Paris edition of "Table Talk" in which Hazlitt speaks of combining literary and conversational styles; "A Half-length" portrait by Hazlitt of the Tory politician and reviewer John Wilson Croker, an impassioned piece of writing revealed here to have been of demonstrable importance to Charles Dickens; and another portrait in words, this time of Hazlitt, by John Hamilton Reynolds, the friend of Keats.

William Hazlitt (1778-1830) was one of the greatest of English essayists, and this selection offers a wide range of his writings: it begins with Hazlitt's comments on the romantic poets who were his contemporaries, Wordsworth and Coleridge; it goes on to give a flavour of his influential views on the theatre and the visual arts; and it finishes with some fascinating accounts of the leisure activities of the Romantics, from boxing to juggling to rambles in the countryside. The selection was made by George Sampson in 1917 and reprinted many times thereafter, and the essays are offered with annotations that not only illuminate the texts, but are themselves now of interest as reflecting the period in which they were written. Cambridge University Press is delighted to bring this classic edition back into print.

"The Plain Speaker" was the last great original work of William Hazlitt (1778-1830), the finest prose writer of the romantic period. It is written with characteristic passion, and displays his erudition and wit to fine effect in some of his most important essays: "On the Prose-Style of Poets," "On the Conversation of Authors," "On Reason and Imagination," and "On Envy," to name a few.

In this selection from the two-volume "Plain Speaker," Tom Paulin and Duncan Wu have given priority to essays that address key critical issues both in romantic studies today and the poetics of prose. The volume contains a brilliant introduction to the central themes of the volume by Tom Paulin who reads Hazlitt's improvisatory, intensely physical and tactile prose, along a dazzling line of critical discourse that ranges from Burke to Barthes and Derrida, embracing en route, Lawrence and Hughes, Picasso and Pollock, and Stravinsky.

Appended are: the "Advertisement" to the Paris edition of "Table Talk" in which Hazlitt speaks of combining literary and conversational styles; "A Half-length" portrait by Hazlitt of the Tory politician and reviewer John Wilson Croker, an impassioned piece of writing revealed here to have been of demonstrable importance to Charles Dickens; and another portrait in words, this time of Hazlitt, by John Hamilton Reynolds, the friend of Keats.

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

With Notes From All The Commentators, Biographical And Bibliographical Notices, Etc. In Four Volumes.

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

Title: The Pathos of Poverty. In verse.]Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The POETRY & DRAMA collection includes books from the British Library digitised by Microsoft. The books reflect the complex and changing role of literature in society, ranging from Bardic poetry to Victorian verse. Containing many classic works from important dramatists and poets, this collection has something for every lover of the stage and verse. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Roberts, W. Hazlitt; null 8 . 11651.k.52.

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.