In "African American Childhoods, " historian Wilma King presents a selection of her essays, both unpublished and published, which together provide a much-needed survey of more than three centuries of African American children's experiences. Organized chronologically, the volume uses the Civil War to divide the book into two parts: part one addresses the enslavement of children in Africa and explores how they lived in antebellum America; part two examines the issues affecting black children since the Civil War and into the twenty-first century. Topics include the impact of the social and historical construction of race on their development, the effects of violence, and the heroic efforts of African American children when subjected to racism at its worst during the civil rights movement.

Although C. S. Lewis is best known for his prose and for his clear, lucid literary criticism, Christian apologetics, and imaginative Ransom and Narnia stories, he considered himself a poet for the first two and a half decades of his life. Owen Barfield recalls that anyone who met Lewis as a young man in the early 1920s at Oxford University quickly learned he was one ""whose ruling passion was to become a great poet. At that time if you thought of Lewis you automatically thought of poetry."" The Collected Poems of C. S. Lewis offers readers, for the first time, a one-volume collection of Lewis's poetry, including many poems that have never appeared in print. With the poems arranged in chronological order, this volume allows readers the opportunity to compare the poetry Lewis was writing while he was also writing his fiction and nonfiction prose.Beginning with his earliest lyric poems from 1907, The Collected Poems of C. S. Lewis follows Lewis's efforts to write long, narrative poems, which were particularly influenced by Norse mythology. His outburst of lyric poetry as a young man in the trenches during World War I culminates in his first published work, Spirits in Bondage (1919), followed by his most ambitious narrative poem, Dymer (1926). Both volumes afford unique insights into Lewis the atheist. After his conversion to Christianity in 1930, Lewis wrote a collection of sixteen religious lyrics that he included in The Pilgrim's Regress (1933); as a group, these are considered among his best poems. Until his death in 1963, Lewis continued writing and publishing poetry, often appearing in journals and magazines under his pseudonym N. W., shorthand for the Anglo-Saxon nat whilk, ""[I know] not whom."" As a whole, these latter poems are either occasional verses, burlesques, and erudite satires or they are contemplative poems musing upon the human condition and its pain, joy, suffering, pride, love, doubt, and faith. The Collected Poems of C. S. Lewis demonstrates a dedicated, determined, and passionate poet at work and illustrates the degree and depth to which poetry shaped Lewis's literary, intellectual, ?aemotional, and spiritual life.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

This original book explores the character of cultural governance of arts and cultural institutions in eight countries across five continents. Examining strategy and decision-making at an organisational level, this is the first empirical contribution on cultural policy and management, revealing how it is applied across the globe in otherwise unexplored countries. Concerned with the assumption that 'one-size fits all', the chapter authors analyse how cultural governance is managed within arts organizations in a range of countries to assess whether some locations are trying to apply unsuitable models. The chapters aim to discover and assess new practices to benefit the understanding of cultural governance and the arts sector which have as yet been excluded from the literature. As a collection of local accounts, this book offers a broad and rich perspective on managing cultural governance around the world.

The modern turn in political philosophy established the ontological primacy of the ego, reducing the community to a mere assemblage of individuals, and led to the repudiation of natural duties in favor of inherent individual rights. The modern project culminated in the work of Friedrich Nietzsche, whose emphasis on radical individuation left human beings both liberated and exiled. Individuals were free to create (and to recreate) themselves anew, but they were simultaneously uprooted from any larger community. Indeed, the very possibility of shared meaning, let alone shared political life, was called into question. This volume consists of essays addressing the efforts of philosophers, artists, caretakers, and-perhaps most importantly-teachers to reestablish a foundation for political life in postmodernity. The origins of these efforts are diverse, and their modes are varied. Individuals seek communion with the divine, either with or through others; they pursue friendship among strangers; and they search for meaningful relationships in both the classroom and the public square. Reflecting the various means by which individuals seek communion with others and with the transcendent, divine Other, the essays contained in this volume explore the modes through which individuals forge relationships with others in an age of isolation.

The Breeding Of Contempt, details two horrific events in the Nation's history. The 1973 mass murder of seven people in Washington, D.C., and the 1977 siege on Washington that left a reporter dead, and nearly took the life of a popular city councilman. The book also introduces readers to a literary first, a Black family hiding in the Federal Witness Protection Program. The Breeding of Contempt reintroduces the reading public to some of the Black leaders of the 1960's and 1970?s, and also introduces others who would become powerful a decade later. Finally, the book gives its readers a glimpse into a virtually unknown group, the Black mafia, who operated in Philadelphia in the 1970?s, terrorizing the citizenry of Philadelphia.

Although Ruth Pitter (1897 1992) is not well known, her credentials as a poet are extensive, and in England from the mid-1930s to the mid-1970s she maintained a modest yet loyal readership. In total she produced eighteen volumes of new and collected verse. Her A Trophy of Arms (1936) won the Hawthornden Prize for Poetry in 1937, and in 1954 she was awarded the William E. Heinemann Award for The Ermine (1953). Most notably, perhaps, she became the first woman to receive the Queen s Gold Medal for Poetry in 1955. Furthermore, from 1946 to 1972 she was often a guest on BBC radio and television programs, In 1974 The Royal Society of Literature elected her to its highest honor, a Companion of Literature, and in 1979 she received her last national award when she was appointed a Commander of the British Empire. Pitter was a voluminous letter writer. Her friends and correspondents read like a Who s Who of twentieth-century British literary luminaries, including AE (George Russell), A. R. Orage, Hiliare Belloc, Walter de la Mare, Julian Huxley, John Masefield, Phillip and Ottoline Morrell, George Orwell, Dylan Thomas, T. S. Eliot, C. S. Lewis, James Stephens, Dorothy L. Sayers, Siegfried Sassoon, Virginia Sackville-West, Dorothy Wellesley, Lord David Cecil, John Betjeman, Evelyn Waugh, John Wain, Kathleen Raine, and May Sarton. Stylistically Pitter s letters are marked by crisp prose, precise imagery, and elegant simplicity reflecting a well-read and vigorous mind lithe, curious, penetrating, analytical, and perceptive. Of more her more than one thousand letters covering the years 1908-1988, I publish here a generous selection. I believe these selected letters go a long way toward illustrating Pitter s desire to reach a public interested in her as both a poet and personal commentator. These letters offer an understanding of the silent music, the dance in stillness, the hints and echoes and messages of which everything is full reflected in her life and poetry. In total they provide an essential introduction to the work of this neglected twentieth-century poet."

The first full biography of Warren Lewis, brother and secretary of C. S. LewisDetailing the life of Warren Hamilton Lewis, author Don W. King gives us new insights into the life and mind of Warren's famous brother, C. S. Lewis, and also demonstrates how Warren's experiences provide an illuminating window into the events, personalities, and culture of 20th-century England. Inkling, Historian, Soldier, and Brother will appeal to those interested in C. S. Lewis and British social and cultural history. As a career soldier, Warren served in France during the nightmare of World War I and was later posted to Sierra Leone and Shanghai. On his retirement from the army, he became an active member of the household at the Kilns, the residence outside Oxford that he co-owned with his brother and Mrs. Janie Moore, and he played an important role in the relationship between his brother and Joy Davidman, the woman who became C. S. Lewis's wife. A talented writer and accomplished amateur historian, Warren also researched and wrote seven books on 17th-century French history. Inkling, Historian, Soldier, and Brother examines Warren Lewis's role as an original member of the Oxford Inklings-that now famous group of novelists, thinkers, clergy, poets, essayists, medical men, scholars, and friends who met regularly to drink beer; discuss books, ideas, history, and writers; and share pieces of their own writing for feedback from the group. Drawing from Warren Lewis's unpublished diaries, his letters, the memoir he wrote about his family, and other primary materials, this biography is an engaging story of a fascinating life, period of history, and of the warm and loving relationship between Warren and his brother, which lasted throughout their lives.

The Hilbert transform has many uses, including solving problems in aerodynamics, condensed matter physics, optics, fluids, and engineering. Written in a style that will suit a wide audience (including the physical sciences), this book will become the reference of choice on the topic, whatever the subject background of the reader. It explains all the common Hilbert transforms, mathematical techniques for evaluating them, and has detailed discussions of their application. Especially useful for researchers are the tabulation of analytically evaluated Hilbert transforms, and an atlas that immediately illustrates how the Hilbert transform alters a function. A collection of exercises helps the reader to test their understanding of the material in each chapter. The bibliography is a wide-ranging collection of references both to the classical mathematical papers, and to a diverse array of applications.

This book summarizes the properties and applications of conventional and commercially available fiber-forming, bioresorbable polymers, as well as those currently under study, for use as biotextiles. Factors affecting the performance of these biomaterials are presented, and precautionary measures to reduce premature, hydrolytic degradation during manufacturing and processing are discussed. Because of the structural requirements of medical devices and the technological advancements in synthetic fibers and textile technology, the new field of "Biotextiles" has evolved to exploit the potential of various woven, knitted, braided and non-woven textile structures for biomedical applications. Textile substrates provide certain unique mechanical properties to the medical device and because of an inherently high level of porosity, they can encourage cell growth and promote migration and proliferation. Bioresorbable devices that assist in the repair and regeneration of damaged tissues have in recent years replaced many of the permanent prosthetic devices. Thus, the topic of "Bioresorbable Biomaterials" generates much interest and research activity in the field of biomaterials science today. For this reason, the use of bioresorbable polymers as fibers is currently dominating the field of resorbable biomaterials for applications from sutures to tissue engineering scaffolds.

Robert King's poems ruminate and celebrate, embrace and release, laying moments of insight and feeling on our open palms like fragrant pine needles. The poet leads us from what he calls "first days" (a childhood in Omaha during WWII and then Colorado) to "last days" (wrestlings with mortality) to "these days" in the eternal Now of the natural world. King moves with ease from humor to heartbreak, often in a single poem, and his language is always fresh and clear. He has the gifts necessary to fulfill Frost's dictum that a poem "begins in delight and ends in wisdom," and readers will take great pleasure in making that journey with him.

The intracarotid amobarbital (or Amytal) procedure is commonly referred to as the Wada test in tribute to Juhn Wada, the physician who devised the technique and performed the fIrst basic animal research and clinical studies with this method. Wada testing has become an integral part of the pre operative evaluation for epilepsy surgery. Interestingly, however, Wada initially developed this method as a technique to assess language dominance in psychiatric patients in order that electroconvulsant therapy could be applied unilaterally to the non-dominant hemisphere. Epilepsy surgery has matured as a viable treatment for intractable seizures and is no longer confmed to a few major universities and medical institutes. Yet, as is increasingly clear by examining the surveys of approaches used by epilepsy surgery centers (e.g., Rausch, 1987; Snyder, Novelly, & Harris, 1990), there is not only great heterogeneity in the methods used during Wada testing to assess language and memory functions, but there also seems to be a lack of consensus regarding the theoretical assumptions, and perhaps, even the goals of this procedure.