This Is A New Release Of The Original 1910 Edition.

This Is A New Release Of The Original 1910 Edition.

This Is A New Release Of The Original 1910 Edition.

This Is A New Release Of The Original 1910 Edition.

This Is A New Release Of The Original 1910 Edition.

1910. A dictionary of any language is properly supposed to contain all words in use in that language and also words which have been used in time past, but which have become obsolete. These obsolete words are included in order that the development and history of the language may be studied, and, for this reason, they are a very important part of such a work. This should also be true of a musical dictionary, as many terms which are not in use at the present time are of great value in the study of the history of music and also for a thorough understanding of old musical manuscripts. With this idea in mind, the list of terms given in this dictionary have been compiled, including not only obsolete terms but also as far as possible equivalents in the various languages. For this reason, the number of terms given in this dictionary is greater than that found in any other musical dictionary extant, numbering as it does, about fourteen thousand definitions...The work contains a number of special features not covered in any other musical dictionary. Among them being, Dances, National Songs, Poetic Meters, Modes and the Parts of the Mass. Each of these has been defined under the general term and also each specific dance, song, meter, etc., has been included in its alphabetical place.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Containing The Titles Of Over Two Thousand Operas, The Author Of The Lines, The Composer Of The Music, The Time And Place Of First Production And A Condensed Statement Of The Plot.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

1910. Volume I. Contains a comprehensive collection of descriptions and sketches of operas. See other titles by this author available from Kessinger Publishing.

1910. Compiled by Janet Green. This volume contains the biographies of musicians from Abbott through Lhevinne. See other titles by this author available from Kessinger Publishing. Other volumes in this set are ISBN(s): 1417907134.

1910. A dictionary of any language is properly supposed to contain all words in use in that language and also words which have been used in time past, but which have become obsolete. These obsolete words are included in order that the development and history of the language may be studied, and, for this reason, they are a very important part of such a work. This should also be true of a musical dictionary, as many terms which are not in use at the present time are of great value in the study of the history of music and also for a thorough understanding of old musical manuscripts. With this idea in mind, the list of terms given in this dictionary have been compiled, including not only obsolete terms but also as far as possible equivalents in the various languages. For this reason, the number of terms given in this dictionary is greater than that found in any other musical dictionary extant, numbering as it does, about fourteen thousand definitions...The work contains a number of special features not covered in any other musical dictionary. Among them being, Dances, National Songs, Poetic Meters, Modes and the Parts of the Mass. Each of these has been defined under the general term and also each specific dance, song, meter, etc., has been included in its alphabetical place.

1910. Compiled by Janet Green. This volume contains the biographies of musicians from Maas through Zimbalist. See other titles by this author available from Kessinger Publishing. Other volumes in this set are ISBN(s): 1417907126.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

1910. Volume II. Contains a comprehensive collection of descriptions and sketches of operas. See other titles by this author available from Kessinger Publishing.

1910. A dictionary of any language is properly supposed to contain all words in use in that language and also words which have been used in time past, but which have become obsolete. These obsolete words are included in order that the development and history of the language may be studied, and, for this reason, they are a very important part of such a work. This should also be true of a musical dictionary, as many terms which are not in use at the present time are of great value in the study of the history of music and also for a thorough understanding of old musical manuscripts. With this idea in mind, the list of terms given in this dictionary have been compiled, including not only obsolete terms but also as far as possible equivalents in the various languages. For this reason, the number of terms given in this dictionary is greater than that found in any other musical dictionary extant, numbering as it does, about fourteen thousand definitions...The work contains a number of special features not covered in any other musical dictionary. Among them being, Dances, National Songs, Poetic Meters, Modes and the Parts of the Mass. Each of these has been defined under the general term and also each specific dance, song, meter, etc., has been included in its alphabetical place.

Containing The Titles Of Over Two Thousand Operas, The Author Of The Lines, The Composer Of The Music, The Time And Place Of First Production And A Condensed Statement Of The Plot.

1910. A dictionary of any language is properly supposed to contain all words in use in that language and also words which have been used in time past, but which have become obsolete. These obsolete words are included in order that the development and history of the language may be studied, and, for this reason, they are a very important part of such a work. This should also be true of a musical dictionary, as many terms which are not in use at the present time are of great value in the study of the history of music and also for a thorough understanding of old musical manuscripts. With this idea in mind, the list of terms given in this dictionary have been compiled, including not only obsolete terms but also as far as possible equivalents in the various languages. For this reason, the number of terms given in this dictionary is greater than that found in any other musical dictionary extant, numbering as it does, about fourteen thousand definitions...The work contains a number of special features not covered in any other musical dictionary. Among them being, Dances, National Songs, Poetic Meters, Modes and the Parts of the Mass. Each of these has been defined under the general term and also each specific dance, song, meter, etc., has been included in its alphabetical place.

1910. A dictionary of any language is properly supposed to contain all words in use in that language and also words which have been used in time past, but which have become obsolete. These obsolete words are included in order that the development and history of the language may be studied, and, for this reason, they are a very important part of such a work. This should also be true of a musical dictionary, as many terms which are not in use at the present time are of great value in the study of the history of music and also for a thorough understanding of old musical manuscripts. With this idea in mind, the list of terms given in this dictionary have been compiled, including not only obsolete terms but also as far as possible equivalents in the various languages. For this reason, the number of terms given in this dictionary is greater than that found in any other musical dictionary extant, numbering as it does, about fourteen thousand definitions...The work contains a number of special features not covered in any other musical dictionary. Among them being, Dances, National Songs, Poetic Meters, Modes and the Parts of the Mass. Each of these has been defined under the general term and also each specific dance, song, meter, etc., has been included in its alphabetical place.