This book looks at how people in the semi-arid conditions of the Sahel cope with their harsh environment. It draws on four years of field research with farmers in the Sahelian region and builds on work with these communities over several decades. Reporting on studies of four village communities, it shows how people work to achieve sustainable livelihoods and emphasises that there can be development without disaster.

The Routledge Companion to Film History is an indispensable guide for anyone studying film history for the first time. The approach taken presents a substantial and readable overview of the field and provides students with a tool of reference that will be valuable throughout their studies. The volume is divided into two parts. The first is a set of eleven essays that approaches film history around the following themes: History of the moving image Film as art and popular culture Production process Evolution of sound Alternative modes: experimental, documentary, animation Cultural difference Film's relationship to history The second is a critical dictionary that explains concepts, summarizes debates in film studies, defines technical terms, describes major periods and movements, and discusses historical situations and the film industry. The volume as a whole is designed as an active system of cross-references: readers of the essays are referred to dictionary entries (and vice versa) and both provide short bibliographies that encourage readers to investigate topics.

This book looks at how people in the semi-arid conditions of the Sahel cope with their harsh environment. It draws on four years of field research with farmers in the Sahelian region and builds on work with these communities over several decades. Reporting on studies of four village communities, it shows how people work to achieve sustainable livelihoods and emphasises that there can be development without disaster.

The countryside is changing faster than ever. Fifty years of conservation achievements in the UK are now being confronted by a new complexion of economic forces that are driving change in the countryside. At the same time new ideas in conservation are altering the role that conservation is being asked to play in negotiating the transition from past to future. This revised edition of Bill Adams classic work Future Nature tackles the new challenges in the countryside and wildlife conservation head-on through a new Introduction and Postscript with updated arguments about naturalness and our social engagement with nature, and complemented by a new Foreword by Adrian Phillips. Concepts such as biodiversity and sustainability, and changes in our understanding, appreciation and concern for nature, offer unprecedented opportunities. Bill Adams explores the scientific, cultural and economic significance of conservation. He argues that conservation must move beyond the boundaries of parks and reserves to embrace the whole countryside. The importance of conservation for the future is enormous. It holds the potential to create new spaces for nature, both in the landscape and in our lives and imaginations. This factual, beautifully written and thought-provoking book offers a fundamental reassessment of conservation, its importance, and how to achieve it. Published with BANC

The Routledge Companion to Film History is an indispensable guide for anyone studying film history for the first time. The approach taken presents a substantial and readable overview of the field and provides students with a tool of reference that will be valuable throughout their studies. The volume is divided into two parts. The first is a set of eleven essays that approaches film history around the following themes: History of the moving image Film as art and popular culture Production process Evolution of sound Alternative modes: experimental, documentary, animation Cultural difference Film's relationship to history The second is a critical dictionary that explains concepts, summarizes debates in film studies, defines technical terms, describes major periods and movements, and discusses historical situations and the film industry. The volume as a whole is designed as an active system of cross-references: readers of the essays are referred to dictionary entries (and vice versa) and both provide short bibliographies that encourage readers to investigate topics.