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Reviewers of a recent exhibition termed Federico Barocci (ca.
1533-1612), 'the greatest artist you've never heard of'. One of the
first original iconographers of the Counter Reformation, Barocci
was a remarkably inventive religious painter and draftsman, and the
first Italian artist to incorporate extensive color into his
drawings. The purpose of this volume is to offer new insights into
Barocci's work and to accord this artist, the dates of whose career
fall between the traditional Renaissance and Baroque periods, the
critical attention he deserves. Employing a range of methodologies,
the essays include new ideas on Barocci's masterpiece, the
Entombment of Christ; fresh thinking about his use of color in his
drawings and innovative design methods; insights into his approach
to the nude; revelations on a key early patron; a consideration of
the reasons behind some of his most original iconography; an
analysis of his unusual approach to the marketing of his pictures;
an exploration of some little-known aspects of his early
production, such as his reliance on Italian majolica and
contemporary sculpture in developing his compositions; and an
examination of a key Barocci document, the post mortem inventory of
his studio. A translated transcription of the inventory is included
as an appendix.
n this thoughtful and expansive work Thomas W. Mann analyses the
early prophets of the Bible corresponding to Joshua through to
Kings. The narrative, with its richly diverse cast of great, good,
and sinful characters, is unpicked as Mann draws a number of
sensitive conclusions from a vital religious and historical source.
Mann persuasively asserts that a thorough understanding of the
Judeo-Christian narrative can illuminate our own era by comparing
events in the Old Testament with a diverse collection of modern
material from video games to the war in Iraq. Mann speculates that
the Israelites were able to acknowledge culpability as well as
success, while the modern West finds similar acknowledgement more
challenging, particularly in relation to Vietnam. Mann is also
careful to consistently question the motivations, period of
writing, and intended audience of the scriptural authors, factors
which have influenced our understanding of the text. 'The Book of
the Former Prophets' will be of great value to students of theology
and those wishing to understand more fully the narrative upon which
so much of contemporary western self-understanding is based.
Written in an eloquent and anecdotal style, this analysis reveals
above all that the biblical scholar must accept the multifaceted
nature of the truth, and be able to be aware of the contradictory
versions. Thomas W. Mann has taught religious studies at the
college, seminary, and doctoral levels and served as a parish
minister in the United Church of Christ. He is also the author of
"The Book of the Torah" (1988). "Having retold the first part of
the Bible's story of ancient Israel in his acclaimed The Book of
the Torah, Thomas Mann now presents the second half with critical
and theological acumen. The difficult themes and pictures are not
glossed over, but Mann's rich interpretive retelling opens up
avenues into a contemporary appropriation of this story, on which,
for better or for worse, the Christian community is grounded."
Patrick D. Miller, Princeton Theological Seminary. "An amazing
achievement. Lucidly, with illuminating parallels from modern
times, Mann guides us superbly through vast terrain. He keeps the
big picture always in view, yet has an unerring eye for the telling
detail. . . . We see complexities and ambiguities in narratives
fraught with violence and we confront the challenges they present
today's reader. . . . In Mann's book, the ancient work has an
excellent modern companion." David M. Gunn, Texas Christian
University
Reviewers of a recent exhibition termed Federico Barocci (ca.
1533-1612), 'the greatest artist you've never heard of'. One of the
first original iconographers of the Counter Reformation, Barocci
was a remarkably inventive religious painter and draftsman, and the
first Italian artist to incorporate extensive color into his
drawings. The purpose of this volume is to offer new insights into
Barocci's work and to accord this artist, the dates of whose career
fall between the traditional Renaissance and Baroque periods, the
critical attention he deserves. Employing a range of methodologies,
the essays include new ideas on Barocci's masterpiece, the
Entombment of Christ; fresh thinking about his use of color in his
drawings and innovative design methods; insights into his approach
to the nude; revelations on a key early patron; a consideration of
the reasons behind some of his most original iconography; an
analysis of his unusual approach to the marketing of his pictures;
an exploration of some little-known aspects of his early
production, such as his reliance on Italian majolica and
contemporary sculpture in developing his compositions; and an
examination of a key Barocci document, the post mortem inventory of
his studio. A translated transcription of the inventory is included
as an appendix.
James Manns presents a readable and entertaining examination of the
most serious questions posed by the arts and our relation to them.
In a clear and engaging fashion, he explores the central issues in
aesthetics: aesthetic judgment, the nature and role of criticism,
the elusiveness of the concept of art, and communication through
art, and he critically (but sympathetically) considers that
principal theories of art that focus on expression, form, and
representation. Through the use of extensive, entertaining, and
current examples (including film), Manns conveys the solid basics
relating to the history and development of aesthetic theories,
tries out these various theories against the art of the last half
century, then outlines his own view revolving around the artist's
intention and the act of communication.
James Manns presents a readable and entertaining examination of the
most serious questions posed by the arts and our relation to them.
In a clear and engaging fashion, he explores the central issues in
aesthetics: aesthetic judgment, the nature and role of criticism,
the elusiveness of the concept of art, and communication through
art, and he critically (but sympathetically) considers that
principal theories of art that focus on expression, form, and
representation. Through the use of extensive, entertaining, and
current examples (including film), Manns conveys the solid basics
relating to the history and development of aesthetic theories,
tries out these various theories against the art of the last half
century, then outlines his own view revolving around the artist's
intention and the act of communication.
"The Blackwell Guide to the Philosophy of Religion" features 14 new
essays written by some of the most prominent philosophers working
in the field. Contributors include Linda Zagzebski, Hugh J. McCann,
Brian Leftow, Gareth B. Matthews, William L. Rowe, Elliott Sober,
Derk Pereboom, Alfred J. Freddoso, William P. Alston, William J.
Wainwright, Peter van Inwagen, Philip Kitcher, William E. Mann, and
Philip L. Quinn.
The volume explores questions regarding the nature of God, the
existence of God, religious belief, and the impact of religion on
our secular lives. Written in clear and accessible prose, these
essays provide a comprehensive treatment of the major problems in
philosophy of religion and pose new insights, furthering the
discussion of these topics. This book is an indispensable resource
for students and teachers alike.
"The Blackwell Guide to the Philosophy of Religion" features 14 new
essays written by some of the most prominent philosophers working
in the field. Contributors include Linda Zagzebski, Hugh J. McCann,
Brian Leftow, Gareth B. Matthews, William L. Rowe, Elliott Sober,
Derk Pereboom, Alfred J. Freddoso, William P. Alston, William J.
Wainwright, Peter van Inwagen, Philip Kitcher, William E. Mann, and
Philip L. Quinn.
The volume explores questions regarding the nature of God, the
existence of God, religious belief, and the impact of religion on
our secular lives. Written in clear and accessible prose, these
essays provide a comprehensive treatment of the major problems in
philosophy of religion and pose new insights, furthering the
discussion of these topics. This book is an indispensable resource
for students and teachers alike.
Im vorliegenden funften Band der Weiterbildungsreihe uber- wiegen
lehrbuchartig zusammenfassende Referate, womit die Komplettierung
der versprochenen Enzyklopadie fur die Praxis vorangetrieben werden
soll. Die Zusammenstellung der bisher erschienenen Beitrage am
Schluss des Bandes zeigt, dass auf diesem Wege bereits Einiges
erreicht ist, aber auch noch viel zu tun bleibt. Das Teilgebiet
Otologie ist in diesem Band mit zwei wichtigen Beitragen vertreten.
Von der Besprechung des Mittelohrchole- steatoms wird ein klares
therapeutisches Konzept erwartet und auch geliefert. In der
Diagnostik des Akustikusneurinoms sind ebenso wie in dessen
Therapie bedeutende Fortschritte erzielt worden, die auch dem
"Praktiker" gelaufig sein sollten. Die Rhinologie kommt ebenfalls
mit zwei Beitragen zu Wort. Die Ultraschalldiagnostik der
Nasennebenhoehlen, fur den niedergelassenen HNO-Arzt heute fast
schon ein "Muss", wird und praxisnah erlautert. Das Kapitel
Nasenpolypen wird klar einschliesslich der
Tumor-Differentialdiagnose ausfuhrlich abge- handelt. Eine Therapie
der Wahl kann jedoch leider nicht ange- boten werden. Mit den
Verletzungen von Mundhoehle und Mundrachen wird ein ebenso
praktisch wichtiges wie selten gelesenes trauma- tologisches
Teilgebiet gebracht. Der bisher etwas stiefmutterlich behandelte
Bereich Kehlkopf kommt mit drei funktionell-phoniatrischen Themen
zur Sprache. Funktionelle Aphonie und Kontaktgranulom stellen den
All- round-Otologen nicht selten vor therapeutische Probleme. Die
Pathologie des Musculus cricothyreoideus schliesslich, scheinbar
ein "hochwissenschaftliches" Thema, erweist sich als ausserst
praxisrelevant, besonders in Zusammenhang mit der Struma-
operation. Als spezielles Tumorkapitel werden diesmal die Basaliome
abgehandelt. Die klinische Vielfalt und ganz unterschiedliche
Aggressivitat dieser Tumoren erfordern besonderes Wissen und
therapeutische Erfahrung. x Vorwort Am Schluss steht wie immer die
Fragensammlung.
Dieser Buchtitel ist Teil des Digitalisierungsprojekts Springer
Book Archives mit Publikationen, die seit den Anfangen des Verlags
von 1842 erschienen sind. Der Verlag stellt mit diesem Archiv
Quellen fur die historische wie auch die disziplingeschichtliche
Forschung zur Verfugung, die jeweils im historischen Kontext
betrachtet werden mussen. Dieser Titel erschien in der Zeit vor
1945 und wird daher in seiner zeittypischen politisch-ideologischen
Ausrichtung vom Verlag nicht beworben.
"First: Time with Jesus -- Then: He was gone -- Now: "Terry, wait "
"Why are we here?" asked my mother's brother, moving from the
philosophical to the practical.
"We are here," replied one of the followers, "because he said that
we should wait."
There was then an outbreak of questions...
"For 40 days, the risen Christ had remained among his disciples,
and then, leaving them, he gave instruction that they wait together
in Jerusalem. "Wait," he said, but why? The word was an enigma;
what had Jesus intended? Whatever the meaning, the disciples would
obey; they would wait.
Choosing, we believe, to gather at the Upper Room, for ten days and
nights, they waited but surely not in idleness. Together, they
would wrestle with momentous questions.
For 75 years, Leonard Mann has contemplated those people in that
situation, their struggle to understand Jesus and his meaning in
the world.
A plausible journey in doubting and believing, "Our First Ten Days
"is a marvelously crafted story that invites the reader to
visualize events and conversations at the Upper Room during that
time. It was here that the church was born, that the foundations of
Christian Faith were chiseled and laid.
If we allow ourselves to imagine the thoughts and words of those
long uncertain hours, we will find ourselves submerged in a
powerful narrative that boldly and creatively walks us through the
opening chapter of this Faith.
Dr. Leonard Mann, a frequently published author, was for 38 years a
pastor of United Methodist churches, and is now in the one
hundredth year of his age. His first book was published 38 years
ago by CSS, with numerous other Christian materials following. He
then moved into inspirational and literary themes with several
mainline publishers. With the present book, he returns to his
original theme and to CSS. This book is dramatic narrative, a
rather innovative work, years in the writing, and is described by
the author as probably his final word of witness. Dr. Mann is a
native of Monroe County, West Virginia, and currently he and his
wife Sallie reside on Saint Simons Island on the Atlantic coast of
Georgia.
This book (hardcover) is part of the TREDITION CLASSICS. It
contains classical literature works from over two thousand years.
Most of these titles have been out of print and off the bookstore
shelves for decades. The book series is intended to preserve the
cultural legacy and to promote the timeless works of classical
literature. Readers of a TREDITION CLASSICS book support the
mission to save many of the amazing works of world literature from
oblivion. With this series, tredition intends to make thousands of
international literature classics available in printed format again
- worldwide.
This book is part of the TREDITION CLASSICS. It contains classical
literature works from over two thousand years. Most of these titles
have been out of print and off the bookstore shelves for decades.
The book series is intended to preserve the cultural legacy and to
promote the timeless works of classical literature. Readers of a
TREDITION CLASSICS book support the mission to save many of the
amazing works of world literature from oblivion. With this series,
tredition intends to make thousands of international literature
classics available in printed format again - worldwide.
The first five books of the Bible contain many of its most famous
stories, populated by vivid characters altogether human in their
triumphs and failings--and an equally complicated deity. Many works
of Western art and literature appeal to these stories, from
Michelangelo's painting of Adam and Eve to a novel like William
Faulkner's Go Down, Moses. The three great Abrahamic religions
(Judaism, Christianity, and Islam) are rooted here. So is much of
Western political theory and constitutional polity, for a good half
of these books contains legislation (torah) of various kinds, as
indicated by the ancient title: the book of the Torah. Law and
narrative together render the character of the ancient covenant
community known as Israel, as well as the God who rules over that
community. In this revised and expanded version of his popular book
of 1988, Mann engages literary criticism and theology in attending
both to the composite nature of the Torah (or Pentateuch) and to
its final, canonical shape. Mann's study provides a lucid
introduction to the heart of the Hebrew Bible, suitable for
students and general readers, but also of interest to biblical
scholars. "Mann's study of the foundational texts of biblical faith
has long been a reliable staple of pedagogy and interpretation. In
it he combines a well-honed capacity for critical judgment with an
acute theological sensibility, all of which is presented in an
accessible format. For these reasons this new edition is a welcome
offer. In it he has . . . added materials that could not have been
on the horizon in the first edition. This book will evoke many
grateful readers." --Walter Brueggemann Columbia Theological
Seminary Praise for the first edition: "I would find this volume
extremely useful in introducing my students to this basic part of
the Old Testament. I am quite excited about this project."
--Patrick D. Miller author of Stewards of the Mysteries of God "A
sound piece of work. Its holistic, final-form approach reflects the
major trend in biblical criticism. It is perceptive, sensitive,
thoughtful, and stimulating." --David Gunn coauthor of Narrative in
the Hebrew Bible Thomas W. Mann has taught at Princeton Theological
Seminary, Converse College, Salem College, and Wake Forest
University. For twenty-three years he was also the minister of
Parkway United Church of Christ in Winston Salem, North Carolina.
He is the author of The Book of the Former Prophets (Cascade Books,
2011), a sequel to this book; Deuteronomy (1995); and God of Dirt:
Mary Oliver and the Other Book of God (2004).
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