‘“What?” said the reverend gent, “Dance through my hours of leisure? Smoke? Bathe myself with scent? Play croquet? Oh, with pleasure!”’ Today W.S. Gilbert is best known for the comic operas he produced in collaboration with Arthur Sullivan, but another of his great – and numerous – literary contributions were his humorous ballads, written and illustrated under the pseudonym ‘Bab’. Combining his trademark absurdist wit with keenly observed character studies, the ballads are a satirical tour de force that lambast society figures. This new selection, chosen and introduced by Andrew Crowther, Secretary of the W.S. Gilbert Society, brings together the very best of the ballads and presents the ‘Bab’ works for a new readership.

What is depression, and what are its many and varied types? Who becomes depressed, and how can it be recognized? How can depression be measured, and what are its suicidal potentialities? What are the therapeutic interventions the pastor can use in helping people who are undergoing the pain of depression? The Pastoral Care of Depression: A Guidebook answers these questions and many more. With a focus on the pastor as an instrument of healing in cooperation with families, physicians, and other mental health professionals, this book will help you understand some of the current research and procedures used in helping people suffering from depression. As the frontline mental health workers in many communities, pastors need confidence, competence, and skill in handling people with emotional problems. As Author Binford W. Gilbert explains, "Depression is among the most treatable of major illnesses. It enters the realm of the spiritual and demands the best of the pastoral leader to guide, assist, and enhance the struggle for peace and soundness of mind and body." The Pastoral Care of Depression helps caregivers by overcoming the simplistic myths about depressive disorders and probing the real issues. This book covers: a thorough description of clinical depression predisposing factors that may lead to depression the need for a multidisciplinary approach, and the role of the pastor on the treatment team the importance of church and family involvement diagnosis--the ability to distinguish between normal grief, ordinary blues, situational depression, and clinical depression ministers'own emotional, physical, mental, and relational health the pastor's privileged role that gives him/her unique abilities and opportunitiesA valuable resource for pastors, chaplains, counselors, psychiatrists, psychologists, physicians, family members, and teachers of pastoral care, The Pastoral Care of Depression is meant to inspire action-oriented counseling; to establish cooperative relationships between ministers, families, and the medical community; to carry out responsible and innovative creative therapeutic interventions; and to treat the whole human being.

What is depression, and what are its many and varied types? Who becomes depressed, and how can it be recognized? How can depression be measured, and what are its suicidal potentialities? What are the therapeutic interventions the pastor can use in helping people who are undergoing the pain of depression? The Pastoral Care of Depression: A Guidebook answers these questions and many more. With a focus on the pastor as an instrument of healing in cooperation with families, physicians, and other mental health professionals, this book will help you understand some of the current research and procedures used in helping people suffering from depression. As the frontline mental health workers in many communities, pastors need confidence, competence, and skill in handling people with emotional problems. As Author Binford W. Gilbert explains, "Depression is among the most treatable of major illnesses. It enters the realm of the spiritual and demands the best of the pastoral leader to guide, assist, and enhance the struggle for peace and soundness of mind and body." The Pastoral Care of Depression helps caregivers by overcoming the simplistic myths about depressive disorders and probing the real issues. This book covers: a thorough description of clinical depression predisposing factors that may lead to depression the need for a multidisciplinary approach, and the role of the pastor on the treatment team the importance of church and family involvement diagnosis--the ability to distinguish between normal grief, ordinary blues, situational depression, and clinical depression ministers'own emotional, physical, mental, and relational health the pastor's privileged role that gives him/her unique abilities and opportunitiesA valuable resource for pastors, chaplains, counselors, psychiatrists, psychologists, physicians, family members, and teachers of pastoral care, The Pastoral Care of Depression is meant to inspire action-oriented counseling; to establish cooperative relationships between ministers, families, and the medical community; to carry out responsible and innovative creative therapeutic interventions; and to treat the whole human being.

'Take care. The consequences of an act are often much more numerous and important than people have any idea of.' Today W.S. Gilbert is best known for the comic operas he produced in collaboration with Arthur Sullivan, a creative partnership that diverged over the supernatural. Unlike Sullivan, Gilbert was a great fan of fairy tales, and Foggerty's Fairy, one of his most unjustly neglected plays, is a brilliant farcical comedy that hinges on the wish-granting of a fairy. Loosely based on his short story 'The Story of a Twelfth Cake', Foggerty's Fairy considers the dangers of playing with the past. Trying to shore up his relationship, a man enlists a fairy's help to make a few tweaks in his past - he soon realises, however, these small changes have made great waves through time, and his present becomes unbearable.

The fascinating, true, story of baseball's amateur origins. "Explores the conditions and factors that begat the game in the 19th century and turned it into the national pastime....A delightful look at a young nation creating a pastime that was love from the first crack of the bat."-Paul Dickson, The Wall Street Journal Baseball's true founders don't have plaques in Cooperstown. The founders were the hundreds of uncredited amateurs - ordinary people - who played without gloves, facemasks or performance incentives in the middle decades of the 19th century. Unlike today's pro athletes, they lived full lives outside of sports. They worked, built businesses and fought against the South in the Civil War. But that's not the way the story has been told. The wrongness of baseball history can be staggering. You may have heard that Abner Doubleday or Alexander Cartwright invented baseball. Neither did. You may have been told that a club called the Knickerbockers played the first baseball game in 1846. They didn't. You have read that baseball's color line was uncrossed and unchallenged until Jackie Robinson in 1947. Nope. You have been told that the clean, corporate 1869 Cincinnati Red Stockings were baseball's first professional club. Not true. They weren't the first professionals; they weren't all that clean, either. You may have heard Cooperstown, Hoboken, or New York City called the birthplace of baseball, but not Brooklyn. Yet Brooklyn was the home of baseball's first fans, the first ballpark, the first statistics-and modern pitching. Baseball was originally supposed to be played, not watched. This changed when crowds began to show up at games in Brooklyn in the late 1850s. We fans weren't invited to the party; we crashed it. Professionalism wasn't part of the plan either, but when an 1858 Brooklyn versus New York City series accidentally proved that people would pay to see a game, the writing was on the outfield wall. When the first professional league was formed in 1871, baseball was already a fully formed modern sport with championships, media coverage, and famous stars. Professional baseball invented an organization, but not the sport itself. Baseball's amazing amateurs had already done that. Thomas W. Gilbert's history is for baseball fans and anyone fascinating by history, American culture, and how great things began.

The rapidly increasing number of different ignitable liquid formulations available today poses a new challenge to fire debris analysts and other forensic chemistry specialists - that of accurately identifying and classifying ignitable liquids with unfamiliar chromatographic patterns.

GC-MS Guide to Ignitable Liquids addresses that challenge with a selection of more than 100 different ignitable liquid formulations designed to supplement the laboratory's standard collection. Both total ion chromatograms and extracted ion chromatograms (mass chromatograms) are included.

Written by authors who are also experienced forensic chemists, this complete reference is the only single source of information on ignitable liquids - a must for students of fire science, forensic chemists, and anyone conducting fire debris analysis.

Vocal score of the popular comic opera, Trial By Jury, composed by Arthur Sullivan and W. S. Gilbert, which premiered at the London Royalty Theatre in March 1875. Includes full vocal score (The Learned Judge, Angelina (the Plaintiff), Edwin (the Defendant), Counsel for the Plaintiff, Foreman of the Jury, First Bridesmaid) with piano accompaniment.

Models-based science teaching embraces the creativity inherent in science and in learning. Practicing science teachers at all levels who want to explore new and better ways to frame and model science will find value in this book.

The Gondoliers was Gilbert and Sullivan's last great success. In this opera, Gilbert returns to the subject of class distinctions and it's background connected with Venice and Venetian life.

Gilbert's libretti of the comic operas composed by Arthur Sullivan are hugely well known, and lines such as "let the punishment fit the crime" have entered the English lexicon - but his short stories also deserve to be rediscovered by the modern reader. This collection, carefully curated by the secretary of the W.S. Gilbert Society, brings together the best of these sharp, clever, comical tales - many of which are published here for the first time since their first appearance in ephemeral magazines - enriched with the author's own illustrations. The stories feature many of the powerful motifs so associated with his work - fairies, elixirs, magic - and a wide variety of characters - from burglars to barristers and shopkeepers to gentlemen. This volume is shot through with the observational wit which drove Gilbert and Sullivan's works to fame, and constitutes a hugely enjoyable companion for fans of the pair's theatrical oeuvre.

The king of Utopia tries to turn his small nation into a more civilized society by implementing six pillars of change led by six Englishmen. Unfortunately, his new and improved rules cause more harm than good. King Paramount plans to make noticeable changes to his South Pacific nation. When his eldest daughter, Princess Zara, returns from studying abroad, she brings six Englishmen of distinction. Called the Flowers of Progress, they help aid the king in his efforts to transform the government. The Utopian citizens adapt to their new way of life eliminating crime, sickness and poverty. Without these societal ills, the people suddenly encounter different problems that require a better solution. Utopia, Limited is a satire of British colonization and its impact on smaller countries. It debuted in 1893 and produced more than 240 performances. Gilbert and Sullivan deliver a grand story with a vibrant locale and captivating characters. With an eye-catching new cover, and professionally typeset manuscript, this edition of Utopia, Limited is both modern and readable.

A Sensation Novel (1871) is a comic musical by W. S. Sullivan. First performed at the Royal Gallery of Illustration in January 1871, A Sensation Novel is one of Gilbert's collaborations with composer Thomas German Reed, whose German Reed Entertainments have been credited with revitalizing British theatre. As a satire of Victorian sensation novels that employs self-aware stock characters, the play is a metatheatrical work that anticipates Luigi Pirandello's Six Characters in Search of an Author (1921), predating it by half a century. Lamenting his loss of creative energy, an author appeals to the Spirit of Romance for guidance. Appearing before him, the Spirit reveals a shocking truth: the characters he has been working on are actually the souls of sinners condemned to play their polar opposites for eternity. Not only this, but the characters will soon become real. In a panic, the author flees his home for a time. When he returns, he finds the figures who filled the pages of his novel have taken control of their destinies, defying his restrictions and reveling in the chance to be alive. A story of romance, adventure, and crime ensues, blending the popular themes of the era's sensation novels for comic effect while investigating the nature of creativity itself. With a beautifully designed cover and professionally typeset manuscript, this edition of W. S. Gilbert's A Sensation Novel is a classic work of English literature reimagined for modern readers.

Bunthorne is an aesthetic poet struggling with the legitimacy of his work and the female adoration it brings, when one woman suddenly rejects his advances. Patience; or, Bunthorne's Bride is a satire of an artistic movement and the superficial pressures it may bring. The poet Bunthorne is extremely popular among his male and female peers. He's the object of desire for many maidens, although only one catches his eye. Patience is a milkmaid who is uninterested in Bunthorne's work or status. She wants to fall in love with a man, unselfishly, without fame or titles. She and Bunthorne make a rocky connection that may be doomed before it even begins. Meanwhile, the other women look for partners with varying success. Patience; or, Bunthorne's Bride is a brilliant commentary on the vanity of romance in art. Gilbert and Sullivan deliver earnest characters with strong views in absurdist situations. This is a unique narrative that fits a bold story in a two-act structure. With an eye-catching new cover, and professionally typeset manuscript, this edition of Patience; or, Bunthorne's Bride is both modern and readable.

As a child, Casilda is married to Barataria's future king, yet when she returns as an adult, her husband is nowhere to be found. The heir has been living in hiding with his true parentage forgotten. Marco and Giuseppe are two gondoliers eager to choose their respective brides. Their plans are disrupted when they learn one of them is already married. Years ago, the heir of Barataria was secretly wed to an infant girl called Casilda. Now a woman, Casilda has been named queen but is without her king. Unfortunately, the true heir was taken from his royal home and raised in secret. Both gondoliers fit the description, but only one can ascend to the throne. The Gondoliers, also known as The King of Barataria, is one of Gilbert and Sullivan's most successful collaborations. It's a humorous story with fairy tale elements and topical themes such as identity, honor and duty. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Gondoliers is both modern and readable.

When a pirate's apprentice tries to leave the high seas and build a new life, his hopes are dashed when a secret comes to light. The man's plans are shattered as he's forced to return to his old stomping grounds. Frederic is a 21-year-old who has spent his life working as a pirate's apprentice. Now an adult, he's free from his commitment and able to venture out on his own. He eventually stumbles across a group of women including the beautiful Mabel. They immediately fall in love and plan to spend their lives together. Unfortunately, Frederic discovers that his birthday, Feb. 29 of every leap year, allows for a loophole in his apprenticeship. He is suddenly thrust back into the world of piracy to serve a new sentence, while Mabel waits on the other side. The Pirates of Penzance is a story about sacrifice and personal responsibility. Despite a clear misunderstanding, Frederic proves to be a man of his word. This is a heartfelt tale full of misdirects and love delayed. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Pirates of Penzance is both modern and readable.

The fascinating, true, story of baseball's amateur origins. "Explores the conditions and factors that begat the game in the 19th century and turned it into the national pastime....A delightful look at a young nation creating a pastime that was love from the first crack of the bat."-Paul Dickson, The Wall Street Journal Baseball's true founders don't have plaques in Cooperstown. The founders were the hundreds of uncredited amateurs - ordinary people - who played without gloves, facemasks or performance incentives in the middle decades of the 19th century. Unlike today's pro athletes, they lived full lives outside of sports. They worked, built businesses and fought against the South in the Civil War. But that's not the way the story has been told. The wrongness of baseball history can be staggering. You may have heard that Abner Doubleday or Alexander Cartwright invented baseball. Neither did. You may have been told that a club called the Knickerbockers played the first baseball game in 1846. They didn't. You have read that baseball's color line was uncrossed and unchallenged until Jackie Robinson in 1947. Nope. You have been told that the clean, corporate 1869 Cincinnati Red Stockings were baseball's first professional club. Not true. They weren't the first professionals; they weren't all that clean, either. You may have heard Cooperstown, Hoboken, or New York City called the birthplace of baseball, but not Brooklyn. Yet Brooklyn was the home of baseball's first fans, the first ballpark, the first statistics-and modern pitching. Baseball was originally supposed to be played, not watched. This changed when crowds began to show up at games in Brooklyn in the late 1850s. We fans weren't invited to the party; we crashed it. Professionalism wasn't part of the plan either, but when an 1858 Brooklyn versus New York City series accidentally proved that people would pay to see a game, the writing was on the outfield wall. When the first professional league was formed in 1871, baseball was already a fully formed modern sport with championships, media coverage, and famous stars. Professional baseball invented an organization, but not the sport itself. Baseball's amazing amateurs had already done that. Thomas W. Gilbert's history is for baseball fans and anyone fascinating by history, American culture, and how great things began.