This book picks up where Passing Time: A Vietnam Veteran Against the War left off, and completes the trilogy begun with Vietnam-Perkasie: A Combat Marine Memoir. It begins with the Coast Guard raid on Ehrhart's oil tanker and ends with the conclusion of his trial for possession of "controlled substances," a span of time that corresponds almost exactly with the opening of the House Judiciary Committee's hearings on the impeachment of Richard Nixon and Nixon's resignation and pardon by Gerald Ford. Along the way, Ehrhart encounters a wise and sympathetic lawyer, an MG Midget, a local New Jersey cop who thinks he's Wyatt Earp, New York City detectives who arrest him for armed robbery of a liquor store, a forklift that can turn on a dime, a Coast Guard prosecutor who wants to teach Ehrhart a lesson, the Carranza Memorial, and three ghosts who are as real as you and me.

Fifty-five years in the writing, these collected poems trace the development of a committed poet from an early age. Many deal with the author's encounter with the Vietnam War and its endless consequences. Others range from family and friends to nature and the environment to the blessings and absurdities of the human condition. Ehrhart's poems are contemplative yet accessible, with no special gears required.

A new collection of Bill Ehrhart's essays, 25 of them written between 2002 and 2011 on subjects ranging from the failures of American policymakers during the Vietnam War to life in 21st century Vietnam, from the trenches of the Western Front to the crossing of the Rhine to the mountains of Korea to the sands of Iraq, from the value of one's name to the cowardice of Congress, from mountain gorillas in Rwanda to the National Book Award-winning journalist Gloria Emerson, from teaching poetry to teenagers to luxuriating in a Japanese hot spring spa, on the famous (Wilfred Owen) and the obscure (Robert James Elliott), these essays explore the fallacies of history, the madness of war, the craft of poetry, the profession of teaching, and the art of living.

This comprehensive volume analyzes the radical change in the nature of armed conflicts and in the way they are narrated and represented. Ever since the First World War has changed war itself, rendering meaningless the very vocabulary of war in terms such as "battle", "front", "non-combatant", "open city" and "hero", new words, new approaches, new theories and new texts had to be invented. The enemy became invisible: Submarines, tanks, mines, gas, long-range artillery, and airplanes made this war different from all the other that came before. A hundred years after the beginning of this terrible war, it is now time to recall different representations of the armed conflicts of the 20th century. The articles in this collection analyze representations of the Canudos Civil War in Brazil, the First World War, the Second World War, the Korean War, the Vietnam War, the colonial wars in Africa, and the war in Afghanistan, aiming to understand how war and the telling of war have changed during the most murderous hundred years in the history of mankind.

"I cannot begin to count the number of times over the past 37 years that I have wished I had never heard of Vietnam, let alone fought in the Vietnam War. That experience has haunted my days. It has troubled my nights. It has shaped my identity and colored the way I see the world and everything in it"--from the Introduction. W. D. Ehrhart, called "one of the great poets and writers of nonfiction produced by the Vietnam War" by The Nation, here presents 42 essays, whose topics include not only the Gulf, Vietnam, and Korean wars, the conflict between Israel and Palestine, war and journalism, and American war poetry, but also junk mail, the Internet, the IRS, tugboats, drawbridges, race relations, the justice system, health care, and small town life in America, nicotine addiction, the bravado of youth, honesty and American culture, the rhetoric of national mythology, and presidential isolation, among others.