First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.

First published in 1950. This present work examines the political, economic and social condition of Germany on literature, particular drama, in the late eighteenth- and early nineteenth-centuries. The author explores drama both in its passive and active relations with the life of the time and with the theatre, the medium without the aid of which the possibilities of the drama as an art form remain only half realised. This title will be of interest to students of literature, drama, and theatre studies.

First published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.

First published in 1950. This present work examines the political, economic and social condition of Germany on literature, particular drama, in the late eighteenth- and early nineteenth-centuries. The author explores drama both in its passive and active relations with the life of the time and with the theatre, the medium without the aid of which the possibilities of the drama as an art form remain only half realised. This title will be of interest to students of literature, drama, and theatre studies.

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In a lecture in 1923, Thomas Mann said that the ordinary middle-class German had never considered culture to include an interest in politics, and still did not do so. The idea of the true freedom which comes to the man who lives as much as possible in the invisible world of culture and accepts as a kind of fate his social, political and material circumstances was indeed at the heart of the German idealism of Goethe's day, and unworldliness went along with very great achievements in literature, scholarship and philosophy. Bildung, self-cultivation, came to be as natural a requirement of educated, middle-class life as sport was in England. In this book, originally published in 1975, Professor Bruford provides a sequel to Culture and Society in Classical Weimar 1775 1806 and shows how the ideal of self-cultivation entered into the thought of a number of highly individual German philosophers, theologians, poets and novelists, each in his own corner of the rapidly changing world of the nineteenth century.

A paperback of the hardcover edition, first published in 1962. The book describes Goethe's Weimar from documents and research and interprets the connections between German culture and German society both in the age of Goethe and later. To this book Professor Bruford has written a sequel, The German Tradition of Self-Cultivation, and the two books together offer an introduction to the whole evolution of the German intellectual tradition.

"The present work . . . a continuation of the earlier [is] a study of one literary genre, the drama . . . both in its passive and active relations with the life of the time and with the theatre, the medium without the aid of which the possibilities of the drama as an art form remain only half realized, like a musical score which is never performed." from the author's preface

From the balls and masquerades of the court to the half-naked children of the peasants; from hunting and winter sports to details of authorship and publishing; from law to sanitation, this 1935 book plunges the reader into life in Germany two hundred years ago. The author links everyday life and current traditions with some of the outstanding features in the literature and thought of the age, thus providing a full picture of the political, economic and social background to the intellectual and artistic achievements of the period. In the process he has brought out some of the enduring processes of German life.