Petronius (C. or T. Petronius Arbiter), who is reasonably identified with the author of this famous satyric and satiric novel, was a man of pleasure and of good literary taste who flourished in the times of Claudius (41-54 CE) and Nero (54-68). As Tacitus describes him, he used to sleep by day, and attend to official duties or to his amusements by night. At one time he was governor of the province of Bithynia in Asia Minor and was also a consul, showing himself a man of vigour when this was required. Later he lapsed into indulgence (or assumed the mask of vice) and became a close friend of Nero. Accused by jealous Tigellinus of disloyalty and condemned, with self-opened veins he conversed lightly with friends, dined, drowsed, sent to Nero a survey of Nero's sexual deeds, and so died, 66 CE.

The surviving parts of Petronius's romance "Satyricon" mix philosophy and real life, prose and verse, in a tale of the disreputable adventures of Encolpius and two companions, Ascyltus and Giton. In the course of their wanderings they attend a showy and wildly extravagant dinner given by a rich freedman, Trimalchio, whose guests talk about themselves and life in general. Other incidents are a shipwreck and somewhat lurid proceedings in South Italy. The work is written partly in pure Latin, but sometimes purposely in a more vulgar style. It parodies and otherwise attacks bad taste in literature, pedantry and hollow society.

"Apocolocyntosis," "Pumpkinification" (instead of deification), is probably by Seneca the wealthy philosopher and courtier (ca. 4 BCE-65 CE). It is a medley of prose and verse and a political satire on the Emperor Claudius written soon after he died in 54 CE and wasdeified.

"Plato is philosophy, and philosophy, Plato."--Emerson
"The Republic" and other great dialogues by the immortal Greek philosopher Plato are masterpieces that form part of the most important single body of writing in the history of philosophy. Beauty, love, immortality, knowledge, and justice are discussed in these dialogues, which magnificently express the glowing spirit of Platonic philosophy.
Translated by W. H. D. Rouse, one of the world's most outstanding classical scholars and translator of Homer's "The Odyssey" and "The Iliad," this volume features the complete texts of seven of Plato's most revered works.
"In Rouse's pages Socrates' strength of mind, his dedication to philosophical truth, are borne in on the modern reader with something of the power that impressed and disturbed the ancient Greeks."--"Time"

Nonnos of Panopolis in Egypt, who lived in the fifth century of our era, composed the last great epic poem of antiquity. The "Dionysiaca," in 48 books, has for its chief theme the expedition of Dionysus against the Indians; but the poet contrives to include all the adventures of the god (as well as much other mythological lore) in a narrative which begins with chaos in heaven and ends with the apotheosis of Ariadne's crown. The wild ecstasy inspired by the god is certainly reflected in the poet's style, which is baroque, extravagant, and unrestrained. It seems that Nonnos was in later years converted to Christianity, for in marked contrast to the "Dionysiaca," a poem dealing unreservedly with classical myths and redolent of a pagan outlook, there is extant and ascribed to him a hexameter paraphrase of the Gospel of John.

The Loeb Classical Library edition of the "Dionysiaca" is in three volumes.

Nonnos of Panopolis in Egypt, who lived in the fifth century of our era, composed the last great epic poem of antiquity. The "Dionysiaca," in 48 books, has for its chief theme the expedition of Dionysus against the Indians; but the poet contrives to include all the adventures of the god (as well as much other mythological lore) in a narrative which begins with chaos in heaven and ends with the apotheosis of Ariadne's crown. The wild ecstasy inspired by the god is certainly reflected in the poet's style, which is baroque, extravagant, and unrestrained. It seems that Nonnos was in later years converted to Christianity, for in marked contrast to the "Dionysiaca," a poem dealing unreservedly with classical myths and redolent of a pagan outlook, there is extant and ascribed to him a hexameter paraphrase of the Gospel of John.

The Loeb Classical Library edition of the "Dionysiaca" is in three volumes.

Nonnos of Panopolis in Egypt, who lived in the fifth century of our era, composed the last great epic poem of antiquity. The "Dionysiaca," in 48 books, has for its chief theme the expedition of Dionysus against the Indians; but the poet contrives to include all the adventures of the god (as well as much other mythological lore) in a narrative which begins with chaos in heaven and ends with the apotheosis of Ariadne's crown. The wild ecstasy inspired by the god is certainly reflected in the poet's style, which is baroque, extravagant, and unrestrained. It seems that Nonnos was in later years converted to Christianity, for in marked contrast to the "Dionysiaca," a poem dealing unreservedly with classical myths and redolent of a pagan outlook, there is extant and ascribed to him a hexameter paraphrase of the Gospel of John.

The Loeb Classical Library edition of the "Dionysiaca" is in three volumes.

THE WORLD S GREATEST WAR NOVEL Humans and gods wrestling with towering emotions. Men fighting to the death amid devastation and destruction. Perhaps the Western world s first and best storyteller, Homer draws the reader in with bated breath. His masterful tale contains some of the most famous episodes in all of literature: the curse on the prophet Cassandra; the siege of Troy; the battle between Hector and Achilles; the face that launched a thousand ships; and of course, the deception of the Trojan Horse. To this day, the heroism and adventure of "The Iliad" have remained unmatched in song and story. In his plain English translation, W.H.D. Rouse makes a point to keep the language as colloquial as Homer s original was, never pedantic, high-flown, or cliched. In fact, it is the nearest contemporary English equivalent to the epic Homer s audience heard at their banquets.