Children's animated short following the gang from Pixar's 'Toy Story' film series as they go on a new adventure. Woody (voice of Tom Hanks), Buzz (Tim Allen), Jessie (Joan Cusack), Rex (Wallace Shawn) and Mr. Potato Head (Don Rickles), along with new friends Mr. Pricklepants (Timothy Dalton) and Trixie (Kristen Schaal), find themselves at a mysterious motel overnight after their owner Bonnie (Emily Hahn) and her mother experience car trouble. When Mr. Potato Head goes missing the rest of the toys go on a mission to find him but will they all make it safely back to Bonnie by morning?

Third instalment in the Pixar/Disney CGI-animated series, filmed for theatrical release using Disney Digital 3D. When their owner, Andy (voiced by John Morris), clears out his bedroom in preparation for starting college, Woody (Tom Hanks), Buzz (Tim Allen) and the rest of the toy-box gang are dumped in the donations box at a local nursery school and find themselves at the mercy of a horde of wild, sticky-fingered toddlers. As they struggle to stay together while coping with the chaos, the gang meet a new bunch of toys led by pink teddy bear Lotso (Ned Beatty), while Barbie (Jodie Benson) is at last united with her male counterpart, Ken (Michael Keaton). The yearning to return home cannot be ignored, however, and many comical adventures ensue as the toys make a series of elaborate escape attempts. The film won Academy Awards for Best Animated Feature Film and Music (Original Song).

Metroville was once flooded with superheroes saving the day. One of the greatest was Mr. Incredible, who found himself annoyed by the young chatterbox fanatic of his, Buddy Pine, who referred to himself as 'Incrediboy.' As Mr. Incredible fought crime, he met another legendary hero, Elastigirl and the two superheroes wed. Shortly afterward, a string of lawsuits banned superheroes from ever saving the day again!

15 years later, Mr. Incredible, now known as Bob Parr is itching to become a superhero again. Mrs. Incredible, or Helen Parr, is trying to persuade him not to. Their son, Dash, who has the ability to run extremely quickly, wants to try out for sports, but he can't because of his powers being revealed. Violet, the Parr's daughter, wants to be normal and fit in as a teen. And the baby, Jack-Jack is only itching for a good time.

Then, Bob hears about a top secret assignment regarding a powerful machine attacking Nomanisan Island. Thinking this is his way to become a superhero again, Bob accepts and yet again becomes Mr. Incredible... however, this anonymous villain has a grudge.

"Lovely, hilarious, and seriously thought-provoking." TONI MORRISON "Endlessly curious, playful, and subtle." PANKAJ MISHRA SLEEPING AMONG SHEEP UNDER A STARRY SKY is a collection of essays written over the course of the last thirty-five years. Shawn seems to start from the premise that the world ought to be a place where all of us can lie around on cushions writing letters and love poems to each other on multi-coloured paper, as perhaps the women and men of the eleventh-century Heian court in Japan were able to do. Why do we not inhabit a world in which beauty, sensuality, and the adoration of other people, other beings, and the natural world are our principal preoccupations? Why, instead, are we obsessed with a joyless struggle for supremacy over each other? Why have we invented races and nations? Is what we call "civilization" the precipitating cause of our destructiveness and viciousness, our sadism, our love of murder? Shawn himself grew up as a child of privilege and has devoted his life to aesthetic pursuits and hedonism. Has the life he's led provided him with any sort of valuable vantage point from which to view the world, or has he simply been a parasite? As he himself feels that the answer isn't clear, a certain self-questioning underlies these essays, along with a nagging doubt about whether we're right to insist that all of our different qualities and aspects cohere into a single "self." If the self is simply an illusion, how can we understand "ourselves"? And if we don't understand ourselves, what conclusions should we draw from that?

Festive-themed animated short from the 'Toy Story' franchise. Shortly after Christmas Bonnie (voice of Emily Hahn) goes to visit her friend Mason (R.C. Cope) for a play date, taking her toys Woody (Tom Hanks), Buzz (Tim Allen), Trixie (Kristen Schaal), Rex (Wallace Shawn) and Angel Kitty (Emma Hudak) with her. When Bonnie sets them aside and goes off to play Mason's new game console the toys discover the boy's dinosaur action figures called The Battlesaurs. However, it becomes clear that The Battlesaurs aren't aware they are toys when Woody and Buzz are forced to do battle against their leader Reptilius Maximus (Kevin McKidd). With her friends in danger it is left to Trixie to save the day...

Real-estate agent Jim Evers (Eddie Murphy) is given the task of shifting Gracey Manor, a delapidated old house in New Orleans, and decides to visit it with his family.

When they arrive, however, they come face-to-face with 999 grim, grinning ghosts who are not too keen on sharing their space with mortals.

With the help of supernatural psychic Madame Leota (Jennifer Tilly), the family must battle to break the mansion's curse before the clock strikes 13.

'There is a quality in Shawn's writing - imaginative verve, quiet intensity, a sort of puritan sensitivity or a blend of them all.' The Times This first collection of Wallace Shawn's work contains plays from the seventies and eighties, including Aunt Dan and Lemon, described by Frank Rich in the New York Times as 'the most stimulating, not to mention demanding, American play to emerge this year'. Aunt Dan and Lemon 'A mordant comedy for those who really listen in the theatre... A playwright of astonishing originality and veracity.' New York Times Marie and Bruce 'A play that sees, hears, smells and tells more about the way we really live now than any American play in years... Wallace Shawn is a true original, one of the most deeply seeing, sharply writing playwrights we have.' Newsweek The Fever 'A profoundly engaging and provocative journey through the awakening of a pampered man's conscience.' Newsday A Thought in Three Parts 'Wallace Shawn's highly acclaimed play is a trio of playlets exploring the theme of sexual isolation, each in a very different dramatic style which still retains the author's quite distinctive ability to combine colloquialisms with highly poetic writing in a quirky, sinister way... nasty, hilarious and quite riveting for all the right reasons.' Time Out

With his distinctive brand of humour and insight, acclaimed playwright and beloved actor Wallace Shawn takes his readers on a revelatory journey through high art, war, culture, politics and privilege with his first non-fiction collection, which received immense critical acclaim when published in hardback in 2009. The personal and the political become one. Shawn often focuses on contradictions, even when unpleasant, and finds humour in the political and personal challenges of everyday life.

At Ted's instigation, the old gang gather once more at the almost legendary club The Talk House. Ten years on and presided over still by the kindly Nellie, there's the same genteel atmosphere, familiar drinks, unchanging special snacks. But the era of Walter Barclay is long gone. A playwright, a composer, an actress. The possibility of a pleasant night. Evening at The Talk House by Wallace Shawn premiered at the National Theatre, London, in November 2015.

This sequel to 'Toy Story' sees pull-string cowboy Woody (voiced by Tom Hanks) kidnapped by toy collector Al, who plans to sell him to a Japanese toy museum. Assisted by Mr Potato Head, Slinky Dog and Rex the Dinosaur, action figure Buzz Lightyear (Tim Allen) sets off to the rescue, but when they get to Al's store Buzz is mistakenly boxed up and his place taken by a new, flashier Lightyear model - complete with utility belt! Meanwhile, Woody has discovered that he was once the star of a popular children's television show, and is no longer sure he wants to return to Andy's toy cupboard.

A daughter is tied to her brilliant father by a passionate bond. But then she is drawn towards an appealing man whose taste in cultural forms follows a disturbing path. The Designated Mourner is a harsh and poetic play about the pursuit of beauty in brutal times. The Designated Mourner premiered at the National Theatre, London, in April 1996.

Winner of the 1991 Obie Award for Best Play and soon to be a film starring Vanessa Redgrave, The Fever has been called "a starkly written, harrowing journey into the] dark night of the soul that is as searing on the page as it is on the stage" (Booklist). While visiting a poverty-stricken country far from home, the unnamed narrator of The Fever is forced to witness the political persecution occurring just beyond a hotel window. In examining a life of comfort and relative privilege, the narrator reveals, "I always say to my friends, We should be glad to be alive. We should celebrate life. We should understand that life is wonderful." But how does one celebrate life--take pleasure in beauty, for instance--while slowly becoming aware that the poverty and oppression of other human beings are a direct consequence of one's own pleasurable life? In a coruscating monologue, The Fever is most of all an eloquent meditation on whether it is possible to live in an ethical relationship with others in the world.

In a gloomy hotel room, after reading compulsively about murders, Shawn tries to sleep but is troubled by meandering thoughts and memories that follow one another in an apparently random chain. Ultimately a point of view begins to emerge. In a world dominated by privileged killers, how should we live? What world do we want? Having recently passed the age of seventy, before which he found it difficult to piece together more than a few fragments of understanding, Shawn would like to pass on anything he's learned before death or dementia close down the brief window available to him, but he may not be ready yet.

A thrilling friend of her parents casts a spell over a young girl. A study in the glamour of brutal ideas. Susie, he's not just an individual like you and me - he works for the government. It's as if you were saying that you and I are so nice every day and why can't our governments be just like us! But you know the whole thing, Susie - you and I are only able to be nice because our governments - our governments are not nice! - so that if you see me putting this spoon in my purse, you don't have to wrestle me to get the spoon back, you can just pick up the phone and call the police. And if there are people attacking our friends in Southeast Asia, you and I don't have to go over there and fight them with rifles - we just get Kissinger to fight them for us. Aunt Dan and Lemon was first produced by the Royal Court Theatre, London, and the New York Shakespeare Festival and received its world premiere at the Royal Court Theatre in August 1985. The play was revived at the Royal Court Theatre in May 2009.

In these beautiful essays, Wallace Shawn takes us on a revelatory journey in which the personal and political become one. Whether writing about the genesis of his plays, such as Aunt Dan and Lemon; discussing how the privileged world of arts and letters takes for granted the work of the unobtrusives, the people who serve our food and deliver our mail; or describing his upbringing in the sheltered world of Manhattan's cultural elite, Shawn reveals a unique ability to step back from the appearance of things to explore their deeper social meanings. He grasps contradictions, even when unpleasant, and challenges us to look, as he does, at our own behavior in a more honest light. He also finds the pathos in the political and personal challenges of everyday life. With a sharp wit, remarkable attention to detail, and the same acumen as a writer of prose as he is a playwright, Shawn invites us to look at the world with new eyes, the better to understand-and change it.

"Pictures and Progress "explores how, during the nineteenth century and the early twentieth, prominent African American intellectuals and activists understood photography's power to shape perceptions about race and employed the new medium in their quest for social and political justice. They sought both to counter widely circulating racist imagery and to use self-representation as a means of empowerment. In this collection of essays, scholars from various disciplines consider figures including Frederick Douglass, Sojourner Truth, Ida B. Wells, Paul Laurence Dunbar, and W. E. B. Du Bois as important and innovative theorists and practitioners of photography. In addition, brief interpretive essays, or "snapshots," highlight and analyze the work of four early African American photographers. Featuring more than seventy images, "Pictures and Progress" brings to light the wide-ranging practices of early African American photography, as well as the effects of photography on racialized thinking.

"Contributors." Michael A. Chaney, Cheryl Finley, P. Gabrielle Foreman, Ginger Hill, Leigh Raiford, Augusta Rohrbach, Ray Sapirstein, Suzanne N. Schneider, Shawn Michelle Smith, Laura Wexler, Maurice O. Wallace

Final Edition is a one-issue-only political magazine written by people who are aesthetes and literary writers and edited by Wallace Shawn, who seriously believes that part of our national problem is that the people who run the country have a crude and minimal imaginative life and are too little acquainted with the quartets of Beethoven.
The issue consists of five pieces:
"Before the Election--Fragments from a Diary 2004" by Wallace Shawn The diarist broods on the analogy between the addiction to pornography and nationalistic obsessions, and he wonders whether a collection of people who vote in a kind of sleepwalking ignorance can ever be called a democracy.
"Invitation to a Degraded World" by Jonathan Schell In this essay, Schell meditates on the comic book/disaster movie view of life, in which bin Laden and George Bush are both immersed, and discusses the "standing army" stationed in all of our homes, the media.
"The Webern Variations" by Mark Strand Strand's hauntingly delicious poem explores what is most poignantly beautiful, while exploring the themes of darkness, descent, decline, and nothingness.
Wallace Shawn Interviews Noam Chomsky For those with no acquaintance with Chomsky, this could make a wonderful introduction, while offering surprising insights to those who know him well. Chomsky is electric with vitality, wit, and rage as he ranges ferociously across the present and ancient worlds, giving his thoughts on the development of the internet, the 2004 election, and the God of the Bible. In an odd way, the interview highlights the inspirational and optimistic quality of this enormously angry man.
"The Twilight of the Superheroes" by Deborah Eisenberg In this brooding, passionate, and brilliant short story, Deborah Eisenberg paints a brutally honest portrait of New York City today and of our lives today, wherever we live. Through observing the lives of some sophisticated residents of the great metropolis, we encounter truths which are both poetic and deeply political.