Harrison Ford returns to the role of the legendary hero archaeologist, Indiana Jones, for this highly anticipated final installment of the iconic franchise – a big, globe-trotting, rip-roaring adventure!

Indiana Jones may be older, but when adventure beckons he once again dons his familiar gear.

A relic from his past risks falling into the wrong hands, and Indy globe-trots across a very different world than the one where he made a name for himself.

1 Academy Award nomination for:
- Best Original Music Score

Harrison Ford returns to the role of the legendary hero archaeologist, Indiana Jones, for this highly anticipated final installment of the iconic franchise – a big, globe-trotting, rip-roaring adventure!

Indiana Jones may be older, but when adventure beckons he once again dons his familiar gear.

A relic from his past risks falling into the wrong hands, and Indy globe-trots across a very different world than the one where he made a name for himself.

1 Academy Award nomination for:
- Best Original Music Score

Harrison Ford returns to the role of the legendary hero archaeologist, Indiana Jones, for this highly anticipated final installment of the iconic franchise – a big, globe-trotting, rip-roaring adventure!

Indiana Jones may be older, but when adventure beckons he once again dons his familiar gear.

A relic from his past risks falling into the wrong hands, and Indy globe-trots across a very different world than the one where he made a name for himself.

1 Academy Award nomination for:
- Best Original Music Score

Starring Phoebe Waller-Bridge, Olivia Colman and Bill Paterson, Fleabag is a hilarious and poignant window into the mind of a dry-witted, sexual, angry, porn-watching, grief-riddled woman trying to make sense of the world.

As she hurls herself headlong at modern living, Fleabag is thrown roughly up against the walls of contemporary London, with all its frenetic energy, late nights and bright lights, in this very modern mix of fatalism and hedonism, sustaining a merry-go-round of broken dreamers. Unfettered and unfiltered, Fleabag tears through the series sleeping with anyone who dares to stand too close, squeezing money from any orifice, rejecting anyone who tries to help her and keeping up the bravado all along. Because that's just the kind of messed-up, normal person she is.

By turns hilarious and heart-breaking, this is the thoroughly disarming confessional of a woman so totally detached she's utterly lost, and ultimately wondering what the hell she ought to be doing in life. Much like the rest of us.

Social psychologist James Waller uncovers the internal and external factors that can lead ordinary people to commit extraordinary acts of evil. Waller offers a sophisticated and comprehensive psychological view of how anyone can potentially participate in heinous crimes against humanity. He
outlines the evolutionary forces that shape human nature, the individual dispositions that are more likely to engage in acts of evil, and the context of cruelty in which these extraordinary acts can emerge. Eyewitness accounts are presented at the end of each chapter. In this second edition, Waller
has revised and updated eyewitness accounts and substantially reworked Part II of the book, removing the chapter about human nature and evolutionary adaptations, and instead using this evolutionary perspective as a base for his entire model of human evil.

The Pearson Edexcel GCSE (9-1) Computer Science Student Book is aligned to the 2020 specification, bringing Computer Science to life with real-world examples, and providing support for the new practical on-screen assessment. The Pearson Edexcel GCSE (9-1) Computer Science 2020 Student Book offers: * plenty of practical activities for programming that follow the PRIMM pedagogy * real world examples and case studies of Computer Science in Action to help make the content relevant and inspiring to students * worked examples and activities using the PLS or 'Programming Language Subset' (Python) for a simple and comprehensive approach to programming * simplified content to make it as accessible as possible. This Student Book also helps students with concise and productive exam preparation. This includes: * exam questions at the end of every section to consolidate knowledge * extensive Preparing for the exam material, including student answers and examiner commentary, plus example exam questions using only the Pearson Edexcel command words * data files to support the on-screen assessment, which can be found in the interactive scheme of work.

Celebrate the incredible journey of Phoebe Waller-Bridge's outrageously funny, blazingly forthright Fleabag, from fringe theatre hit to international cultural phenomenon, in this special edition - featuring the original playscript, never-before-seen colour photos, and exclusive bonus content by Phoebe, director Vicky Jones and key members of the creative team. In 2013, Fleabag made its debut as a one-woman show in sixty-seater venue the Big Belly, at the Edinburgh Festival Fringe's Underbelly. It was an immediate hit, going on to enjoy two runs at London's Soho Theatre, national and international tours, whilst picking up prizes including Critics' Circle, The Stage, Fringe First and two Off West End Theatre Awards, plus an Olivier Award nomination. The 2016 TV adaptation propelled Fleabag and Phoebe to worldwide fame, earning critical acclaim and further accolades including Writers' Guild, Royal Television Society and BAFTA Television Awards. A second series followed in 2019, winning an amazing six Emmy Awards (including Outstanding Comedy Series and Outstanding Writing for a Comedy Series), along with a sold-out run of the original play in New York. This special edition of the play is released alongside Fleabag's first West End run at Wyndham's Theatre, London. It is introduced by Deborah Frances-White, stand-up comedian, writer and host of The Guilty Feminist podcast.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.