All 23 episodes from the second season of the '70s Western TV series following the adventures of outlaws Kid Curry (Ben Murphy) and Hannibal Heyes (Pete Duel) as they try to go straight with the help of the local governor. Having to stay out of trouble to achieve amnesty, the two men change identity to avoid detection but can't seem to kick the habit. The episodes are: 'The Day They Hanged Kid Curry', 'How to Rob a Bank in One Hard Lesson', 'Jailbreak at Junction City', 'Smiler With a Gun', 'The Posse That Wouldn't Quit', 'Something to Get Hung About', 'Six Strangers at Apache Springs', 'Night of the Red Dog', 'The Reformation of Harry Briscoe', 'Dreadful Sorry Clementine', 'Shootout at Diablo Station', 'The Bounty Hunter', 'Everything Else You Can Steal', 'Miracle at Santa Marta', '21 Days to Tenstrike', 'The McCreedy Bust: Going, Going, Gone', 'The Man Who Broke the Bank at Red Gap', 'The Men That Corrupted Hadleyburg', 'The Biggest Game in the West', 'Which Way to the O.K. Corral?', 'Don't Get Mad, Get Even', 'What's in It for Mia?' and 'Bad Night in Big Butte'.

Visitors to Texas and New Mexico have marvelled for centuries at the immensity of the Llano Estacado and the surprising contrast as, at the edges of the great mesa, the flat ground gives way suddenly to such spectacular formations as the Palo Duro and Caprock Canyons. In the introduction to Amarillo Flights, artist and naturalist Walt Davis chronicle the history of this region - what Paul Chaplo calls the 'Llano Country' - and of those artists, mapmakers, and travelers who have tried in various ways to capture its spirit.Working in 'the vast studio of the sky', aerial photographer Chaplo has battled high winds, turbulence, dust, ice, near-miss bird strikes, wildfire smoke, and a host of aircraft problems to show the Llano Country from a place most of us will never be. Covering more than forty thousand square miles, he explores the incredible beauty and rich cultural history of the Panhandle and the surrounding landscapes, from canyons in New Mexico and Texas to hills and plains in Oklahoma. With the help of daring pilots, numerous aircraft, and a remarkably steady hand, Chaplo manages to capture in more than 100 striking photographs the shapes, textures, and colours of the rugged landforms that cannot be perceived fully from the ground. Sharing in his unique view from the southwestern sky, readers will experience from afar - and sometimes impossibly close - the sunlit canyons, storm-covered plains, and winding rivers cutting deep into the red earth that drew Chaplo to this region. For those who appreciate the Llano Estacado, Texas and Eastern New Mexico history, and landscape photography, this book provides a fresh and perception-challenging perspective.

The Green Revolution Delusion is a fictional depiction of a real life drama that is playing out daily where ever industrial agriculture is practiced. In two generations agriculture has been changed radically. What was once a biological process driven by sunshine and rainfall and a prime generator of wealth has become, in many cases, an unsustainable industrial process dependent upon ever increasing inputs of energy and capital. Aside from the financial aspects, agriculture practiced in the industrial mode is inherently wasteful of natural resources; soil, water and energy are consumed in untenable amounts while producing pollution of soil, water and food stuffs. What was once a very good way to live and raise a family has become an occupation filled with stress and outright danger. In far too many cases, the wholesomeness of our food supply has taken second place to the needs of industry. These situations do not have to continue; there are methods that can produce food and fiber in the quantities needed in ways that are ecologically, financially and sociologically sound. One purpose of the book is to present options to the methods and practices causing the most damage that are feasible in the real world. The Green Revolution Delusion is a portrayal of some of the real and very disturbing problems of modern agriculture. Damage is being done to farm families, to the environment and to human health. The book is not a doom and disaster tirade but rather an attempt to explain why the conventional wisdom - that we must adopt all of the current toxic technology: the confined animal feeding operations, the genetically modified organisms and the chemical fertilizers and pesticides in order for agriculture to be profitable and productive - is simply wrong. It is not a technical dissertation but it presents, without a lot of jargon, some of the scientific and economic reasons that industrial agriculture is neither sustainable nor profitable in the long term. It also provides a look at proven alternatives to some of the most damaging technology and gives examples of how these alternative methods can be applied in a practical manner. Fiction is used as the vehicle for putting forth this information in the hope that an enjoyable reading experience will bring useful knowledge to a wider audience. The book is not a how to manual but rather it tries to at least partially explain, in a non-technical manner, the functioning of the ecological processes that control the natural world and how these processes can be used to create agriculture that is financially, ecologically and sociologically sound.

A Gathering at Oak Creek, a novel, is a portrayal of four very different people; a depiction of how they come together and how they and their ancestors are and were molded by the land and by the times in which they live. The story, which begins over one hundred and fifty years before, takes place - mainly -in the area that will become Texas. Scot-Irish, Mexican, German, Tonkawa, Irish and Comanche all have ancestral parts in the saga while the roles of African-American, Apache, English and Kiowa are essential to the story. This is an adventure tale, a seminar on ranching and ecology, a love story, and a history lesson spiced with mystery, tragedy and comedy. The story is fiction but the people and events portrayed are modeled after real life. The Scot-Irish made the journey from grinding poverty in Scotland to poverty plus religious strife in Northern Ireland to a sometimes harsh but free and independent life in America. The German settlers moved to what was at first Tejas and later Texas as family units; where the Scot-Irish and Anglo-Saxons tended to "chase the rainbow" the Germans brought civilization and stability where ever they settled. The people of northern Mexico suffered terribly for many years from the actions of predatory Comanche and Apache; it was common for Mexican and Caucasian children - especially boys - to be adopted into the tribes and live out their lives as tribesmen. The Tonkawa people were treated particularly harsh by history; at various times, they were massacred by Apache, Comanche, white settlers - with whom they had long been friends and allies - and, when they were moved to Indian Territory, by consortiums of supposedly "tame" Indians. After the War Between the States, the disarming of the people of Texas by the Reconstructionist government did happen and Texans of all kinds suffered from Indian depredation because of it. The freed slaves of the 10th United States Cavalry with their campaigns against the Comanche and later against Victorio and his renegade Apaches gave lie to the belief, common at the time that black men could not fight. The area of Texas where Oak Creek Ranch is located was some of the last land in the United States to be opened to civilization; for many years "Comancheria" - the land of the Comanche - was cut off completely from the rest of the world. No one ventured into the area without the permission of the Comanche. This continued until the buffalo herds were exterminated and the Comanche and their Kiowa allies were starved into submission. Quanah Parker brought the last of the free Comanche in to the Fort Sill Reservation in 1875 and the Comanche wars were finally over. The end of Indian hostilities ushered in a new era of settlement across the area; first by free range cattlemen pushing in from all four directions and later by farmers and small ranchers. Mac and Windy - who are featured in the story - were among the last of the free living cowboys who played such an important role in the early day ranching industry. The ranching business underwent great change from its' early days until the 1990's; it became much more industrialized - it moved away from its roots in the land. Today, at least some ranchers are in the process of changing once again; raiding Comanche are no longer a threat but new challenges face the ranchers attempting to take their operations back to their biological foundations. The book attempts to give some insights into ranching - past and present - in America but at the very least, it is an enjoyable read that will leave you in a good mood. The author grew up in the area where the story occurs and spent his life as a working rancher. Mike Pinson, whose original art work graces the front cover, is another fully accredited cowboy with the broken bones to prove it. Aside from his art work and cattle operation, Mike is a saddle maker and leather artist.

In 1955, Frank X. Tolbert, a well-known columnist for the Dallas Morning News, circumnavigated Texas with his nine-year-old-son in a Willis Jeep. The column he phoned in to the newspaper about his adventures, ""Tolbert's Texas,"" was a staple of Walt Davis's childhood. Fifty years later, Walt and his wife, Isabel, have re-explored portions of Tolbert's trek along the boundaries of Texas. The border of Texas is longer than the Amazon River, running through ten distinct ecological zones as it outlines one of the most familiar shapes in geography. According to the Davises, ""Driving its every twist and turn would be like driving from Miami to Los Angeles by way of New York."" Each of this book's sixteen chapters opens with an original drawing by Walt, representing a segment of the Texas border where the authors selected a special place-a national park, a stretch of river, a mountain range, or an archeological site. Using a firsthand account of that place written by a previous visitor (artist, explorer, naturalist, or archeologist), they then identified a contemporary voice (whether biologist, rancher, river-runner, or paleontologist) to serve as a modern-day guide for their journey of rediscovery. This dual perspective allows the authors to attach personal stories to the places they visited, to connect the past with the present, and to compare Texas then with Texas now. Whether retracing botanist Charles Wright's 600-mile walk to El Paso in 1849 or paddling Houston's Buffalo Bayou, where John James Audubon saw ivory-billed woodpeckers in 1837, the Davises seek to remind readers that passionate and determined people wrote the state's natural history. Anyone interested in Texas or its rich natural heritage will find deep enjoyment in Exploring the Edges of Texas.Publication of this book is generously supported by a memorial gift in honor of Mary Frances ""Chan"" Driscoll, a founding member of the Advisory Council of Texas A&M University Press, by her sons Henry B. Paup '70 and T. Edgar Paup '74.