Immer mehr AErzte stehen vor der fachfremden Aufgabe ein Qualitatsmanagement in der Onkologie zu implementieren und eine Zertifizierung zum onkologischen Zentrum anzustreben. Das Buch bietet Hilfestellung bei der Einfuhrung und Realisierung des Qualitatsmanagements sowie der Vorbereitung zum Zertifizierungsaudit. Hinweise zur praktischen Umsetzung und Anpassung an die individuellen Anforderungen der Einrichtung werden gegeben. Detailliert nachzulesen: - UEberblick uber verschiedene Zertifizierungsverfahren und QM-Systeme - Erlauterung der wichtigsten Begriffsbestimmungen - Anforderungskataloge - Besonderheiten in der Onkologie - Zusammenarbeit zwischen onkologischen Praxen und Krankenhausern Ihr Insiderwissen und ihre Erfahrung aus dem Aufbau des Zertifizierungssystems fur Brustzentren der Deutschen Krebsgesellschaft bringen zwei der Autoren erfolgreich in das Buch mit ein.

That Ezra Pound was the chief architect of Modernism in English and American poetry is well established. So, too, is the fact that in T. S. Eliot he discovered a peer, whose early career he fostered. Together, Pound and Eliot defined what Modern Poetry meant. But they also had peers in two great Irish writers: Yeats in poetry and Joyce in fiction. With them, they were major shapers of the Modernist style. The Age of Modernism was dominated by American and Irish writers who took part in reshaping the English literary tradition in the twentieth century. "Ezra Pound and Modernism" was the topic of the 25th Ezra Pound International Conference in Dublin in July of 2013, and the papers selected for this volume clearly demonstrate that.Modernism had both American and Irish roots. Modernism in English literature had its origins in the work of Irish and American writers. Pound was the chief advocate of a new literary style in English, which the writings of Yeats, Joyce, and T. S. Eliot would articulate. Ulysses and The Waste Land, published in the same year, 1922, would become its complex masterpieces, still challenging readers after nearly a century, and still unsurpassed.

This book brings to the fore much new work on this key area of Pound's endeavours and interests, and on the social, political, and philosophical implications of his works. They also deal with his interests in Chinese virtues, Egyptian hieroglyphs and autographical myths, where he combined his appreciation of both the Green World and the arts.