1745. The year of the final Jacobite uprising. Edward Waverley, a naïve, aristocratic English soldier is posted to Dundee as part of the Hanoverian army. He takes leave to visit the castle of his uncle’s Jacobite friend, Baron Bradwardine, in the lowlands of Scotland. Wild Highlanders visit the castle, and curiosity gets the better of Waverley. He travels north into the Scottish Highlands and the heart of the Jacobite rebellion and its aftermath. Our hero finds himself caught between the Jacobite clans and the Hanoverian regime, and between two women – the feisty Flora MacIvor, sister of the clan chief, and the Baron’s quiet, demure daughter Rose. This edition of Sir Walter Scott’s classic novel of history and romance has been expertly reworked for modern audiences by Jenni Calder.

HarperCollins is proud to present its incredible range of best-loved, essential classics. Wilfred of Ivanhoe is a Saxon loyal to the Norman king Richard I. Because of this loyalty, and his love for Lady Rowena, Ivanhoe is cast out by his father, a Saxon loyalist determined to liberate the Saxon people from Norman rule. He plans to marry Rowena, his ward and a descendant of the Saxon king Alfred, to Lord Aethelstane, pretender to the throne of England. In so doing, Ivanhoe would unite two rival Saxon houses in their claim for the crown. Ivanhoe returns from the Crusades in secret and is joined in his plans to re-establish Richard on the thrown by the moneylender Isaac of York, his daughter Rebecca, the mysterious Black Knight, Lady Rowena, and Robin Hood and his merry men.

But what is Rashleigh up to? Who are his mysterious friends? Frank has to find some missing papers to save his father's business. The search takes him to Scotland. His life is in danger. Who wants to kill him? Frank meets the outlaw Rob Roy and heads for the Highlands. He's seized by soldiers looking for Jacobite rebels. Whose side is Rob Roy really on? And how can Frank get the papers to save his father?

Sir Walter Scott's tale of adventure during the times of Robin Hood. Classics Illustrated tells this wonderful tale in colourful comic strip form, offering an excellent introduction for younger readers. This edition also includes a biography of Sir Walter Scott and study questions, which can be used both in the classroom and at home to further engage the reader in the story.

The adventures of Francis Osbaldistone and his time in Scotland with the famous outlaw Rob Roy MacGregor during the time of the 1715 Jacobite Rising. Classics Illustrated tells this wonderful tale in colourful comic strip form, offering an excellent introduction for younger readers. This edition also includes a biography of Sir Walter Scott, theme discussions and study questions, which can be used both in the classroom and at home to further engage the reader in the story.

Life with his regiment in Scotland is dull until he visits his uncle's friends in the Highlands, where he meets Fergus McIvor and his sister Flora. Attracted by the wild freedom and romance of the Scottish clans, Edward finds himself in a difficult and dangerous position. His new friends are Jacobites, planning to overthrow King George and restore the Stuart monarchy. The Jacobites rise in rebellion. When Prince Charles leads an invasion of England, Edward's loyalties are hopelessly divided. Whose side will he take? And what fate awaits them all?

'The Heart of Midlothian' presents the story of Jeanie Deans, a dairymaid who journeys to London to beg for a reprieve for her sister. Set in the 1730s, the novel dramatises different kinds of justice, including lynching by an Edinburgh mob.

Sir Walter Scott (1771-1832) is chiefly remembered as one of the great historical novelists, with his best-known works including Waverley (1814), Ivanhoe (1819), and Redgauntlet (1824). His experiments in short fiction, however, began before he published his first novel and throughout his career he returned to the short story form, writing tales which often contained elements of Scottish supernaturalism or the macabre. As It Was Told to Me, introduced by Daniel Cook, collects three of Scott's short stories in one volume. 'My Aunt Margaret's Mirror', mixes a tale of reckless romance with supernatural theatrics; 'The Two Drovers' offers a slow-burn expose of national conflict; and 'Wandering Willie's Tale' weaves a yarn around the grisly death of a despotic laird and a trip to hell.

The FLAME TREE COLLECTABLE CLASSICS are chosen to create a delightful and timeless home library. Each stunning edition features deluxe cover treatments, ribbon markers, luxury endpapers and gilded edges. The unabridged text is accompanied by a Glossary of Victorian and Literary terms produced for the modern reader. Set in twelfth-century England during the reign of Richard I, Ivanhoe is Sir Walter Scott's best known novel. Its depictions of witch trials, violent tournaments, sieges and ambushes make it a gripping read. The tense divisions between the Normans and the Saxons, the rich, the poor and the controversial figure of Robin Hood, and between King Richard and his untrustworthy brother are all explored in this brilliant account of the medieval era.

Scottish Stories is a treasury of great writing from a richly literary land, where the short story has flourished for over two centuries. Here are chilling supernatural stories from Robert Louis Stevenson, Eric Linklater and Dorothy K. Haynes; side-splittingly funny stories from Alasdair Gray and Irvine Welsh; a stylish offering from urban realist William McIlvanney. Iain Crichton Smith evokes the Gaelic-speaking highlands, George Mackay-Brown the Orkney islands, Andrew O'Hagan working-class Glasgow; while Leila Aboulela, originally from Sudan, ponders the relations between colonizers and colonized from her home in Aberdeen. Though there is no one 'Scottishness' that binds the authors together, writes editor Gerard Carruthers, each has a Scottish footprint or accent. And perhaps more importantly, all are masters of their form.

A party on the Highland Tour, taking a scenic break from their journey come upon a miserable hut hid away among some cliffs; the ladies, upon enquiring what lies before them, hear the wretched tale of Elspat MacTavish, the Highland Widow, condemned forever to live penitent and alone. Condemned by her love for her husband and her only son. Full of honourable intentions, after the suppression of the Highland clans, to join the coalition on its campaign against the French into America, the unfortunate Hamish alas finds himself tricked by his own mother. The ensuing events lead to a tragic ending, made all the more pathetic by the unquenchable passion of a once-proud nation beating still in the breast of one woman.

Introduction and Notes by David Blair, University of Kent at Canterbury. Set in the reign of Richard I, Coeur de Lion, Ivanhoe is packed with memorable incidents - sieges, ambushes and combats - and equally memorable characters: Cedric of Rotherwood, the die-hard Saxon; his ward Rowena; the fierce Templar knight, Sir Brian de Bois-Gilbert; the Jew, Isaac of York, and his beautiful, spirited daughter Rebecca; Wamba and Gurth, jester and swineherd respectively. Scott explores the conflicts between the Crown and the powerful Barons, between the Norman overlords and the conquered Saxons, and between Richard and his scheming brother, Prince John. At the same time he brings into the novel the legendary Robin Hood and his band, and creates a brilliant, colourful account of the age of chivalry with all its elaborate rituals and costumes and its values of honour and personal glory.

"I have all my life regretted that I did not keep a regular (journal). I have myself lost recollection of much that was interesting and I have deprived my family and the public of some curious information by not carrying this resolution into effect." Sunday 20 November, 1825 With these words Scott began what many regard as his greatest work, a diary which was to turn into an extraordinary day-to-day account of the last six years of his life, years of financial ruin, bereavement, and increasing ill health. As he laboured to pay off debts of over GBP120,000, Scott emerges, not simply as a great writer, but as an almost heroic figure whose generosity and even temper shine through at all times. This edition presents a complete edited text and notes drawing on a wealth of other material including correspondence, reminiscences and the memoirs of Scott's contemporaries. It remains one of the standards by which Scott scholarship is judged.

More than a century after the Norman Conquest, England remains a colony of foreign warlords. The dissolute Prince John plots to seize his brother's crown, his barons terrorize the country, and the mysterious outlaw Robin Hood haunts the ancient greenwood. The secret return of King Richard and the disinherited Saxon knight, Ivanhoe, heralds the start of a splendid and tumultuous romance, featuring the tournament at Ashby-de-la-Zouche, the siege of Torquilstone, and the clash of wills between the wicked Templar Bois-Guilbert and the sublime Jewess Rebecca. In Ivanhoe Scott fashioned an imperial myth of national cultural identity that has shaped the popular imagination ever since its first appearance at the end of 1819. The most famous of Scottish novelists drew on the conventions of Gothic fiction, including its risky sexual and racial themes, to explore the violent origins and limits of English nationality. This edition uses the 1830 Magnum Opus text, corrected against the Interleaved Set, and incorporates readings from Scott's manuscript. The introduction examines the originality and cultural importance of Ivanhoe, and draws on current work by historians and cultural critics. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

This novel, which has always been regarded as one of Scott's finest, opens with the Edinburgh riots of 1736. The people of the city have been infuriated by the actions of John Porteous, Captain of the Guard, and when they hear that his death has been reprieved by the distant monarch they ignore the Queen and resolve to take their own revenge. At the center of the story is Edinburgh's forbidding Tolbooth prison, known by all as the Heart of Midlothian.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

A complete, critically edited edition of the Waverley Novels as Scott originally wrote them The first of Scott's Waverley novels burst upon an astonished world in 1814. Its publication marked the emergence of the modern novel in the western world, influencing all the great 19th-century writers. This edition of Sir Walter Scott's novels captures the original power and freshness of his best-loved novels. Scott originally wrote and intended his public to read before errors, misreadings and expurgations crept in during production. This edition offers: a clean, corrected text; textual histories; explanatory notes; verbal changes from the first-edition text; and full glossaries. this novel focuses on the arrival of the first Crusaders in 1096. During the oath-taking ceremony on the eve of the Crusade, the haughty Count Robert insults the Emperor by seating himself on the imperial throne.

Set at the end of the reign of James VI and I, The Fortunes of Nigel sits among Walter Scott's richest creations in political insight, range of characterisation and linguistic virtuosity. Well versed in the political literature of the period, Scott drew a detailed picture of London in the early 17th century while charting the effects of Scottish influx into the English capital: the ambitions and fears of the incomers and the suspicion they aroused. The complex web of political (and sexual) intrigue, and especially of all-important financial dealings and double-dealings, is traced with a master's hand. No Scott novel has a more memorable cast of characters. King James heads them, with his childish irresponsibility and elusive character: a would-be Solomon and father of his country, theological disputant, prurient bisexual. But not far behind are jeweller George Heriot, clockmaker Davie Ramsay, courtier Sir Mungo Malagrowther, servant Richie Moniplies and many vivid minor characters. Steeped in Jacobean drama, this tale shows Scott revelling in the linguistic riches of the age.Previous editions have obscured his virtuosity (as seen in a dazzlingly proto-Joycean monologue by a Greenwich barber), but painstaking examination of the manuscript and proofs for this new edition allows the full vigour of Scott's achievement to be savoured for the first time.

With an Introduction and Notes by David Blair. From its first publication in 1816 Rob Roy has been recognised as containing some of Scott's finest writing and most engaging, fully realised characters. The outlaw Rob Roy MacGregor was already a legendary, disputed figure by the time Scott wrote - a heroic Scottish Robin Hood to some, an over-glamorised, unprincipled predator to others. Scott approaches Rob Roy indirectly, through the adventures of his fictional hero, Frank Osbaldistone, amid the political turmoil of England and Scotland in 1715. With characteristic care Scott reconstructs the period and settings so as to place Rob Roy and the Scotland he inhabits amid conflicting moral, economic and historical forces. This edition features, besides a new critical introduction and extensive explanatory notes, an essay outlining clearly the novel's historical context and a glossary of Scottish words and phrases used by Scott's colourful, vernacular characters.

Chronicles of the Canongate is unique among Scott's works as it is his only collection of shorter fiction. It contains his best-known tales, 'The Highland Widow' and 'The Two Drovers', and a third, less well known but of startling originality, 'The Surgeon's Daughter'. The three are set within the framing narrative of Chrystal Croftangry, an old bankrupt with pretensions to literature, who must inevitably be seen as a portrait of the artist facing up to his own insolvency in 1826. Tales in a framework have a long ancestry in European and Oriental literature, and in Chronicles of the Canongate Scott adapts the genre with consummate skill. Each of the stories and Croftangry's narrative may be read independently, but together they constitute a themed work in which the narrator treats of the cultural conflicts in the new Britain and its growing empire in the thirty years from 1756. This edition of Chronicles of the Canongate recovers a truly inventive work which is here republished in its original form for only the second time since Scott's death in 1832.

Anne of Geierstein (1829) is set in Central Europe in the fifteenth century, but it is a remarkably modern novel, for the central issues are the political instability and violence that arise from the mix of peoples and the fluidity of European boundaries. With Anne of Geierstein Scott concludes the unfinished historical business of Quentin Durward, working on a larger canvas with broader brush-strokes and generally with more sombre colours. The novel illustrates the darkening of Scott's historical vision in the final part of his career. It is also a remarkable manifestation of the way in which the scope of his imaginative vision continued to expand even as his physical powers declined. This new edition is based upon the first edition but is corrected by recovering from the manuscript about 2000 readings lost in some cases by misreadings of what Scott had written, but in many others from the assumption that those who processed Scott's text knew better than he did. This is the first modern critical edition of what was in its day a remarkably successful novel.

Meg Dods, a sentimental virago, keeps a rundown inn in a derelict Tweedale village, while the young Laird is living way beyond his means. When a nearby spring becomes a Spa, life changes as a hotel and a troop of social climbers move in. But this is not a tale of antique virtue giving way to decadent ostentation: although the gang at the 'Well' dance the seven deadly sins, everyone in the book has feet of clay.