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This work looks at the Philipps-UniversitAt, Marburg, an
institution influenced by national conservatism in the first half
of the 20th century, in a study of the functionality and continuity
of an academic elite spanning different political systems. The
essays address questions concerning the institution's history,
biographies and history of methods in disciplines heavily
influenced by ideology, such as German studies, art history,
musicology and European ethnology. Particular attention has been
paid to the connection between academic work, membership in parties
and organizations, political activities and careers of those at the
university.
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