Renaissance Papers collects the best scholarly essays submitted each year to the Southeastern Renaissance Conference. The theme of this year's volume is "sacred places, secular spaces." It begins with a "who is it" mystery, examining two portraits by Raphael that embody the sacred and the profane, respectively. The next essay engages both the sacred and pictorial innovationsin Holbein's predella The Dead Christ; while the following one views the sacred through the critical lens of race, arguing that Northern European churchmen normalized views on race by strategically placing racialized artifacts in their churches. The scene then shifts to 16th century Venice, where the Greek community contended with local authorities over the right to establish a sacred site for interring their dead. The next two essays swing the pendulum toward the secular: an essay on ecocriticism suggests that the early modern period expelled the sacred from nature and presents a Rabelaisian antidote, while an essay on Spenser's The Faerie Queene presents it as a blueprint for colonization. The volume concludes with Contributors: Julie Fox-Horton, Lorenz A. Hindrichsen, Heather Hirschfeld, Elizabeth Lisot-Nelson, Jesse Russell, Victor Velázquez, John N. Wall, Jennifer Wu. The journal is edited by Jim Pearce of North Carolina Central University and Ward Risvold of Georgia College and State University.

Essays on a wide range of topics including the role of early modern chess in upholding Aristotelian virtue; readings of Sidney, Wroth, Spenser, and Shakespeare; and several topics involving the New World. Renaissance Papers collects the best scholarly essays submitted each year to the Southeastern Renaissance Conference. The present volume opens with an essay on early modern chess, arguing that it covertly upheld an Aristotelian concept of virtue against the destabilizing ethical views of writers such as Machiavelli. This provocative opening is followed by iconoclastic discussions of Sidney's Astrophil and Stella, Wroth's Urania, and Spenser's Fairie Queen. The next essay investigates the mystery surrounding editorship of the 1571 printing of The Mirror for Magistrates. The essays then pivot into the exotic world of Hermetic "statue magic" in Shakespeare's Winter's Tale and the even more exotic worlds of alchemy, Aztec war gods, and conversion in sixteenth-century Mexico. Two further essays remain in the New World, the first examining the representational connections between the twelve Caesars and the twelve Inca kings, the second taking stock of Thomas Harriot's contribution to the understanding of Amerindian languages. The penultimate essay looks at Holbein's depiction of Henry VIII's ailing body, and the volume concludes with a complex analysis of guilt and shame in Moliere's L'Ecole des Femmes. Contributors: Jean Marie Christensen, William Coulter, Christopher Crosbie, Shepherd Aaron Ellis, Scott Lucas, Fernando Martinez-Periset, Timothy Pyles, Rachel Roberts, Jesse Russell, Janet Stephens, Weiao Xing. The journal is edited by Jim Pearce of North Carolina Central University and Ward Risvold of Georgia College and State University.

Sixty-fifth annual volume, focusing notably on Shakespearean drama and the poetry of early modern England but with essays on a variety of other topics relevant to the period. Renaissance Papers collects the best scholarly essays submitted each year to the Southeastern Renaissance Conference. The 2018 volume features essays presented at the conference at Queens University of Charlotte, North Carolina, as well as essays submitted directly to the journal. The volume opens with four essays on Shakespearean drama, offering readings ranging from the heteroglossia in Henry VIII to the limits of language in King Lear, social networks in Anthony and Cleopatra, and epiphanic excursions in the Shakespearean corpus. The next essays look at iconology, agency, and alterity on the early modern stage and colonial Peruvian art. The journal then returns us to the poetry of early modern England. The first of this group explores the perils of poor reading in The Countess of Montgomery's Uriana and is followed by essays investigating the aesthetic connection between Spenser and Catullus and the sacred circularities in John Donne's "Good Friday 1613. Riding Westward." The volume concludes with an extended consideration of meritocracy and misogyny in the works of Ben Jonson. Contributors: Nathan Dixon, Lisandra Estevez, Melissa J. Rack, Robert Lanier Reid, Rachel M. De Smith Roberts, Deneen Senasi, Jonathon Shelley, Kendall Spillman, John Wall, and Don E. Wayne. The journal is edited by Jim Pearce of North Carolina Central University and Ward Risvold of the University of California, San Diego.

Collection of the best scholarly essays from the 2020 Southeastern Renaissance Conference plus essays submitted directly to the journal. Topics run from the epic to influence studies to the perennial problem of love and beyond. Renaissance Papers 2020 features essays from the conference held virtually at Mercer University, as well as essays submitted directly to the journal. The volume opens with an essay that discusses the "ultimate story," the epic, and argues, pointing to the Henriad and The Faerie Queen, that some of the most ambitious remain unfinished; an essay on "just war" and Henry V follows, suggesting why such epic inconclusion may not be such a bad thing. A trio of influence studies investigate post-Marian virginity, Miltonic environmentalism, and cross-dressing knights. Three essays then interrogate the perennial problem of love: in popular ballads, in Hero and Leander, and in The Rape of Lucrece. An essay argues counterintuitively for Amelia Lanyer and Margaret Cavendish as exemplars of the Cavalier Ideal of the Bonum Vitae; it is followed by an equally provocative reconsideration of the role of Claudio D'Arezzo's rhetorical works for Sicilian national identity. The last essay analyzes the formal signatures of three sixteenth-century queens and how they sought to represent themselves on the public stage.

Annual volume of the best essays submitted to the Southeastern Renaissance Conference, this year with an emphasis on English drama, particularly Jonson and Marlowe. Renaissance Papers collects the best scholarly essays submitted each year to the Southeastern Renaissance Conference. The 2014 volume opens and closes with essays on historically based explorations of identity: the first onthe circle of Jane Scroop in Skelton's Philip Sparrow, and the last on dogs and horses as symbols of national identity in early modern England. The heart of this year's journal is English drama, especially Jonson and Marlowe: there are essays on Puritan logic in Jonson's Bartholomew Fair; grotesque sex in Jonson's Volpone; the role of anti-Catholicism in the creation of Marlowe's Dr. Faustus; and the relationship between puppetry and the Faust legend. Marlowe and Jonson also surface in two reconsiderations of their non-dramatic works; first an essay on Ovidian resonances in Marlowe's Hero and Leander, and second a reflection on Spenserian echoesin Jonson's Epode. The next essay shifts to the poetics of religious literature, arguing for clothing as an important metaphor for renewal in Herbert's The Temple, and the penultimate essay addresses imaginative resources in the Martin Marprelate pamphlets. Contributors: William Coulter, Philip Goldfarb, Chris Hill, Joanna Kucinski, Pamela Macfie, Sara Mayo, Barry Shelton, Emily Stockard, Lisa Ulevich, Emma Annette Wilson. The journal is edited by Jim Pearce of North Carolina Central University and Ward Risvold of the University of Georgia.

Annual volume of the best essays submitted to the Southeastern Renaissance Conference, this year with an emphasis on English drama and the cultural anxieties it expresses. Renaissance Papers collects the best scholarly essays submitted each year to the Southeastern Renaissance Conference. The 2015 volume features essays from the conference held at the University of North Carolina at Chapel Hill, as well as essays submitted directly to the journal. The volume opens with a trio of reconsiderations of the impact of patronage on theater under the Stuarts, the role of the audience in Hamlet, and the role of King Arthur in The Faerie Queene. The heart of this year's journal is English drama, featuring essays on anxieties about nationhood in The Spanish Tragedy, generic anomalies and Chaucerian echoes in All's Well That Ends Well, the inversion of the hagiographical tradition in Shakespeare's Richard III, and the complexities coalescing around authorial identity under the Stuarts. In the penultimate essay, the focus shifts to the non-dramatic with a reconsideration of Milton's Paradise Regained and its relationship to the court masque. The last offering is a historical essay on the intersection of the personal and the political in John Wray's The Pilgrim'sJournal. The volume concludes with four book reviews. Contributors: David M. Bergeron, William A. Coulter, Timothy D. Crowley, Melissa Geil, Lainie Pomerleau, Robert Lanier Reid, Emily Stockard, Lewis Walker, John N. Wall. The journal is edited by Jim Pearce of North Carolina Central University and Ward Risvold of the University of Georgia.