Many more documents survive from the early Middle Ages than from the Roman Empire. Although ecclesiastical archives may account for the dramatic increase in the number of surviving documents, this new investigation reveals the scale and spread of documentary culture beyond the Church. The contributors explore the nature of the surviving documentation without preconceptions to show that we cannot infer changing documentary practices from patterns of survival. Throughout Late Antiquity and the early Middle Ages - from North Africa, Egypt, Italy, Francia and Spain to Anglo-Saxon England - people at all social levels, whether laity or clergy, landowners or tenants, farmers or royal functionaries, needed, used and kept documents. The story of documentary culture in the early medieval world emerges not as one of its capture by the Church, but rather of a response adopted by those who needed documents, as they reacted to a changing legal, social and institutional landscape.

Cape Town is vibrant, industrious, creative and entertaining. It has the sophistication and attraction of a world-class city, set in an environment of legendary beauty. But it is also riddled with contradictions and inequities, scarred by a past that left society fragmented and alienated many of its residents. Now it is seeking a new, inclusive identity that will embrace and celebrate the diverse mix of people that gives the city character and life. In this title, the many faces of Cape Town are revealed, faces that will engage visitors and no doubt surprise locals who thought they knew their city. Through the text and photographs, experience Cape Town, a people's city, uncovered.

Threats to our planet come in many forms. Some are alien visitations, some lay dormant in the Earth itself, and occasionally, danger arrives with a big gun and fantastic hair. Whatever the threat, whoever the enemy, UNIT is ready to defend the world. 8.1 This Sleep of Death by Jonathan Morris. Abbey Marston. UNIT’s dark secret. A place where the laws of space and time, life and death, can be suspended. Where remembering the departed has consequence. When UNIT faces a threat from a dead man, Kate has no choice but to return to Abbey Marston once more, to disturb the sleep of death. But the Static are waiting… 8.2 Tempest by Lisa McMullin. When the planet’s weather systems start behaving strangely, Osgood is worried. Soon, she and Sam Bishop are heading to a remote Scottish island where an eccentric old woman speaks to the wind itself. Meanwhile, Kate Stewart visits a deep-sea oil-rig where strange things are afoot. A tempest is coming, and it could be disaster for the entire world. 8.3. & 8.4 The Power of River Song by Guy Adams. Part 1: UNIT has been assigned to monitor the switch-on of a revolutionary new power system – they know from experience such things can be tricky. Nearby, Osgood and Lieutenant Bishop investigate mysterious disappearances - and appearances of trans-temporal phenomena. Kate would like to ask the Director some questions, but she’s proving strangely elusive… until there’s a murder. Part 2: There’s a dead body in the power station. River Song is the prime suspect. And Kate is most concerned by the identity of the victim. Meanwhile, Sam and Jacqui chase Vikings, while Osgood finds herself out of time. As deadly focus their attention on Earth, it seems activating the power of River Song could spell the end of everything... CAST: Jemma Redgrave (Kate Stewart), Ingrid Oliver (Osgood), Alex Kingston (River Song /The Director), Warren Brown (Lieutenant Sam Bishop), James Joyce (Josh Carter), Andrew French (Sergeant Warren Calder), Ajjaz Awad (Private Meghan Coates), Hywel Morgan (Jeff / Barney), Alexandra Mathie (Mother McCracken), Chris Jarman (Joel Sanders), Tracy Wiles (Jacqui McGee), Enzo Squillino Jnr (Mr Chant), Leighton Pugh (Leif / Wampeerix).

All six episodes from the first season of the BBC crime thriller series starring Idris Elba. Brilliant but flawed murder detective John Luther (Elba) sees it as his personal crusade to track down the depraved killers it is his job to identify. But as he struggles with personal demons of his own, his strong moral code cannot always be relied upon to protect him from the dangerous violence of his own emotions and passions. Saskia Reeves, Paul McGann and Steven Mackintosh co-star.

Most scholarship in English on the political and social order of early medieval Europe concentrates on the Western Frankish regions. Warren Brown shifts the focus to the East, concentrating on conflicts and their resolutions to learn how a central authority could affect local societies in the Middle Ages.

Brown delves into the rich archival materials of eighth- and ninth-century Bavaria, exploring how Bavarians handled conflicts both before and after the absorption of their duchy into the empire of Charlemagne. The ability to follow specific cases in remarkable detail allows Brown to depict the ways the conquered population reacted to the imposition of a new central authority; how that authority and its institutions were able to function in this far-flung outpost of Charlemagne's realm; and how the relationship between royal authority and local processes developed as the Frankish empire unraveled under Charlemagne's heirs.

By drawing on the recent work of anthropologists and political scientists on topics such as dispute resolution and the dynamics of conquest and colonization, Brown considers issues larger than the procedures for handling conflict in the early Middle Ages: How could a ruler exercise power without the coercive resources available to the modern state? In what ways can a people respond to military conquest?