The Academy of Parish Clergy 2020 Reference Book of the Year 2020 Association of Catholic Publishers first place award in Scripture 2020 Catholic Press Association third place award for best new religious book series This reading of Mark's Gospel engages this ancient text from the perspective of contemporary feminist concerns to expose and resist all forms of domination that prevent the full flourishing of all humans and all creation. Accordingly, it foregrounds the Gospel's constructions of gender in intersectionality with the visions, structures, practices, and personnel of Roman imperial power. This reading embraces a rich tradition of feminist scholarship on the Gospel, as well as masculinity studies, particularly pervasive hegemonic masculinity. Its politically engaged discussion of Mark's Gospel provides a resource for clergy, students, and laity concerned with contemporary constructions of gender, power, and a world in which all might experience fullness of life.

This is an examination of Ancient Israel and the Hebrew Bible through the lens of Postcolonial interpretation and Empire Studies. "Israel and Empire" introduces students to the history, literature, and theology of the Hebrew Bible and texts of early Judaism, enabling them to read these texts through the lens of postcolonial interpretation. This approach should allow students to recognize not only how cultural and socio-political forces shaped ancient Israel and the worldviews of the early Jews but also the impact of imperialism on modern readings of the Bible. Perdue and Niang cover a broad sweep of history, from 1300 BCE to 72 CE, including the late Bronze age, Egyptian imperialism, Israel's entrance into Canaan, the Davidic-Solomonic Empire, the Assyrian Empire, the Babylonian Empire, the Persian Empire, the Greek Empire, the Maccabean Empire, and Roman rule. Additionally the authors show how earlier examples of imperialism in the Ancient Near East provide a window through which to see the forces and effects of imperialism in modern history.

In The Massacre of the Innocents: Studies in the Cultural Afterlife of a Gospel Scene, Warren Carter examines some fifty instances of the interpretation of the Matthean "Massacre of the Innocents" (Matt 2:16-18). He emphasizes the agency of interpreters, who in their particular contexts and media, "think with" the shocking Matthean scene to address the often-tragic circumstances of their audiences. He argues throughout that the structure of the Gospel scene facilitates this "thinking with." The scene is structured as a triad of power relations with a tyrant (Herod), victims (infants and parents), and violent means of tyranny (the massacre). Interpreters use this triad of power relations to identify tyrant/s, victims, and means of tyranny in their own situations. Carter illustrates the use of this triad of power relations across two millennia, in numerous socio-political contexts, and media as diverse as sermons, images, poems and hymns, dramas and festivals, films, novels, Christmas carols, and Children's Bibles.

Ranging from early twentieth century modernist appropriations of non-western art through to the ways in which Mexican muralists in the 1930s negotiated European avant-gardist strategies, and then up to contemporary installation and lens-based practices during the current period of globalisation, this book seeks to understand selected moments in the art of the last one hundred years through the prism of postcolonialism. -- .

In this significant and innovative contribution, Warren Carter explores John's Gospel as a work of imperial negotiation in the context of Ephesus, capital of the Roman province of Asia. Carter employs multiple methods, rejects sectarian scenarios, and builds on other Christian writings and recent studies of diaspora synagogues that combined participationist lifestyles with observance of distinctive practices to argue that imperial negotiation was a contested issue for late first-century Jesus-believers. While a number of Jesus-believers probably lived societally-accommodated lives, John's Gospel employs a "rhetoric of distance" to urge much less accommodation and to create an alternative "anti-society" for followers of Jesus crucified by the empire but vindicated by God.In addition to establishing this tense historical setting, chapters identify various arenas and strategies of imperial negotiation in wide-ranging discussions of the gospel's genre, plot, Christological titles, developing traditions, eternal life, the image of God as father, ecclesiology, Jesus' conflict with Pilate, and resurrection and ascension.Carter has explored interactions between the emerging Christian movement and the Roman Empire in various articles and book-length studies such as Matthew and the Margins (Orbis), Matthew and Empire (Trinity Press International/Continuum), Pontius Pilate: Portraits of a Roman Governor (Liturgical), and The Roman Empire and the New Testament (Abingdon).

For the past ten years, the well-received first edition of this introduction has offered readers a way to look at scriptural texts that combines historical, narrative, and contemporary interests. Carter explores Matthew by approaching it from the perspective of the "authorial audience"--by identifying with and reading along with the audience imagined by the author. Now an updated second edition is available as part of a new series focusing on each of the gospel writers as storyteller, interpreter, and evangelist.
This edition preserves the essential identity of the original material, while adding new insights from Carter's more recent readings of Matthew's gospel in relation to the Roman Imperial world.
Four of the seventeen chapters have been significantly revised, and most have had minor changes. There are also new endnotes directing readers to Carter's more recent published work on Matthew. Scholars and pastors will use the full bibliography and appendix on redaction and narrative approaches, while lay readers will appreciate the clear and straightforward text.

Come and Read introduces numerous hermeneutical approaches to biblical literature and includes examples of those approaches in action through the contributions of top scholars in the field. The book takes up three different passages throughout John's Gospel-John 1:1-18, John 10, and John 20-setting different approaches to each passage side-by-side. The sections of this collection are interconnected by virtue of their association with John's story. In addition, each section of the book will include readings of the focus passage from the same four interpretive perspectives. These four umbrella perspectives (intertextual, ideological, rhetorical, and narrative) are intentionally broadly conceived so that a variety of particular reading strategies are surveyed in the collection. Overall, this book will provide insight into current hermeneutical practices on the Gospel of John, and implicitly the rest of the Bible as well. It will also demonstrate how to use these methods effectively, illustrating not only the value of using a variety of approaches for interpreting the text, but also the impact various methods have on the interpretations rendered.

This useful, concise introduction to the worlds around the New Testament focuses on seven key moments in the centuries before and after Jesus. It enlightens readers about the beginnings of the Christian movement, showing how religious, political, and economic factors were interwoven in the fabric of the New Testament world.
Leading New Testament scholar Warren Carter has a record of providing student-friendly texts. This introduction offers a "big picture" focus and is logically and memorably organized around seven events, which Carter uses as launching pads to discuss larger cultural dynamics and sociohistorical realities that were in some way significant for followers of Jesus and the New Testament. Photos and maps are included.

In this concise, accessible book, Warren Carter and A.J. Levine introduce three aspects of New Testament study: the world of the text (plots, characters, setting, and themes), the world behind the text (the concerns, circumstances, and experiences of the early Christian communities), and the world in front of the text (the meaning for contemporary readers).As students engage the New Testament, theyface a central issue that has confronted all students before them, namely, that these texts have been and are read in diverse and often quite conflicting ways. These multiple readingsinvolve different methods: historical-critical, traditional (history of interpretation), colonial, multicultural, and sociological, with feminist and liberationist implications for the first-century readers as well as the ongoing implications for today's reader. For example, Carter and Levineshow how a text can be used by both colonizer and colonized, feministand anti-feminist, or pro- and anti-Jewish.The authors also showhow scholarly work can be both constructive and threateningto the contemporary Church and how polemical texts can be used, whether for religious study, theological reflection, or homiletical practice."

The Book of Revelation has been mysterious, confusing, and misunderstood for centuries. Its content has been studied and analyzed by scholars from every corner of the globe. What is it about Revelationthat draws us to it? Is this biblical book about end-time mysteries and hidden codes? Does and it relate to our present day? So what does Revelation actually reveal? Or should Revelation beleft behind? According to Dr. Carter, the book of Revelation can tell us about biblical times as well as our own. It can show us how we, as Christians, are to live and hope for our world. Revelation reveals God's Word to God's World: that culture accommodation is dangerous, that judgment is taking place now, that the world does have a chance to repent, that there are evil powers working behind the scene, that the time is up for the eternal empire, andthat God is coming in triumph. "

From the early decades of the 20th century until the 1980s, Marxist art history was at the forefront of radical approaches to the discipline. Some of the most influential names in the field were active proponents of Marxist thought: Frederick Antal, Max Raphael, Arnold Hauser, Meyer Schapiro, T. J. Clark, to name just a few. But in the last two decades of the century and into the next, Marxist art historians found themselves marginalized from the vanguard by the rise of postmodernism and identity politics, which began to dominate the subject. This came at a time when Marxism in general was itself increasingly perceived as outdated after the collapse of communism. But in the wake of the recent global crisis there has been a resurgence in interest in Marx, especially among younger generations. Similarly, many progressive art historians are once again recognizing the relevance of his ideas to their own practice. This collection of essays - a festschrift in honour of leading Marxist art historian Andrew Hemingway - brings together thirty academics who are reshaping art history along Marxist lines. Coming from the the United States, Britain, Europe and Asia, they apply Marx's theories to a wide range of arthistorical subjects. American art of the mid-nineteenth century; the rise of modernism in Weimar Germany; Mexican muralism; Situationism in 1960s Paris; and photography and contemporary art - these are just some of the areas considered through the lens of Marxism as it is understood today. And in the spirit of Marxism's long tradition of self-critique, the contributors also examine the shifting agendas and limitations of Marxist art history itself, acutely aware of the specific historical and political circumstances in which it is produced. As such, this book not only provides the very latest in Marxist art-historical writing, it also acts an essential introduction to one of the most vibrant and relevant forms of art history today - one that looks to the past but is also marked by an urgent sense of the present.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This work provides an indispensable introduction to Roman society, culture, law, politics, religion, and daily life as they relate to the study of the New Testament. The Roman Empire formed the central context in which the New Testament was written. Anyone who wishes to understand the New Testament texts must become familiar with the political, economic, societal, cultural, and religious aspects of Roman rule. Much of the New Testament deals with enabling its readers to negotiate, in an array of different manners, this pervasive imperial context. This book will help the reader see how social structures and daily practices in the Roman world illumine so much of the content of the New Testament message. For example, to grasp what Paul was saying about food offered to idols one must understand that temples in the Roman world were not "churches," and that they functioned as political, economic, and gastronomic centers, whose religious dealings were embedded within these other functions. Brief in presentation yet broad in scope, "The Roman Empire and the New Testament: An Essential Guide" will introduce students to the information and ideas essential to coming to grips with the world in which early Christianity was born.

Pontius Pilate examines the portraits of this Roman governor found in the Gospels. Unlike some discussions of Pilate, this one takes Pilate's role as governor and representative of Roman imperial power seriously. It views Pilate predominantly as a strong, efficient, and astute governor, not as a weak and indecisive man, pressured into killing Jesus against Pilate's convictions. The conclusion considers some of the ethical and theological issues the scenes involving Pilate raise for contemporary readers. Chapters are "Would the Real Pilate Please Stand Up?" "Reading the Gospel Accounts of Pilate," "Governors and the Roman Imperial System," "Mark's Pilate," "Matthew's Pilate," "Luke's Pilate," and "John's Pilate." Receive From Earth's Creation to John's Revelation FREE with the purchase of two or more Interfaces volumes. Mention this offer in the comment section of the order form when placing your order or call 1.800.858.5450. Warren Carter, Ph.D., is professor of New Testament at Saint Paul School of Theology, Kansas City, Missouri. He has published numerous scholarly and ecclesial publications.