Considered by many during his lifetime as the most well-known scientist in the world, Stephen Jay Gould left an enormous and influential body of work. A Harvard professor of paleontology, evolutionary biology, and the history of science, Gould provided major insights into our understanding of the history of life. He helped to reinvigorate paleontology, launch macroevolution on a new course, and provide a context in which the biological developmental stages of an organism's embryonic growth could be integrated into an understanding of evolution. This book is a set of reflections on the many areas of Gould's intellectual life by the people who knew and understood him best: former students and prominent close collaborators. Mostly a critical assessment of his legacy, the chapters are not technical contributions but rather offer a combination of intellectual bibliography, personal memoir, and reflection on Gould's diverse scientific achievements. The work includes the most complete bibliography of his writings to date and offers a multi-dimensional view of Gould's life-work not to be found in any other volume.

According to the idea of intelligent design, nature's complexity is the result of deliberate planning by a supernatural creative force. To date, most scientific arguments against this form of creationism have been made by evolutionary biologists. In this volume, a team of earth scientists reveals that the flaws of intelligent design are not limited to the biological sciences. Indeed, the geological sciences offer some of the best refutations of intelligent design arguements. "For the Rock Record "is dedicated to the proposition that the idea of intelligent design should be of serious concern to everyone. Editors Jill S. Schneiderman and Warren D. Allmon have gathered leading figures from the geological community with a wide range of viewpoints that go to the heart of the debate over what is and is not science. The purveyors of intelligent design theories and its kindred philosophies threaten the scientific literacy that our society needs by confusing faith and the practice of science. This collection offers a much-needed response.

Two tiny trilobites in a vast Cambrian ocean drift past sea cucumber parasols and a shaggy, tree-like sponge. Snail tracks loop enigmatically against brushed-gray Silurian slate, and ghostly white crinoids feather a Devonian seascape. A delicate pterosaur flies bravely into the Jurassic gloom, while a "Tyrannosaurus rex" so big that its teeth fill our field of vision stalks the deep orange sands that mark the end of the Cretaceous period.
These are just a few scenes from the magnificent drama that unfolds in glorious full color and three-dimensional texture in "Rock of Ages, Sands of Time." Each of Barbara Page's 544 contiguous painted panels represents a million years of the history of life on earth, with fossil plants and animals depicted at the same scale and in association with each other just as they might be found by a paleontologist in the field. A muted rainbow of background colors evoke the rocks in which the fossils were found--the Texas Red Beds, for instance, or the yellow Solnhofen limestone--and keystone events are shown metaphorically, with fat rolls of paint marking major extinctions or continental drift.
To fully experience the awesome impact of an eon's worth of time spread across 500 feet of bas-relief panels, you'd have to visit the Museum of the Earth in Ithaca, New York, where Page's specially commissioned work will be installed when the museum opens in 2002. But this book is the next best thing. Not only does it contain crisp color reproductions of each painting, but it also includes an accessible essay from paleontologist Warren Allmon giving the scientific context behind the art.
For fossil lovers of all ages, and anyone interested in the merging of art and science, "Rock of Ages, Sands of Time" will be the find of a lifetime.