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Pioneering work by the great modernist painter, considered by many to be the father of abstract art and a leader in the movement to free art from traditional bonds. Kandinsky's provocative thoughts on color theory, nature of art. Analysis of Picasso, Matisse, earlier masters. 12 illustrations.
In this famous work by a pioneer in the movement to free art from the bonds of tradition-a work long considered essential to understanding the evolution of 20th-century art-Kandinsky explores the role of the line, point and other key elements of non-objective painting. 127 illustrations.
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Sounds (Paperback)
Wassily Kandinsky; Translated by Elizabeth R Napier
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R639
Discovery Miles 6 390
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Ships in 12 - 17 working days
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A dazzling yet little-known artist's book that distills the
painter's seminal interests in abstraction and the unity of the
arts Wassily Kandinsky (1866-1944) was a Russian pioneer of
abstract painting whose work has influenced generations of artists.
His Sounds (Klange) of 1912 is one of the earliest, most beautiful
examples of a 20th-century artist's book. Its "sound poems" are
alternately narrative and expressive, witty and simple in form.
They treat questions of space, color, physical design, and the act
of seeing in a world that offers multiple and often contradictory
possibilities. The woodcut illustrations that accompany the poems
range from representational designs to abstract vignettes. In its
fusion of image and word, Sounds epitomizes the artist's move
toward abstraction and his aspiration to a synthesis of the arts.
This updated edition of Sounds includes all of the book's poems in
English and German and its woodcuts, twelve of which appear in
color for greater fidelity to the original. The translator's
introduction offers close formal examination of the poems and
situates Sounds in the context of Kandinsky's oeuvre. Although it
was prized by prominent 20th-century artists, Sounds is one of the
least known of Kandinsky's major writings, and this remains the
most authoritative English version.
This Is A New Release Of The Original 1914 Edition.
All art students are advised to read "Concerning the Spiritual in
Art," a short masterpiece by Wassily Kandinsky. This classic best
explains the concepts that lead to abstract painting in the modern
era Kandinsky recognized the connection between music and painting.
He also suggested that artists free themselves from the material
world so that they can express their inner impulses. Thus the
abstract painting requires contemplation to reveal its meaning.
Furthermore, the meaning may be a projection of the inner life of
the viewer as much as it is the inner life of the artists. This
concept is not new to music but it certainly was new to painting in
1911. Once considered a radical idea, the spiritual aspect of
abstract art is now a given in culture. Wassily Kandinsky offers
some very insightful comments regarding his contemporaries,
recognizing Matisse as the 20th century master of color and Picasso
as the 20th century master of line. He faults them both, however,
for not making the final step toward complete abandonment of the
physical world. In "Concerning the Spiritual in Art," Kandinsky
also asserts that imitative painting of other eras was a deadly
trap for the artist, yet responding to the eternal call of the
unconscious forces in an earlier period of art history was a valid
area of exploration. Kandinsky believed that art progressed, that
artistic concepts built on each other and that there was a triangle
of artistic conception that moved forward to some end point, yet to
be discovered. Kandinsky warns against pattern painting, which he
thought would lead to monotony and away from spirituality. Every
artist owes it to themselves to read "Concerning the Spiritual in
Art." Though short, this book is the classic on which much art
history, philosophy, and practice has been based.
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The Russian Avant-garde (DVD)
George Costakis, Kazimir Malevich, Marc Chagall, Wassily Kandinsky; Directed by Barrie Gavin, …
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R683
Discovery Miles 6 830
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Out of stock
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Collection of four documentaries about Russian avant-garde art
collector George Costakis and the painters whose works feature in
his collection. The films comprise: 'The Collector Costakis',
'Kazimir Malevich', 'Marc Chagall' and 'Kandinsky'.
This Is A New Release Of The Original 1914 Edition.
2014 Reprint of 1914 Edition. Full facsimile of the original
edition, not reproduced with Optical Recognition Software. Wassily
Kandinsky s contributions as a theorist were arguably more
influential on modern art than any of his paintings. In this work,
first published in 1914, Kandinsky both promotes and defends a form
of art in which painters express themselves in abstract terms
independent of the material world around them, much as musicians
do. Divided into two parts, "About General Aesthetic" (including an
examination of geometrical forms) and "About Painting" (a
discussion of the psychology of color and the language and form of
color), the work offers an insight into the mind of one of the most
renowned of all abstract painters and a preview of the art that he
was to produce in the years to come. Russian painter WASSILY
KANDINSKY (1866-1944), was one of the most famous artists of the
20th century and pioneered abstract art.
2013 Reprint of 1947 Edition. Exact facsimile of the original
edition, not reproduced with Optical Recognition Software. In this
title Kandinsky analyzed the geometrical elements which make up
every painting-the point and the line. He called the physical
support and the material surface on which the artist draws or
paints the basic plane, or BP. He did not analyze them objectively,
but from the point of view of their inner effect on the observer. A
point is a small bit of color put by the artist on the canvas. It
is neither a geometric point nor a mathematical abstraction; it is
extension, form and color. This form can be a square, a triangle, a
circle, a star or something more complex. The point is the most
concise form but, according to its placement on the basic plane, it
will take a different tonality. It can be isolated or resonate with
other points or lines. A line is the product of a force which has
been applied in a given direction: the force exerted on the pencil
or paintbrush by the artist. The produced linear forms may be of
several types: a straight line, which results from a unique force
applied in a single direction; an angular line, resulting from the
alternation of two forces in different directions, or a curved (or
wave-like) line, produced by the effect of two forces acting
simultaneously. The book contains many photographic examples and
drawings from Kandinsky's works which offer the demonstration of
its theoretical observations, and which allow the reader to
experience the inner effect of the point and line to plane.
The spiritual life of human-kind follows the shape of a pyramid,
occasionally rising to an apex of spiritual perception when an
artist of genius comes forward to lead the way, and sinking to the
bottom of the pyramid when culture produces nothing but decadence.
The colors a painter smears onto a canvas can delight the eye, but
they can also cause the viewer to receive vibrations that resonate
within the soul. Born in Russia in 1866, Kandinsky was a pioneer of
the abstract, who used "Concerning the Spiritual in Art" to argue
for the transcendental importance of his vocation.
In Concerning the spiritual in art, Kandinsky compares the
spiritual life of humanity to a large triangle similar to a
pyramid; the artist has the task and the mission of leading others
to the top by the exercise of his talent. The point of the triangle
is constituted only by some individuals who bring the sublime bread
to other people. It is a spiritual triangle which moves forwards
and rises slowly, even if it sometimes remains immobile. During
decadent periods, souls fall to the bottom of the Triangle and men
only search for external success and ignore purely spiritual
forces. When we look at colours on the painter's palette, a double
effect happens: a purely physical effect on the eye, charmed by the
beauty of colours firstly, which provokes a joyful impression as
when we eat a delicacy. But this effect can be much deeper and
causes an emotion and a vibration of the soul, or an inner
resonance, which is a purely spiritual effect, by which the colour
touches the soul itself. The inner necessity is for Kandinsky the
principle of the art and the foundation of forms and colours'
harmony. He defines it as the principle of the efficient contact of
the form with the human soul. Every form is the delimitation of a
surface by another one; it possesses an inner content which is the
effect it produces on the one who looks at it attentively. This
inner necessity is the right of the artist to an unlimited freedom,
but this freedom becomes a crime if it is not founded on such a
necessity. The art work is born from the inner necessity of the
artist in a mysterious, enigmatic and mystic way, and then it
acquires an autonomous life; it becomes an independent subject
animated by a spiritual breath. (createandshare.net)
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