HAUNTED BY SIN Following the trail of a dismembered corpse, Wei Wuxian and Lan Wangji arrive at the gates of Yi City: an old, abandoned town shrouded in mist and restless spirits. A fiendish foe awaits them in the shadows, heralding a tale of heartbreak and tragedy. When the mysterious corpse's identity is finally revealed, the hunt for its killer plunges Wei Wuxian back into the depths of the cultivation world's politics, where he must keep his enemies close and Lan Wangji even closer.

- Offers unique insights into those who lead universities and the issues and challenges they deal with. - Covers global leaders from nineteen international universities. - Provides students, academics and policy makers international perspectives on higher education leadership.

- Offers unique insights into those who lead universities and the issues and challenges they deal with. - Covers global leaders from nineteen international universities. - Provides students, academics and policy makers international perspectives on higher education leadership.

"The most ambitious, thoughtful and internationally aware assessment to date of the creative economy. Defining creativity as the production of newness in complex, adaptive systems, the authors make the case that together the creative economy, along with other cultural outputs, represent a planet-wide innovation capability which marks an epochal turn in human affairs." - Ian Hargreaves, CBE, Professor of Digital Economy, Cardiff University Creativity, new ideas and innovation - and with them the growth of knowledge - have spilled out of the lab, studio and factory into the street, scene, and social media. Now, everyday life is productive, everyone is creative, and new ideas can come from anywhere around the world. Instead of confining cultural expression to talented artists and expert professionals, this book investigates creative new ideas from everyone. Instead of confining the 'creative industries' to one sector of the economy and one type of productivity, this book extends the idea of creative innovation to everything. Instead of confining the growth of knowledge to wealthy countries or markets, this book looks for it in developing and emergent countries, everywhere. The productivity of creativity can now be seen as a global phenomenon. It demands a systems-based and dynamic mode of explanation. Creative Economy and Culture pursues the conceptual, historical, practical, critical and educational issues and implications. It looks at conceptual challenges, the forces and dynamics of change, and prospects for the future of creative work at planetary scale. It is essential reading for upper level students and researchers of the creative and cultural industries across media and cultural studies, communication and sociology.

Maya is a bright-eyed, inquisitive little girl who loves to share her sweet voice. But when she starts school, she loses the confidence to use her voice and goes about her school day in silence. With time, patience, understanding, and love from all those around her, Maya discovers her sweet voice.

"The most ambitious, thoughtful and internationally aware assessment to date of the creative economy. Defining creativity as the production of newness in complex, adaptive systems, the authors make the case that together the creative economy, along with other cultural outputs, represent a planet-wide innovation capability which marks an epochal turn in human affairs." - Ian Hargreaves, CBE, Professor of Digital Economy, Cardiff University Creativity, new ideas and innovation - and with them the growth of knowledge - have spilled out of the lab, studio and factory into the street, scene, and social media. Now, everyday life is productive, everyone is creative, and new ideas can come from anywhere around the world. Instead of confining cultural expression to talented artists and expert professionals, this book investigates creative new ideas from everyone. Instead of confining the 'creative industries' to one sector of the economy and one type of productivity, this book extends the idea of creative innovation to everything. Instead of confining the growth of knowledge to wealthy countries or markets, this book looks for it in developing and emergent countries, everywhere. The productivity of creativity can now be seen as a global phenomenon. It demands a systems-based and dynamic mode of explanation. Creative Economy and Culture pursues the conceptual, historical, practical, critical and educational issues and implications. It looks at conceptual challenges, the forces and dynamics of change, and prospects for the future of creative work at planetary scale. It is essential reading for upper level students and researchers of the creative and cultural industries across media and cultural studies, communication and sociology.

White organic light-emitting devices (WOLED's) are of considerable interest owing to their attractive characteristics and potential application to flat panel display and solid-state lighting source. Currently WOLED's are the new increasing point in the area of organic optoelectronics due to their high power efficiency. After a brief overview of the WOLED's operating principles and basic emitting structure, this book presents a review of recent progress in WOLED's structure and materials.