Wartime Shanghai is a lively account of the political and social situation between 1937 and 1946. It explores the deep political rivalries between Nationalist groups, the intrigue of international espionage and how Shanghai society, from European administrators to Chinese film makers, collaborated with, or resisted, the Japanese occupation.
Drawing on archival and published sources in English, French, Chinese and Japanese, the authors show the diversity of groups and communities that made up wartime Shanghai. This book is an engaging collection of essays written on an exciting, but often neglected episode of Chinese history.

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Wartime Shanghai is a lively account of the political and social situation between 1937 and 1946. It explores the deep political rivalries between Nationalist groups, the intrigue of international espionage and how Shanghai society, from European administrators to Chinese film makers, collaborated with, or resisted, the Japanese occupation.
Drawing on archival and published sources in English, French, Chinese and Japanese, the authors show the diversity of groups and communities that made up wartime Shanghai. This book is an engaging collection of essays written on an exciting, but often neglected episode of Chinese history.

Rejecting conventional demands, this book examines how ordinary men and women, Chinese as well as foreign, endured the Japanese military assault and occupation of Shanghai during the Chinese War of Resistance (1937-1945). Instead of presenting their stories in terms of heroic resistance versus shameful collaboration with the enemy, the volume reveals how the city's dwellers mobilized a variety of social networks to circumvent enemy strictures. They employed strategies that kept alive a culture and an economy that were vital to the survival of the brutalized population.

The authors of this 2004 volume consult Chinese and Western archival materials to examine the Chinese War of Resistance against the Japanese in the Shanghai area. They argue that the war in China was a nationalistic endeavour carried out without an effective national leadership. Wartime Chinese activities in Shanghai drew upon social networks rather than ideological positions and these activities cut across lines of military and political divisions. Instead of the stark contrast between heroic resistance and shameful collaboration, wartime experience in the city is more aptly summed up in terms of bloody struggles between those committed to normalcy in everyday life and those determined to bring about its disruption through terrorist violence and economic control. The volume offers an evaluation of the strategic significance of the Shanghai economy in the Pacific War. It also draws attention to the feminisation of urban public discourse against the backdrop of intensified violence. The essays capture the last moments of European settlements in Shanghai under Japanese occupation.

Rich with details of everyday life, this multifaceted social and cultural history of China's leading metropolis in the twentieth century offers a kaleidoscopic view of Shanghai as the major site of Chinese modernization. Engaging the entire span of Shanghai's modern history from the Opium War to the eve of the Communist takeover in 1949, Wen-hsin Yeh traces the evolution of a dazzling urban culture that became alternately isolated from and intertwined with China's tumultuous history. Looking in particular at Shanghai's leading banks, publishing enterprises, and department stores, she sketches the rise of a new maritime and capitalist economic culture among the city's middle class. Making extensive use of urban tales and visual representations, the book captures urbanite voices as it uncovers the sociocultural dynamics that shaped the people and their politics.

Revealing information that has been suppressed in the Chinese Communist Party's official history, Wen-hsin Yeh presents an insightful new view of the Party's origins. She moves away from an emphasis on Mao and traces Chinese Communism's roots to the country's culturally conservative agrarian heartland. And for the first time, her book shows the transformation of May Fourth radical youth into pioneering Communist intellectuals from a social and cultural history perspective. Yeh's study provides a unique description of the spatial dimensions of China's transition into modernity and vividly evokes the changing landscapes, historical circumstances, and personalities involved. The human dimension of this trans-formation is captured through the biography of Shi Cuntong (1899-1970), a student from the Neo-Confucian county of Jinhua who became a founding member of the Party. Yeh's in-depth analysis of the dynamics of change is combined with a compelling narrative of the moral dilemmas in the lives of Shi Cuntong and other early leaders. Using sources previously closed to scholars, including recently discovered documents in the archives of the First United Front, Yeh shows the urban Communi

This volume evaluates the dual roles of war and modernity in the transformation of twentieth-century Chinese identity. The contributors, all leading researchers, argue that war, no less than revolution, deserves attention as a major force in the making of twentieth-century Chinese history. Further, they show that modernity in material culture and changes in intellectual consciousness should serve as twin foci of a new wave of scholarly analysis. Examining in particular the rise of modern Chinese cities and the making of the Chinese nation-state, the contributors to this interdisciplinary volume of cultural history provide new ways of thinking about China's modern transformation up to the 1950s. Taken together, the essays demonstrate that the combined effect of a modernizing state and an industrializing economy weakened the Chinese bourgeoisie and undercut the individual's quest for autonomy.

Drawing upon new archival sources, these theoretically informed, thoroughly revisionist essays focus on topics such as Western-inspired modernity, urban cosmopolitanism, consumer culture, gender relationships, interchanges between city and countryside, and the growing impact of the state on the lives of individuals. The volume makes an important contribution toward a postsocialist understanding of twentieth-century China.