During the otherwise quiet course of his life as a poet, Wendell Berry has become "mad" at what contemporary society has made of its land, its communities, and its past. This anger reaches its peak in the poems of the Mad Farmer, an open-ended sequence he's found himself impelled to continue against his better instincts. These poems can take the shape of manifestos, meditations, insults, Whitmanic fits and ravings-these are often funny in spite of themselves. The Mad Farmer is a character as necessary, perhaps, as he is regrettable.
We have here gathered the individual poems from Berry's various collections to offer the teachings and bitcheries of this amazing American voice. After the great success of the lovely Window Poems, Bob Baris of the Press on Scroll Road, returns to design and produce an edition illustrated with etchings by Abigail Rover. His hand-press pages will be off-set for our trade edition.
Ed McClanahan offers an introduction wherein he clears up the inspiration behind the Mad Farmer himself. McClanahan also manages to take more credit than he is clearly due. Then Berry weighs in with an apology-and characteristic exaggeration. James Baker Hall and William Kloefkorn offer poems here that also show how the Mad Farmer has escaped into the work of others.
The whole is a wonderful testimony to the power of anger and humor to bring even the most terrible consequences into a focus otherwise impossible to obtain.

In a culture that prizes keeping one's options open, making commitments offers something more valuable. The consumerism and instant gratification of "liquid modernity" feed a general reluctance to make commitments, a refusal to be pinned down for the long term. Consider the decline of three forms of commitment that involve giving up options: marriage, military service, and monastic life. Yet increasing numbers of people question whether unprecedented freedom might be leading to less flourishing, not more. They are dissatisfied with an atomized way of life that offers endless choices of goods, services, and experiences but undermines ties of solidarity and mutuality. They yearn for more heroic virtues, more sacrificial commitments, more comprehensive visions of the individual and common good. It turns out that the American Founders were right: the Creator did endow us with an unalienable right of liberty. But he has endowed us with something else as well, a gift that is equally unalienable: desire for unreserved commitment of all we have and are. Our liberty is given us so that we in turn can freely dedicate ourselves to something greater. Ultimately, to take a leap of commitment, even without knowing where one will land, is the way to a happiness worth everything. On this theme: - Lydia S. Dugdale asks what happened to the Hippocratic Oath in modern medicine. - Caitrin Keiper looks at competing vows in Victor Hugo's Les Miserables. - Kelsey Osgood, an Orthodox Jew, asks why lifestyle discipline is admired in sports but not religion. - Wendell Berry says being on the side of love does not allow one to have enemies. - Phil Christman spoofs the New York Times Vows column. - Andreas Knapp tells why he chose poverty. - Norann Voll recounts the places a vow of obedience took her. - Carino Hodder says chastity is for everyone, not just nuns. - Dori Moody revisits her grandparents' broken but faithful marriage. - Randall Gauger, a Bruderhof pastor, finds that lifelong vows make faithfulness possible. - King-Ho Leung looks at vows, oaths, promises, and covenants in the Bible. Also in the issue: - A young Black pastor reads Clarence Jordan today. - Activists discuss the pro-life movement after Roe and Dobbs. - Children learn from King Arthur, Robin Hood, and the occasional cowboy. - Original poetry by Ned Balbo - Reviews of Montgomery and Bikle's What Your Food Ate, Mohsin Hamid's The Last White Man, and Bonnie Kristian's Untrustworthy - A profile of Sadhu Sundar Singh Plough Quarterly features stories, ideas, and culture for people eager to apply their faith to the challenges we face. Each issue includes in-depth articles, interviews, poetry, book reviews, and art.

I come into the peace of wild things who do not tax their lives with forethought of grief. I come into the presence of still water. And I feel above me the day-blind stars waiting with their light. For a time I rest in the grace of the world, and am free. The poems of Wendell Berry invite us to stop, to think, to see the world around us, and to savour what is good. Here are consoling verses of hope and of healing; short, simple meditations on love, death, friendship, memory and belonging; luminous hymns to the land, the cycles of nature and the seasons as they ebb and flow. Here is the peace of wild things.

Fifty-two readings to spark weekly group discussion on putting Jesus' most central teachings into practice. Jesus' most famous teaching, the Sermon on the Mount, possesses an irresistible quality. Who hasn't felt stirred and unsettled after reading these words, which get to the root of the human condition? This follow-up to the acclaimed collection Called to Community: The Life Jesus Wants for His People taps an even broader array of sources, bringing together prophetic voices from every era and a range of traditions to consider the repercussions of these essential words. More than a commentary or devotional, this book is designed to be read together with others, to inspire communities of faith to discuss what it might look like to put Jesus' teachings into practice today.

Sabbath is one day a week when we should rest from our otherwise harried lives, right? In "Living the Sabbath," Norman Wirzba leads us to a much more holistic and rewarding understanding of Sabbath-keeping. Wirzba shows how Sabbath is ultimately about delight in the goodness that God has made--in everything we do, every day of the week. With practical examples, Wirzba unpacks what that means for our daily lives at work, in our homes, in our economies, in school, in our treatment of creation, and in church. This book will appeal to clergy and laypeople alike and to all who are seeking ways to discover the transformative power of Sabbath in their lives today.

The Selected Poems of Wendell Berry gathers one hundred poems written between 1957 and 1996. Chosen by the author, these pieces have been selected from each of nine previously published collections. The rich work in this volume reflects the development of Berry's poetic sensibility over four decades. Focusing on themes that have occupied his work for years--land and nature, family and community, tradition as the groundwork for life and culture-- The Selected Poems of Wendell Berry celebrates the broad range of this vital and transforming poet.

First published in 1971, The Country of Marriage is Wendell Berry's fifth volume of poetry. What he calls an expansive metaphor is a farmer's relationship to his land as the basic and central relation of humanity to creation. Similarly, marriage is the basic and central community tie; it begins and stands for the relation we have to family and to the larger circles of human association. And these relationships are in turn basic to, and may stand for, our relationship to God and to the sustaining mysteries and powers of creation.
Each of the thirty-five poems in this collection is concerned with this metaphor. The long sequence that is itself entitled The Country of Marriage, perhaps the finest single work in the book, is a grave, moving, and beautifully wrought love poem. But the shorter lyrics have an equal grace and beauty--writing that contains the exhilarating lucidity of mountain spring water. And there are most notably, several more poems about the Mad Farmer, who advises us here to 'every day do something that won't compute.'
Berry has here perfected a work that is immediately accessible but that becomes, as we read it again, always more satisfying, reverberant with manifold meanings.

For five decades Wendell Berry has been a poet of great clarity and purpose. He is an award-winning writer whose imagination is grounded by the pastures of his chosen place and the rooms and porches of his family's home. In Given  his first collection of new poems in ten years now in paperback  the work is as rich and varied as ever before. With his unmistakable voice as the constant, he dexterously maneuvers through a variety of forms and themes  political cautions, love poems, a play in verse, and a long series of  Sabbath Poems" that resulted from Berry's recent Sunday morning walks of meditation and observation.Berry's work is one of devotion to family and community, to the earth and her creatures, to the memories of the past, and the hope of the future. His writing stands alongside the work of William Carlos Williams and Robert Frost as a rigorous American testament.

In twenty short books, Penguin brings you the classics of the environmental movement. From the ravages of the global economy to the great pleasures of growing a garden, Wendell Berry's powerful essays represent a heartfelt call for humankind to mend our broken relationship with the earth, and with each other. Over the past 75 years, a new canon has emerged. As life on Earth has become irrevocably altered by humans, visionary thinkers around the world have raised their voices to defend the planet, and affirm our place at the heart of its restoration. Their words have endured through the decades, becoming the classics of a movement. Together, these books show the richness of environmental thought, and point the way to a fairer, saner, greener world.

Berry's Sabbath poems embrace much that is elemental to human life--beauty, death, peace, and hope.In his preface to the collection, Berry writes about the growing audience for public poetry readings. While he sees poetry in the public eye as a good thing, Berry asks us to recognize the private life of the poem. These Sabbath poems were written "in silence, in solitude, and mainly out of doors," and tell us about "moments when heart and mind are open and aware."Many years of writing have won Wendell Berry the affection of a broad public. He is beloved for his quiet, steady explorations of nature, his emphasis on finding good work to do in the world, and his faith in the solace of family, memory, and community. His poetry is assured and unceasingly spiritual; its power lies in the strength of the truths revealed.

More than thirty-five years ago, Wendell Berry began spending his sabbaths outdoors, when the weather allowed, walking and wandering around familiar territory, seeking a deep intimacy only time could provide. These walks sometimes yielded poems. Each year since, he has completed a series of these poems dated by the year of its composition. This new sequence provides a virtual syllabus for all of Berry's cultural and agricultural work in concentrated form. Many of these poems, including a sequence at mid-year of 2014, were written on a small porch in the woods, a place of stillness and reflection, a vantage point "of the one / life of the forest composed / of uncountable lives in countless / years, each life coherent itself within / the coherence, the great composure, of all." Recently Berry has been reflecting on more than a half century of reading, to discover and to delight in the poetical, spiritual, and cultural roots of his work. In The Presence of Nature in the Natural World, Berry's survey begins with Alan of Lille's twelfth-century work, The Plaint of Nature. The from the Bible through Chaucer, from Milton to Pope, from Wordsworth to the moderns, Berry's close reading is exhilarating. Moving from the canon of poetry to the sayings and texts found in agricultutre and science, closely presented, we gain new appreciation for the complexity of the issues faced in the twenty-first century by the struggling community of humans on earth. With this long essay appended to these new Sabbath Poems, the result is an unusual book of depth and engagement. A new collection of Wendall Berry poems is always an occasion for celebration, and this eccentric gatheirng is especially so.

The rhythms of this novel are the rhythms of the land. A Place on Earth resonates with variations played on themes of change; looping transitions from war into peace, winter into spring, browning flood destruction into greening fields, absence into presence, lost into found. This brings the revised 1983 edition back into print, the next book in our program to put all of Wendell Berry's fiction into print in revised and corrected uniform editions.

'He is unlike anybody else writing today ... After Donald Trump's election, we urgently need to rediscover the best of radical America. An essential part of that story is Wendell Berry. Few of us can live, or even aspire to, his kind of life. But nobody can risk ignoring him' Andrew Marr 'Wendell Berry is the most important writer and thinker that you have (probably) never heard of. He is an American sage' James Rebanks, author of The Shepherd's Life Wendell Berry is 'something of an anachronism'. He began his life as the old times and the last of the old-time people were dying out, and continues to this day in the old ways: a team of work horses and a pencil are his preferred working tools. The writings gathered in The World-Ending Fire are the unique product of a life spent farming the fields of rural Kentucky with mules and horses, and of the rich, intimate knowledge of the land cultivated by this work. These are essays written in defiance of the false call to progress, and in defence of the local landscapes that provide our cultural heritage, our history, our home. In a time when our relationship to the natural world is ruled by the violence and greed of unbridled consumerism, Wendell Berry speaks out to defend the land we live on. With grace and conviction, he shows that we simply cannot afford to succumb to the mass-produced madness that drives our global economy. The natural world will not withstand it. Yet he also shares with us a vision of consolation and of hope. We may be locked in an uneven struggle, but we can and must begin to treat our land, our neighbours, and ourselves with respect and care. We must, as Berry urges, abandon arrogance and stand in awe.

Set against the turmoil of the World War II, "A World Lost" is just one of the classic chapters in Berry's "Port William" series. The summer of 1944 finds nine-year-old Andy Catlett in that very town in Kentucky, occupied more with watching meadowlarks and dipping into the nearby spring than with the weary news of the day. But when his Uncle Andrew is murdered, Andy confronts his own sense of culpability for the brawl that took his uncle's life. Told from Andy's perspective some 50 years later, the novel explores the gripping power of memory, even after decades have passed -- and asks each of us what in our own pasts we might have remedied.

"Andy Catlett" is the latest installment in Wendell Berry's "Port William" series, a distinct set of stories that Berry has been telling now for 50 years. Set during the Christmas of 1943, nine-year-old Andy Catlett sets off to visit his grandparents in Port William by bus, by himself for the first time. For Andy this is a rite of passage, his first step into manhood. His experiences on this solitary voyage become pivotal points in the entire Port William epic. The old ways are in retreat, modern life is crowding everything in its path, and as Andy looks back many years later, he hears the stories again of his neighbors and friends. A beautiful short novel, now in paperback, "Andy Catlett" is a perfect introduction to the whole world of Port William, and will be a rich new installment for those already familiar with this unfolding story.

Discerning the political import of complex current events requires great urgency, clarity, and care. Nothing less than the future of our nation is at stake. Wendell Berry's "Citizenship Papers," collecting nineteen essays, is a ringing alarm, a call for resistance and responsibility, and a reminder of how fragile our commonwealth has become at the dawn of the twenty-first century.
"We are encouraged to believe that the governments and corporations of the affluent parts of the world are run by people using rational processes to make rational decisions. The dominant faith of the world in our time is rationality. That in an age of reason, the human race, or the most wealthy and powerful parts of it, should be behaving with colossal irrationality ought to make us wonder if reason alone can lead us to do what is right." "from" "Two Minds"

Though Easter (like Christmas) is often trivialized by the culture at large, it is still the high point of the religious calendar for millions of people around the world. And for most of them, there can be no Easter without Lent, the season that leads up to it. A time for self-denial, soul-searching, and -spiritual preparation, Lent is traditionally observed by daily reading and reflection. This collection will satisfy the growing hunger for meaningful and accessible devotions. Culled from the wealth of twenty centuries, the selections in Bread and Wine are ecumenical in scope, and represent the best classic and contemporary Christian writers. Includes more than seventy Lenten and Easter readings by Alexander Stuart Baillie, Alfred Kazin, Alister E. McGrath, Amy Carmichael, Barbara Brown Taylor, Barbara Cawthorne Crafton, Blaise Pascal, Brennan Manning, C. S. Lewis, Christina Rossetti, Christoph Friedrich Blumhardt, Clarence Jordan, Dag Hammarskjold, Dale Aukerman, Dietrich Bonhoeffer, Dorothee Soelle, Dorothy Day, Dorothy Sayers, Dylan Thomas, E. Stanley Jones, Eberhard Arnold, Edith Stein, Edna Hong, Emil Brunner, Ernesto Cardenal, Fleming Rutledge, Frederica Mathewes-Green, Frederick Buechner, Fyodor Dostoevsky, G. K. Chesterton, Geoffrey Hill, George MacDonald, Henri Nouwen, Henry Drummond, Howard Hageman, J. Heinrich Arnold, Jean-Pierre de Caussade, Johann Christoph Arnold, John Dear, John Donne, John Howard Yoder, John Masefield, John Stott, John Updike, Joyce Hollyday, Jurgen Moltmann, Kahlil Gibran, Karl Barth, Kathleen Norris, Leo Tolstoy, Madeleine L Engle, Malcolm Muggeridge, Martin Luther, Meister Eckhart, Morton T. Kelsey, Mother Teresa, N. T. Wright, Oscar Wilde, Oswald Chambers, Paul Tillich, Peter Kreeft, Philip Berrigan, Philip Yancey, Romano Guardini, Sadhu Sundar Singh, Saint Augustine, Simone Weil, Soren Kierkegaard, Thomas a Kempis, Thomas Howard, Thomas Merton, Toyohiko Kagawa, Walter J. Ciszek, Walter Wangerin, Watchman Nee, Wendell Berry and William Willimon."

That Distant Land includes twenty-three stories from Wendell Berry's Port William membership. Arranged in their fictional chronology, the book shines forth as a single sustained work, not simply an anthology. It reveals Wendell Berry as a literary master capable of managing an imaginative integrity over decades of writing with a multitude of characters followed over several generations. Combining The Wild Birds (1985), Fidelity (1992), and Watch With Me (1994), and including four never-before-collected stories and a map of Port William, this book offers rest for the weary, hope for the beleaguered, and strength for the rest of us.

In 1969 Gary Snyder returned from a long residence in Japan to northern California, to a homestead in the Sierra foothills where he intended to build a house and settle on the land with his wife and young sons. He had just published his first book of essays, Earth House Hold. A few years before, after a long absence, Wendell Berry left New York City to return to land near his grandfather's farm in Port Royal, Kentucky, where he built a small studio and lived there with his wife as they restored an old house on their newly acquired homestead. In 1969 Berry had just published Long-Legged House. These two founding members of the counterculture and of the new environmental movement had yet to meet, but they knew each other's work, and soon they began a correspondence. Neither man could have imagined the impact their work would have on American political and literary culture, nor could they have appreciated the impact they would have on one another.Snyder had thrown over all vestiges of Christianity in favor of becoming a devoted Buddhist and Zen practitioner, and had lived in Japan for a prolonged period to develop this practice. Berry's discomfort with the Christianity of his native land caused him to become something of a renegade Christian, troubled by the church and organized religion, but grounded in its vocabulary and its narrative. Religion and spirituality seemed like a natural topic for the two men to discuss, and discuss they did.They exchanged more than 240 letters from 1973 to 2013, remarkable letters of insight and argument. The two bring out the best in each other, as they grapple with issues of faith and reason, discuss ideas of home and family, worry over the disintegration of community and commonwealth, and share the details of the lives they've chosen to live with their wives and children. Contemporary American culture is the landscape they reside on. Environmentalism, sustainability, global politics and American involvement, literature, poetry and progressive ideals, these two public intellectuals address issues as broad as are found in any exchange in literature.No one can be unaffected by the complexity of their relationship, the subtlety of their arguments, and the grace of their friendship. This is a book for the ages.

Since its publication by Sierra Club Books in 1977, The Unsettling of America has been recognized as a classic of American letters. In it, Wendell Berry argues that good farming is a cultural development and spiritual discipline. Today's agribusiness, however, takes farming out of its cultural context and away from families. As a result, we as a nation are more estranged from the land from the intimate knowledge, love, and care of it.Sadly, his arguments and observations are more relevant than ever. We continue to suffer loss of community, the devaluation of human work, and the destruction of nature under an economic system dedicated to the mechanistic pursuit of products and profits. Although  this book has not had the happy fate of being proved wrong," Berry writes, there are good people working  to make something comely and enduring of our life on this earth." Wendell Berry is one of those people, writing and working, as ever, with passion, eloquence, and conviction.

This, the first title in the Port William series, introduces the rural section of Kentucky with which novelist Wendell Berry has had a lifelong fascination. When young Nathan loses his grandfather, Berry guides readers through the process of Nathan's grief, endearing the reader to the simple humanity through which Nathan views the world. Echoing Berry's own strongly held beliefs, Nathan tells us that his grandfather's life "couldn't be divided from the days he'd spent at work in his fields." Berry has long been compared to Faulkner for his ability to erect entire communities in his fiction, and his heart and soul have always lived in Port William, Kentucky. In this eloquent novel about duty, community, and a sweeping love of the land, Berry gives readers a classic book that takes them to that storied place.