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During the otherwise quiet course of his life as a poet, Wendell
Berry has become "mad" at what contemporary society has made of its
land, its communities, and its past. This anger reaches its peak in
the poems of the Mad Farmer, an open-ended sequence he's found
himself impelled to continue against his better instincts. These
poems can take the shape of manifestos, meditations, insults,
Whitmanic fits and ravings-these are often funny in spite of
themselves. The Mad Farmer is a character as necessary, perhaps, as
he is regrettable.
We have here gathered the individual poems from Berry's various
collections to offer the teachings and bitcheries of this amazing
American voice. After the great success of the lovely Window Poems,
Bob Baris of the Press on Scroll Road, returns to design and
produce an edition illustrated with etchings by Abigail Rover. His
hand-press pages will be off-set for our trade edition.
Ed McClanahan offers an introduction wherein he clears up the
inspiration behind the Mad Farmer himself. McClanahan also manages
to take more credit than he is clearly due. Then Berry weighs in
with an apology-and characteristic exaggeration. James Baker Hall
and William Kloefkorn offer poems here that also show how the Mad
Farmer has escaped into the work of others.
The whole is a wonderful testimony to the power of anger and humor
to bring even the most terrible consequences into a focus otherwise
impossible to obtain.
First published in 1971, The Country of Marriage is Wendell Berry's
fifth volume of poetry. What he calls an expansive metaphor is a
farmer's relationship to his land as the basic and central relation
of humanity to creation. Similarly, marriage is the basic and
central community tie; it begins and stands for the relation we
have to family and to the larger circles of human association. And
these relationships are in turn basic to, and may stand for, our
relationship to God and to the sustaining mysteries and powers of
creation.
Each of the thirty-five poems in this collection is concerned with
this metaphor. The long sequence that is itself entitled The
Country of Marriage, perhaps the finest single work in the book, is
a grave, moving, and beautifully wrought love poem. But the shorter
lyrics have an equal grace and beauty--writing that contains the
exhilarating lucidity of mountain spring water. And there are most
notably, several more poems about the Mad Farmer, who advises us
here to 'every day do something that won't compute.'
Berry has here perfected a work that is immediately accessible but
that becomes, as we read it again, always more satisfying,
reverberant with manifold meanings.
I come into the peace of wild things who do not tax their lives
with forethought of grief. I come into the presence of still water.
And I feel above me the day-blind stars waiting with their light.
For a time I rest in the grace of the world, and am free. The poems
of Wendell Berry invite us to stop, to think, to see the world
around us, and to savour what is good. Here are consoling verses of
hope and of healing; short, simple meditations on love, death,
friendship, memory and belonging; luminous hymns to the land, the
cycles of nature and the seasons as they ebb and flow. Here is the
peace of wild things.
In a culture that prizes keeping one's options open, making
commitments offers something more valuable. The consumerism and
instant gratification of "liquid modernity" feed a general
reluctance to make commitments, a refusal to be pinned down for the
long term. Consider the decline of three forms of commitment that
involve giving up options: marriage, military service, and monastic
life. Yet increasing numbers of people question whether
unprecedented freedom might be leading to less flourishing, not
more. They are dissatisfied with an atomized way of life that
offers endless choices of goods, services, and experiences but
undermines ties of solidarity and mutuality. They yearn for more
heroic virtues, more sacrificial commitments, more comprehensive
visions of the individual and common good. It turns out that the
American Founders were right: the Creator did endow us with an
unalienable right of liberty. But he has endowed us with something
else as well, a gift that is equally unalienable: desire for
unreserved commitment of all we have and are. Our liberty is given
us so that we in turn can freely dedicate ourselves to something
greater. Ultimately, to take a leap of commitment, even without
knowing where one will land, is the way to a happiness worth
everything. On this theme: - Lydia S. Dugdale asks what happened to
the Hippocratic Oath in modern medicine. - Caitrin Keiper looks at
competing vows in Victor Hugo's Les Miserables. - Kelsey Osgood, an
Orthodox Jew, asks why lifestyle discipline is admired in sports
but not religion. - Wendell Berry says being on the side of love
does not allow one to have enemies. - Phil Christman spoofs the New
York Times Vows column. - Andreas Knapp tells why he chose poverty.
- Norann Voll recounts the places a vow of obedience took her. -
Carino Hodder says chastity is for everyone, not just nuns. - Dori
Moody revisits her grandparents' broken but faithful marriage. -
Randall Gauger, a Bruderhof pastor, finds that lifelong vows make
faithfulness possible. - King-Ho Leung looks at vows, oaths,
promises, and covenants in the Bible. Also in the issue: - A young
Black pastor reads Clarence Jordan today. - Activists discuss the
pro-life movement after Roe and Dobbs. - Children learn from King
Arthur, Robin Hood, and the occasional cowboy. - Original poetry by
Ned Balbo - Reviews of Montgomery and Bikle's What Your Food Ate,
Mohsin Hamid's The Last White Man, and Bonnie Kristian's
Untrustworthy - A profile of Sadhu Sundar Singh Plough Quarterly
features stories, ideas, and culture for people eager to apply
their faith to the challenges we face. Each issue includes in-depth
articles, interviews, poetry, book reviews, and art.
Fifty-two readings to spark weekly group discussion on putting
Jesus' most central teachings into practice. Jesus' most famous
teaching, the Sermon on the Mount, possesses an irresistible
quality. Who hasn't felt stirred and unsettled after reading these
words, which get to the root of the human condition? This follow-up
to the acclaimed collection Called to Community: The Life Jesus
Wants for His People taps an even broader array of sources,
bringing together prophetic voices from every era and a range of
traditions to consider the repercussions of these essential words.
More than a commentary or devotional, this book is designed to be
read together with others, to inspire communities of faith to
discuss what it might look like to put Jesus' teachings into
practice today.
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Window Poems (Paperback)
Wendell Berry, Wesley Bates, James Baker Hall
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Composed while Wendell Berry looked out the multipaned window of
his writing studio, this early sequence of poems contemplates
Berry's personal life as much as it ponders the seasons he
witnessed through the window.First designed and printed on a
Washington handpress by Bob Barris at the Press on Scroll Road,
this book includes elegant wood engravings by Wesley Bates that
complement the reflective and meditative beauty of Berry's poems.
The Selected Poems of Wendell Berry gathers one hundred poems
written between 1957 and 1996. Chosen by the author, these pieces
have been selected from each of nine previously published
collections. The rich work in this volume reflects the development
of Berry's poetic sensibility over four decades. Focusing on themes
that have occupied his work for years--land and nature, family and
community, tradition as the groundwork for life and culture-- The
Selected Poems of Wendell Berry celebrates the broad range of this
vital and transforming poet.
Jayber Crow, born in Goforth, Kentucky, orphaned at age ten, began
his search as a "pre-ministerial student" at Pigeonville College.
There, freedom met with new burdens and a young man needed more
than a mirror to find himself. But the beginning of that finding
was a short conversation with "Old Grit," his profound professor of
New Testament Greek. "You have been given questions to which you
cannot be given answers. You will have to live them out perhaps a
little at a time." "And how long is that going to take?" "I don't
know. As long as you live, perhaps." "That could be a long time."
"I will tell you a further mystery," he said. "It may take
longer."Eventually, after the flood of 1937, Jayber becomes the
barber of the small community of Port William, Kentucky. From
behind that barber chair he lives out the questions that drove him
from seminary and begins to accept the gifts of community that
enclose his answers. The chair gives him a perfect perch from which
to listen, to talk, and to see, as life spends itself all around.
In this novel full of remarkable characters, he tells his story
that becomes the story of his town and its transcendent membership.
For two thousand years, artists, social and cultural activists,
politicians and philosophers, humanists and devoted spiritual
seekers have all looked to the sayings of Jesus for inspiration and
instruction. Unfortunately, on occasions too frequent and
destructive to enumerate, the teachings of Christ have been either
ignored or distorted by the very people calling themselves
Christian. Today, we see a vigorous movement in America fueled by a
politicized and engaged portion of the electorate involved in just
such ignorance and distortion. Whether directed towards social
intolerance or attitudes of warlike aggression, these right-wing
citizens have claimed a power of influence that far exceeds their
numbers.
This small book collects the sayings of Jesus, selected by Mr.
Berry, who has contributed an essay of introduction. Here is a way
of peace as described and directed by the greatest spiritual
teacher in the West. This is a book of inspiration and prayerful
compassion, and we may hope a ringing call to action at a time when
our country and the world it once led stand at a dangerous
crossroads.
A new collection of poems and the companion volume to the popular bestseller This Day, Wendell Berry's Another Day is another stunning contribution to the poetry canon from one of America's most beloved writers
A companion to his beloved volume This Day and Wendell Berry's first new poetry collection since 2016, this new selection of Sabbath Poems are filled with spiritual longing and political extremity, memorials and celebrations, elegies and lyrics, alongside the occasional rants of the Mad Farmer, pushed to the edge yet again by his compatriots and elected officials.
With the publication of this new edition, it has become increasingly clear that the Sabbath Poems have become the very heart of Berry’s work.
Food makes philosophers of us all. Death does the same . . . but
death comes only once . . . and choices about food come many times
each day. In The Ethics of Food, Gregory E. Pence brings together a
collection of voices who share the view that the ethics of
genetically modified food is among the most pressing societal
questions of our time. This comprehensive collection addresses a
broad range of subjects, including the meaning of food, moral
analyses of vegetarianism and starvation, the safety and
environmental risks of genetically modified food, issues of global
food politics and the food industry, and the relationships among
food, evolution, and human history. Will genetically modified food
feed the poor or destroy the environment? Is it a threat to our
health? Is the assumed healthfulness of organic food a myth or a
reality? The answers to these and other questions are engagingly
pursued in this substantive collection, the first of its kind to
address the broad range of philosophical, sociological, political,
scientific, and technological issues surrounding the ethics of
food.
Food makes philosophers of us all. Death does the same . . . but
death comes only once . . . and choices about food come many times
each day. In The Ethics of Food, Gregory E. Pence brings together a
collection of voices who share the view that the ethics of
genetically modified food is among the most pressing societal
questions of our time. This comprehensive collection addresses a
broad range of subjects, including the meaning of food, moral
analyses of vegetarianism and starvation, the safety and
environmental risks of genetically modified food, issues of global
food politics and the food industry, and the relationships among
food, evolution, and human history. Will genetically modified food
feed the poor or destroy the environment? Is it a threat to our
health? Is the assumed healthfulness of organic food a myth or a
reality? The answers to these and other questions are engagingly
pursued in this substantive collection, the first of its kind to
address the broad range of philosophical, sociological, political,
scientific, and technological issues surrounding the ethics of
food.
Berry's Sabbath poems embrace much that is elemental to human
life--beauty, death, peace, and hope.In his preface to the
collection, Berry writes about the growing audience for public
poetry readings. While he sees poetry in the public eye as a good
thing, Berry asks us to recognize the private life of the poem.
These Sabbath poems were written "in silence, in solitude, and
mainly out of doors," and tell us about "moments when heart and
mind are open and aware."Many years of writing have won Wendell
Berry the affection of a broad public. He is beloved for his quiet,
steady explorations of nature, his emphasis on finding good work to
do in the world, and his faith in the solace of family, memory, and
community. His poetry is assured and unceasingly spiritual; its
power lies in the strength of the truths revealed.
"Ignorant boys, killing each other," is just about all Nathan
Coulter would tell his wife, friends, and family about the Battle
of Okinawa in the spring of 1945. Life carried on for the community
of Port William, Kentucky, as some boys returned from the war and
the lives of others were mourned. In her seventies, Nathan's wife,
Hannah, has time now to tell of the years since the war. In Wendell
Berry's unforgettable prose, we learn of the Coulter's children, of
the Feltners and Branches, and how survivors "live right on."
Though Easter (like Christmas) is often trivialized by the culture
at large, it is still the high point of the religious calendar for
millions of people around the world. And for most of them, there
can be no Easter without Lent, the season that leads up to it. A
time for self-denial, soul-searching, and -spiritual preparation,
Lent is traditionally observed by daily reading and reflection.
This collection will satisfy the growing hunger for meaningful and
accessible devotions. Culled from the wealth of twenty centuries,
the selections in Bread and Wine are ecumenical in scope, and
represent the best classic and contemporary Christian writers.
Includes more than seventy Lenten and Easter readings by Alexander
Stuart Baillie, Alfred Kazin, Alister E. McGrath, Amy Carmichael,
Barbara Brown Taylor, Barbara Cawthorne Crafton, Blaise Pascal,
Brennan Manning, C. S. Lewis, Christina Rossetti, Christoph
Friedrich Blumhardt, Clarence Jordan, Dag Hammarskjold, Dale
Aukerman, Dietrich Bonhoeffer, Dorothee Soelle, Dorothy Day,
Dorothy Sayers, Dylan Thomas, E. Stanley Jones, Eberhard Arnold,
Edith Stein, Edna Hong, Emil Brunner, Ernesto Cardenal, Fleming
Rutledge, Frederica Mathewes-Green, Frederick Buechner, Fyodor
Dostoevsky, G. K. Chesterton, Geoffrey Hill, George MacDonald,
Henri Nouwen, Henry Drummond, Howard Hageman, J. Heinrich Arnold,
Jean-Pierre de Caussade, Johann Christoph Arnold, John Dear, John
Donne, John Howard Yoder, John Masefield, John Stott, John Updike,
Joyce Hollyday, Jurgen Moltmann, Kahlil Gibran, Karl Barth,
Kathleen Norris, Leo Tolstoy, Madeleine L Engle, Malcolm
Muggeridge, Martin Luther, Meister Eckhart, Morton T. Kelsey,
Mother Teresa, N. T. Wright, Oscar Wilde, Oswald Chambers, Paul
Tillich, Peter Kreeft, Philip Berrigan, Philip Yancey, Romano
Guardini, Sadhu Sundar Singh, Saint Augustine, Simone Weil, Soren
Kierkegaard, Thomas a Kempis, Thomas Howard, Thomas Merton,
Toyohiko Kagawa, Walter J. Ciszek, Walter Wangerin, Watchman Nee,
Wendell Berry and William Willimon."
In twenty short books, Penguin brings you the classics of the
environmental movement. From the ravages of the global economy to
the great pleasures of growing a garden, Wendell Berry's powerful
essays represent a heartfelt call for humankind to mend our broken
relationship with the earth, and with each other. Over the past 75
years, a new canon has emerged. As life on Earth has become
irrevocably altered by humans, visionary thinkers around the world
have raised their voices to defend the planet, and affirm our place
at the heart of its restoration. Their words have endured through
the decades, becoming the classics of a movement. Together, these
books show the richness of environmental thought, and point the way
to a fairer, saner, greener world.
'Do I wish to keep up with the times? No. My wish simply is to live
my life as fully as I can' The great American poet, novelist and
environmental activist argues for a life lived slowly. Penguin
Modern: fifty new books celebrating the pioneering spirit of the
iconic Penguin Modern Classics series, with each one offering a
concentrated hit of its contemporary, international flavour. Here
are authors ranging from Kathy Acker to James Baldwin, Truman
Capote to Stanislaw Lem and George Orwell to Shirley Jackson;
essays radical and inspiring; poems moving and disturbing; stories
surreal and fabulous; taking us from the deep South to modern
Japan, New York's underground scene to the farthest reaches of
outer space.
 If we fail to do what is required and if we do what is forbidden,
we exclude ourselves from the mercy of Nature; we destroy our
place, or we are exiled from it."The essays of Wendell Berry are an
extended conversation about the life he values; sustainable
agriculture, a connection to place, the miracle of life, and the
interconnectedness of all things. The existence of this life is
dependent on our devotion to preserving it, an emotional proximity
to the land that is slipping away from us.In six elegant, linked
literary essays, Berry considers the degeneration of language that
is manifest throughout our culture, from poetry to politics, from
conversation to advertising, and he shows how the ever-widening
cleft between the words and their referents mirrors the increasing
isolation of individuals and their communities from the land. With
his confident and unwavering prose, Berry assesses how the gap
between modern communities and nature grew so large, how we may
bridge it, and the role language plays in facilitating both
parts.Standing by Words joins our new series, which celebrates the
collected essays of Wendell Berry in beautiful, uniform editions.
Discerning the political import of complex current events requires
great urgency, clarity, and care. Nothing less than the future of
our nation is at stake. Wendell Berry's "Citizenship Papers,"
collecting nineteen essays, is a ringing alarm, a call for
resistance and responsibility, and a reminder of how fragile our
commonwealth has become at the dawn of the twenty-first century.
"We are encouraged to believe that the governments and corporations
of the affluent parts of the world are run by people using rational
processes to make rational decisions. The dominant faith of the
world in our time is rationality. That in an age of reason, the
human race, or the most wealthy and powerful parts of it, should be
behaving with colossal irrationality ought to make us wonder if
reason alone can lead us to do what is right." "from" "Two
Minds"
More than thirty-five years ago, Wendell Berry began spending his
sabbaths outdoors, when the weather allowed, walking and wandering
around familiar territory, seeking a deep intimacy only time could
provide. These walks sometimes yielded poems. Each year since, he
has completed a series of these poems dated by the year of its
composition. This new sequence provides a virtual syllabus for all
of Berry's cultural and agricultural work in concentrated form.
Many of these poems, including a sequence at mid-year of 2014, were
written on a small porch in the woods, a place of stillness and
reflection, a vantage point "of the one / life of the forest
composed / of uncountable lives in countless / years, each life
coherent itself within / the coherence, the great composure, of
all." Recently Berry has been reflecting on more than a half
century of reading, to discover and to delight in the poetical,
spiritual, and cultural roots of his work. In The Presence of
Nature in the Natural World, Berry's survey begins with Alan of
Lille's twelfth-century work, The Plaint of Nature. The from the
Bible through Chaucer, from Milton to Pope, from Wordsworth to the
moderns, Berry's close reading is exhilarating. Moving from the
canon of poetry to the sayings and texts found in agricultutre and
science, closely presented, we gain new appreciation for the
complexity of the issues faced in the twenty-first century by the
struggling community of humans on earth. With this long essay
appended to these new Sabbath Poems, the result is an unusual book
of depth and engagement. A new collection of Wendall Berry poems is
always an occasion for celebration, and this eccentric gatheirng is
especially so.
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