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This book is a collection of eight essays on politics and defense written over the past quarter of a century. What particularly unifies them is the distinction between the military and police (or punitive) uses of force and implication of each for preservation of moderate political practices and skill in the use of armed force. The various essays illustrate these conceptual points by examination of the Cuban missile crisis, the Vietnam War, U.S. nuclear strategy and current 'RMA' and counter-insurgency doctrines, among others. The essays collectively advance the view that even in the age of nuclear weapons and 'war amongst the people, ' the punitive threat and use of armed force is incapable of maintaining control over a relatively equal force. It can only be effective where there is massive superiority of the means of armed force concentrated in one political authority. Also included is an article on Clausewitz by a senior army officer (the author's father) that supports the conceptual and practical distinction between the military and police uses of armed force
This book provides an extensive and textual analysis of Montaigne's essays - both the relevant Villey French texts as well as the Frame English translations. It identifies and illustrates a unifying, recurring theme in the ostensibly diverse and often apparently contradictory essays of the sixteenth-century writer - the attempt at psychic harmony through « temporal solipsism, or living insofar as possible in the present moment by doing things for their own sake rather than for extrinsic purposes. Placing Montaigne in historical context, Montaigne's Essais aruges that he implicitly provides his own synthesis of pagan and Christian ideas, with no fewer tensions than the Aquinian synthesis. A concluding bibliographic essay addresses some issues of scholarly controversy, primarily from the perspectives of philosophy and political theory.
The Poetic Character of Human Activity is a collection of essays by two Oakeshott scholars, most of which explores the meaning of Oakeshott's pregnant phrase, "the poetic character of human activity" by comparing and contrasting this idea with similar and opposing ones, in particular those of the Taoist thinker, Zhuangzi (Chuang Tzu), and his Western interpreter, A.C. Graham. Oakeshott's deep appreciation of the poetic and non-instrumental character of human activity led him to develop an interest in the works of Zhuangzi and Confucius. Comparison of shared themes between Oakeshott and these two Chinese thinkers facilitates appreciation of his elegant analytic style and his resort to use of metaphors and story-telling when conveying some of his most profound insights. The collection also contains essays contrasting Oakeshott's idea of the "creative" in human experience with views of, among others, Plato, Leo Strauss and Eric Voegelin. Oakeshott used the phrase "the poetic character of human activity" (arguably the animating center of his entire thought), to refer to the "creative" character of human experiential reality, that is, to the fact that the form (the how) and content (the what) of all human experience and activity arise simultaneously and fluidly, and can be separated only at the expense of theoretical coherence and practical skill. The various essays in this collection explore the meaning of this claim, and its ramifications for the proper role of critical intellect in especially philosophy, morality, learning, and governance. There is also some brief contrast of Oakeshott with John Rawls, Alasdair MacIntyre, Charles Taylor, and Quentin Skinner.
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