This volume mines the diversity and richness of the literature and literary theory produced in the postcolonial era, discussing texts and ideas from all over the world.

David Mitchell is one of the most critically acclaimed authors in contemporary global writing. Novels such as Ghostwritten, Cloud Atlas and The Bone Clocks demonstrate the author's dazzling literary technique in an oeuvre that crosses genres, genders and borders, moving effortlessly through time and space. David Mitchell: Contemporary Critical Perspectives brings together leading scholars of contemporary fiction to guide readers through the full range of the author's writings, including discussions of all of his novels to-date plus his shorter fictions, essays and libretti. As well as offering extended coverage of Mitchell's most popular work, Cloud Atlas, the authors explore Mitchell's genre-hopping techniques, world-making aesthetics, and engagements with key contemporary issues such as globalization, empire, the environment, disability, trauma and technology. In addition, this book includes an expansive interview with David Mitchell as well as a guide to further reading to help students and readers alike explore the works of this tremendously inventive writer.

"Patrick Chamoiseau: A Critical Introduction" examines the career, oeuvre, and literary theories of one of the most important Caribbean writers living today. Chamoiseau's work sheds light on the dynamic processes of creolization that have shaped Caribbean history and culture. He is the recipient of numerous literary prizes, including the prestigious Prix Goncourt for the epic novel "Texaco." The author's diverse body of work, which includes plays, novels, fictionalized memoirs, treatises, and other genres of writing, offers a compelling vision of the postcolonial world from a francophone Caribbean perspective.

An important addition to Caribbean literary studies, "Patrick Chamoiseau" is an indispensable work for scholars interested in francophone, Caribbean, and world literatures as well as cultural studies. Scholars and students with interests in creolization, neocolonialism, and globalization will find this work particularly valuable.

"Patrick Chamoiseau" brings the writer's major works of fiction into dialogue with lesser-known texts, including unpublished theatrical works, screenplays, visual texts, and treatises. This holistic, comprehensive, and largely chronological study of Chamoiseau's oeuvre includes analyses of various authorial strategies, especially the use of narrative masques, cross-cultural storytelling techniques, and creolizing poetics.

David Mitchell is one of the most critically acclaimed authors in contemporary global writing. Novels such as Ghostwritten, Cloud Atlas and The Bone Clocks demonstrate the author's dazzling literary technique in an oeuvre that crosses genres, genders and borders, moving effortlessly through time and space. David Mitchell: Contemporary Critical Perspectives brings together leading scholars of contemporary fiction to guide readers through the full range of the author's writings, including discussions of all of his novels to-date plus his shorter fictions, essays and libretti. As well as offering extended coverage of Mitchell's most popular work, Cloud Atlas, the authors explore Mitchell's genre-hopping techniques, world-making aesthetics, and engagements with key contemporary issues such as globalization, empire, the environment, disability, trauma and technology. In addition, this book includes an expansive interview with David Mitchell as well as a guide to further reading to help students and readers alike explore the works of this tremendously inventive writer.

In this volume, the editors and authors strive to understand the evolving Trans-Caribbean as a discontinuous, displacing and displaced, transnational space. It considers the imagined community in the islands as its psycho-social homeland, while simultaneously pursuing different cultural strategies of redefining and resisting colonial 'homeland' conventions (which Kamau Brathwaite appropriately termed the 'inner plantation'). Thus, the Trans-Caribbean is suspended in a double-dialectic, which opposes both the hegemonic metropolitan space inhabited, as well as the romanticized, yet colonialized, 'inner plantation, ' whose transcendence via migration perpetually turns out to be an illusion. Given this, cultural production and migration remain at the vortex of the Trans-Caribbean. The construction of cultural products in the Trans-Caribbean understood as a collection of social and new migratory practices both reflects and contests post-colonial metropolitan hegemonies. Following Arjun Appadurai's distinction, these homogenizing and heterogenizing counter-trends in Trans-Cariabbean spaces can be observed through cultural transactions manifesting themselves as ethnoscapes, mediascapes, technoscapes, financescapes, cityscapes, ideoscapes, etc. For the purposes of this book the editors invited anthropologists, sociologists, political scientists, linguists, liberal arts and gender studies specialists, as well as cultural and literary historians to begin drawing some of the diasporic trajectories on the huge canvas of cultural production throughout the Trans-Caribbean.Constructing Vernacular Culture in the Trans-Caribbean will find its audience among scholars in cultural studies, migration, literary theory, and cultural criticism who have a special interest in Caribbean and Latin American Studies, as well as among students and scholars of migration and postcolonialism and postmodernity in general."