Finalist for the Pulitzer Prize Widely hailed as a "powerfully written" history about America's beginnings (Annette Gordon-Reed), New England Bound fundamentally changes the story of America's seventeenth-century origins. Building on the works of giants like Bernard Bailyn and Edmund S. Morgan, Wendy Warren has not only "mastered that scholarship" but has now rendered it in "an original way, and deepened the story" (New York Times Book Review). While earlier histories of slavery largely confine themselves to the South, Warren's "panoptical exploration" (Christian Science Monitor) links the growth of the northern colonies to the slave trade and examines the complicity of New England's leading families, demonstrating how the region's economy derived its vitality from the slave trading ships coursing through its ports. And even while New England Bound explains the way in which the Atlantic slave trade drove the colonization of New England, it also brings to light, in many cases for the first time ever, the lives of the thousands of reluctant Indian and African slaves who found themselves forced into the project of building that city on a hill. We encounter enslaved Africans working side jobs as con artists, enslaved Indians who protested their banishment to sugar islands, enslaved Africans who set fire to their owners' homes and goods, and enslaved Africans who saved their owners' lives. In Warren's meticulous, compelling, and hard-won recovery of such forgotten lives, the true variety of chattel slavery in the Americas comes to light, and New England Bound becomes the new standard for understanding colonial America.

In a work that fundamentally recasts the history of colonial America, Wendy Warren shows how the institution of slavery was inexorably linked with the first century of English colonization of New England. While most histories of slavery in early America confine themselves to the Southern colonies and the Caribbean, New England Bound forcefully widens the historical aperture to include the entirety of English North America, integrating the famed "city on a hill" of seventeenth-century Puritan New England into the cruel Atlantic system from its very beginnings. Using original research culled from dozens of archives, Warren conclusively links the growth of the northern colonies to the Atlantic slave trade, showing how seventeenth-century New England's fledgling economy derived its vitality from the profusion of ships that coursed through its ports, passing through on their way to and from the West Indian sugar colonies. What's more, leading New England families like the Winthrops and Pynchons invested heavily in the West Indies, owning both land and human property, the profits of which eventually wended their way back north. That money, New England Bound shows, was the tragic fuel for the colonial wars of removal and replacement of New England Indians that characterized the initial colonization of the region. Warren painstakingly documents the little-known history of how Native Americans were systematically sold as slaves to plantations in the Caribbean, even in the first decades of English colonization. And even while New England Bound explains the way in which the Atlantic slave trade drove the colonization of New England, it also brings to light, in many cases for the first time ever, the lives of the thousands of reluctant Indian and African slaves who found themselves forced into the project of building that city on a hill. We encounter enslaved Africans working side jobs as con artists, enslaved Indians who protested their banishment to sugar islands, enslaved Africans who set fire to their owners' homes and goods, and enslaved Africans who saved their owners' lives. In Warren's meticulous, compelling, and hard-won recovery of such forgotten lives, the true variety of chattel slavery in the Americas comes to light, and New England Bound becomes the new standard for understanding colonial America.

This book was born from a desire to share the gift of the written word of those from around the world as they endure life's struggles and triumphs. Connecting through social media and sharing their joys and their fight for survival, these artists have contributed their work to this project with the thought to inspire others that no matter how dark or how difficult the struggles, there is always a Light that may be seen whether that is at the end of the tunnel or the halo that surrounds the clouds. The love of God and faith that we are Loved can help lift us up.