A vital work for its exploration of the way the very idea of home became white in Britain in the postwar period Ahead of its time when first published and reviewed in the Guardian Highly relevant in light of the Windrush scandal and recent debates surrounding race and colonialism in Britain This Routledge Classics edition includes a new preface by the author

Gendering Migration demonstrates the significance of studying migration through the lens of gender and ethnicity and the contribution this perspective makes to migration histories. Through a consideration of the impact of migration on men and masculine identities as well as women and feminine identities, it extends our understanding of questions of gender and migration, focusing on the history of migration to Britain after the Second World War. The volume draws on oral narratives as well as documentary and archival research to demonstrate the important role played by gender and ethnicity, both in ideas and images of migrants and in migrants' own experiences. The contributors consider a range of migrant and refugee groups who came to Britain in the twentieth century: Caribbean, East-African Asian, German, Greek, Irish, Kurdish, Pakistani, Polish and Spanish. The fresh interpretations offered here make this an important new book for scholars and students of migration, ethnicity, gender and modern British history.

Gendering Migration demonstrates the significance of studying migration through the lens of gender and ethnicity and the contribution this perspective makes to migration histories. Through a consideration of the impact of migration on men and masculine identities as well as women and feminine identities, it extends our understanding of questions of gender and migration, focusing on the history of migration to Britain after the Second World War. The volume draws on oral narratives as well as documentary and archival research to demonstrate the important role played by gender and ethnicity, both in ideas and images of migrants and in migrants' own experiences. The contributors consider a range of migrant and refugee groups who came to Britain in the twentieth century: Caribbean, East-African Asian, German, Greek, Irish, Kurdish, Pakistani, Polish and Spanish. The fresh interpretations offered here make this an important new book for scholars and students of migration, ethnicity, gender and modern British history.

Imagining Home offers a unique examination of ideas and images of home in Britain during a period of national decline and loss of imperial power. In exploring the relationship between gender, 'race' and national identity, it higlights the continuing importance of empire in imaginings of the nation during a period of decolonization. Analyzing the significance of colonialism and racism in shaping ideas of motherhood, employment and domestictiy, it traces the process by which Englishness was increasingly associated with domestic order, and the home and family constructed as white.
Drawing extensively on oral history and life-writing, Imagining Home examines the multiple meanings of home to women in narratives of beloning and unbelonging. Its focus on the complex interrelationships of white and black women's lives and identities offers a new perspective on this period.

Imagining Home offers a unique examination of ideas and images of home in Britain during a period of national decline and loss of imperial power. In exploring the relationship between gender, 'race' and national identity, it higlights the continuing importance of empire in imaginings of the nation during a period of decolonization. Analyzing the significance of colonialism and racism in shaping ideas of motherhood, employment and domestictiy, it traces the process by which Englishness was increasingly associated with domestic order, and the home and family constructed as white.
Drawing extensively on oral history and life-writing, Imagining Home examines the multiple meanings of home to women in narratives of beloning and unbelonging. Its focus on the complex interrelationships of white and black women's lives and identities offers a new perspective on this period.

Did loss of imperial power and the end of empire have any significant impact on British culture and identity after 1945? Within a burgeoning literature on national identity and what it means to be British this is a question that has received surprisingly little attention. Englishness and Empire makes an important and original contribution to recent debates about the domestic consequences of the end of empire. mainstream media archive - newspapers, newsreels, radio, film, and television. The contours of the study generally follow stories told through prolific filmic and television imagery: the Second World War, the Coronation and Everest, colonial wars of the 1950s, and Winston Churchill's funeral. The book analyses three main narratives that conflicted and collided in the period - a Commonwealth that promised to maintain immigration that showed a 'little England' threatened by empire and its legacies; and a story of national greatness, celebrating the martial masculinity of British officers and leaders, through which imperial identity leaked into explores the significance of America to post-imperial Britain. places, imperial identity and loss of imperial power resonated in popular narratives of nataion. As the first monograph to investigate the significance of empire and its legacies in shaping national identity after 1945, this is an important study for all scholars interested in questions of national identity and their intersections with gender, race, empire, immigration, and decolonization.

A vital work for its exploration of the way the very idea of home became white in Britain in the postwar period Ahead of its time when first published and reviewed in the Guardian Highly relevant in light of the Windrush scandal and recent debates surrounding race and colonialism in Britain This Routledge Classics edition includes a new preface by the author

Did loss of imperial power and the end of empire have any significant impact on British culture and identity after 1945? Within a burgeoning literature on national identity and what it means to be British this is a question that has received surprisingly little attention. Englishness and Empire makes an important and original contribution to recent debates about the domestic consequences of the end of empire. Wendy Webster explores popular narratives of nation in the mainstream media archive - newspapers, newsreels, radio, film, and television. The contours of the study generally follow stories told through prolific filmic and television imagery: the Second World War, the Coronation and Everest, colonial wars of the 1950s, and Winston Churchill's funeral. The book analyses three main narratives that conflicted and collided in the period - a Commonwealth that promised to maintain Britishness as a global identity; siege narratives of colonial wars and immigration that showed a 'little England' threatened by empire and its legacies; and a story of national greatness, celebrating the martial masculinity of British officers and leaders, through which imperial identity leaked into narratives of the Second World War developed after 1945. The book also explores the significance of America to post-imperial Britain. Englishness and Empire considers how far, and in what contexts and unexpected places, imperial identity and loss of imperial power resonated in popular narratives of nataion. As the first monograph to investigate the significance of empire and its legacies in shaping national identity after 1945, this is an important study for all scholars interested in questions of national identity and their intersections with gender, race, empire, immigration, and decolonization.

During the Second World War, people arrived in Britain from all over the world as troops, war-workers, nurses, refugees, exiles, and prisoners-of-war-chiefly from Europe, America, and the British Empire. Between 1939 and 1945, the population in Britain became more diverse than it had ever been before. Through diaries, letters, and interviews, Mixing It tells of ordinary lives pushed to extraordinary lengths. Among the stories featured are those of Zbigniew Siemaszko - deported by the Soviet Union, fleeing Kazakhstan on a horse-drawn sleigh, and eventually joining the Polish army in Scotland via Iran, Iraq, and South Africa - and 'Johnny' Pohe - the first Maori pilot to serve in the RAF, who was captured, and eventually murdered by the Gestapo for his part in the 'Great Escape'. This is the first book to look at the big picture of large-scale movements to Britain and the rich variety of relations between different groups. When the war ended, awareness of the diversity of Britain's wartime population was lost and has played little part in public memories of the war. Mixing It recovers this forgotten history. It illuminates the place of the Second World War in the making of multinational, multiethnic Britain and resonates with current debates on immigration.

During the Second World War, people arrived in Britain from all over the world as troops, war-workers, nurses, refugees, exiles, and prisoners-of-war-chiefly from Europe, America, and the British Empire. Between 1939 and 1945, the population in Britain became more diverse than it had ever been before. Through diaries, letters, and interviews, Mixing It tells of ordinary lives pushed to extraordinary lengths. Among the stories featured are those of Zbigniew Siemaszko - deported by the Soviet Union, fleeing Kazakhstan on a horse-drawn sleigh, and eventually joining the Polish army in Scotland via Iran, Iraq, and South Africa - and 'Johnny' Pohe - the first Maori pilot to serve in the RAF, who was captured, and eventually murdered by the Gestapo for his part in the 'Great Escape'. This is the first book to look at the big picture of large-scale movements to Britain and the rich variety of relations between different groups. When the war ended, awareness of the diversity of Britain's wartime population was lost and has played little part in public memories of the war. Mixing It recovers this forgotten history. It illuminates the place of the Second World War in the making of multinational, multiethnic Britain and resonates with current debates on immigration.

Mr Cartermann's garden isn't just like any garden. It's a garden to stay out of trouble and to get into contact with fairies. But not every fairy is good and peace loving. Evil fairies are unleashing situations, animals and characters from fiction all over Great Britain, leaving the books with blank pages. Ron, trying to overcome his low self-esteem and Amelia, growing up, out and under the tight regime of her father, set about trying to restore order. This proves to be difficult when heavy snowstorms burst out over the country and a Hound, looking very much like an ugly terrifying dinosaur, is snapping at your heels. When Amelia finds Mr Cartermann's spell book "Magicus Perfecticum" things are changing drastically. An adventurous and magical book for young and old. Visit also www.magicusperfecticum.webs.com and have fun!