Eminently suited for use by both scholars and students, this richly annotated volume offers Werner Pluhar's masterful translations of the complete texts of both the First (A) and Second (B) editions, as well as Kant's own notes. Extensive editorial notes provide explanatory and terminological comments, translations of Latin and other foreign expressions, variant readings, cross-references to other passages in the text and in other writings of Kant, and references to secondary works. An extensive bibliography, glossary, and detailed index are included. Patricia Kitcher's illuminating Introduction provides a roadmap to Kant's abstract and complex argumentation by firmly locating his view in the context of eighteenth-century—and current—attempts to understand the nature of the thinking mind and its ability to comprehend the physical universe.

This thoughtful abridgment makes an ideal introduction to Kant's Critique of Pure Reason . Key selections include: the Preface in B, the Introduction, the Transcendental Aesthetic, the Second Analogy, the Refutation of Idealism, the first three Antinomies, the Transcendental Deduction in B, and the Canon of Pure Reason. A brief introduction provides biographical information, descriptions of the nature of Kant's project and of how each major section of the Critique contributes to that project. A select bibliography and index are also included.

In THE CRITIQUE OF JUDGMENT (1790), Immanuel Kant (1724-1804) seeks to establish the a priori principles underlying the faculty of judgement, just as he did in his previous critiques of pure and practical reason. The first part deals with the subject of our aesthetic sensibility; we respond to certain natural phenomena as beautiful, says Kant, when we recognise in nature a harmonious order that satisfies the mind's own need for order. The second half of the critique concentrates on the apparent teleology in nature's design of organisms. Kant argues that our minds are inclined to see purpose and order in nature and this is the main principle underlying all of our judgements. Although this might imply a super sensible Designer, Kant insists that we cannot prove a supernatural dimension or the existence of God. Such considerations are beyond reason and are solely the province of faith.

Werner S. Pluhar's masterful rendering of Kant's major work on religion is meticulously annotated and presented here with a selected bibliography, glossary, and generous index. Stephen R. Palmquist's engaging Introduction provides historical background, discusses Religion in the context of Kant's philosophical system, elucidates Kant's main arguments, and explores the implications and ongoing relevance of the work.

Like Werner Pluhar's distinguished translation of Critique of Judgment (Hackett Publishing Co., 1987), this new rendering of Critique of Pure Reason reflects the elegant achievement of a master translator. This richly annotated volume offers translations of the complete texts of both the First (A) and Second (B) editions, as well as Kant's own notes. Extensive editorial notes by Werner Pluhar and James Ellington supply explanatory and terminological comments, translations of Latin and other foreign expressions, variant readings, cross-references to other passages in the text and in other writings of Kant, and references to secondary works. An extensive bibliography, glossary, and detailed index are included. Patricia Kitcher's illuminating Introduction provides a roadmap to Kant's abstract and complex argumentation by firmly locating his view in the context of eighteenth-century--and current--attempts to understand the nature of the thinking mind and its ability to comprehend the physical universe.

Werner S. Pluhar's masterful rendering of Kant's major work on religion is meticulously annotated and presented here with a selected bibliography, glossary, and generous index. Stephen R. Palmquist's engaging Introduction provides historical background, discusses Religion in the context of Kant's philosophical system, elucidates Kant's main arguments, and explores the implications and ongoing relevance of the work.

Like Werner Pluhar's distinguished translation of Critique of Judgment (Hackett Publishing Co., 1987), this new rendering of Critique of Pure Reason reflects the elegant achievement of a master translator. This richly annotated volume offers translations of the complete texts of both the First (A) and Second (B) editions, as well as Kant's own notes. Extensive editorial notes by Werner Pluhar and James Ellington supply explanatory and terminological comments, translations of Latin and other foreign expressions, variant readings, cross-references to other passages in the text and in other writings of Kant, and references to secondary works. An extensive bibliography, glossary, and detailed index are included. Patricia Kitcher's illuminating Introduction provides a roadmap to Kant's abstract and complex argumentation by firmly locating his view in the context of eighteenth-century--and current--attempts to understand the nature of the thinking mind and its ability to comprehend the physical universe.

With this volume, Werner Pluhar completes his work on Kant's three Critiques, an accomplishment unique among English language translators of Kant. At once accurate, fluent, and accessible, Pluhar's rendition of the Critique of Practical Reason meets the standards set in his widely respected translations of the Critique of Judgment (1987) and the Critique of Pure Reason (1996). Stephen Engstrom's Introduction discusses the place of the second Critique in Kant's critical philosophy, its relation to Kant's ethics, and its practical purpose and provides an illuminating outline of Kant's argument.

In THE CRITIQUE OF JUDGMENT (1790), Immanuel Kant (1724-1804) seeks to establish the a priori principles underlying the faculty of judgement, just as he did in his previous critiques of pure and practical reason. The first part deals with the subject of our aesthetic sensibility; we respond to certain natural phenomena as beautiful, says Kant, when we recognise in nature a harmonious order that satisfies the mind's own need for order. The second half of the critique concentrates on the apparent teleology in nature's design of organisms. Kant argues that our minds are inclined to see purpose and order in nature and this is the main principle underlying all of our judgements. Although this might imply a super sensible Designer, Kant insists that we cannot prove a supernatural dimension or the existence of God. Such considerations are beyond reason and are solely the province of faith.

With this volume, Werner Pluhar completes his work on Kant's three Critiques, an accomplishment unique among English language translators of Kant. At once accurate, fluent, and accessible, Pluhar's rendition of the Critique of Practical Reason meets the standards set in his widely respected translations of the Critique of Judgment (1987) and the Critique of Pure Reason (1996). Stephen Engstrom's Introduction discusses the place of the second Critique in Kant's critical philosophy, its relation to Kant's ethics, and its practical purpose and provides an illuminating outline of Kant's argument.

This thoughtful abridgment makes an ideal introduction to Kant's Critique of Pure Reason . Key selections include: the Preface in B, the Introduction, the Transcendental Aesthetic, the Second Analogy, the Refutation of Idealism, the first three Antinomies, the Transcendental Deduction in B, and the Canon of Pure Reason. A brief introduction provides biographical information, descriptions of the nature of Kant's project and of how each major section of the Critique contributes to that project. A select bibliography and index are also included.