Whit Stillman helms this offbeat romantic-musical-comedy following a group of social misfits as they negotiate the minefield of college life. Greta Gerwig stars as Violet, the emotionally fragile yet overbearing leader of a pretentious group of girls who imagine themselves superior to everyone else when in fact they are for the most part ignored by their fellow students. Everyday concerns such as dating disappointments, essay grades and social mores give way to the more perilous pitfalls of female friendship after the girls take it upon themselves to befriend new student Lily (Analeigh Tipton).

A compelling regional and historical study that transforms our understanding of film history, Amateur Movie Making demonstrates how amateur films and home movies stand as testaments to the creative lives of ordinary people, enriching our experience of art and the everyday. Here we encounter the lyrical and visually expressive qualities of films produced in New England between 1915 and 1960 and held in the collections of Northeast Historic Film, a moving image repository and study center that was established to collect, preserve, and interpret the audiovisual record of northern New England. Contributors from diverse backgrounds examine the visual aesthetics of these films while placing them in their social, political, and historical contexts. Each discussion is enhanced by technical notes and the analyses are also juxtaposed with personal reflections by artists who have close connections to particular amateur filmmakers. These reflections reanimate the original private contexts of the home movies before they were recast as objects of study and artifacts of public history.

***THE NOVEL OF THE HIT INDIE FILM*** 'If, like me, you like your Austen subversive, cruel, funny and outrageous, then you will love Stillman's Love & Friendship' The Times 'Lady Susan is finally getting some long overdue respect' New York Times 'Lady Susan remains deliciously wicked' Vogue With a pitch-perfect Austenian sensibility and wry social commentary, filmmaker and writer Whit Stillman cleverly re-imagines and completes one of our greatest writers' unfinished works. Love & Friendship is a sharp comedy of manners, and a fiendishly funny treat for Austen and Stillman fans alike. JANE AUSTEN'S FUNNIEST NOVEL IS ALSO HER LEAST KNOWN - UNTIL NOW. Impossibly beautiful, disarmingly witty, and completely self-absorbed: meet Lady Susan Vernon, both the heart and the thorn of Love & Friendship. Recently widowed with a daughter who's coming of age as quickly as their funds are dwindling, Lady Susan makes it her mission to find them wealthy husbands - and fast. But when her attempts to secure their futures result only in the wrath of a prominent conquest's wife and the title of 'most accomplished coquette in England', Lady Susan must rethink her strategy. Unannounced, she arrives at her brother-in-law's country estate. Here she intends to take refuge - in no less than luxury, of course - from the colorful rumors trailing her, while finding another avenue to 'I do'. Before the scandalizing gossip can run its course, though, romantic triangles ensue. A SPECIAL EDITION FEATURING JANE AUSTEN'S ORIGINAL NOVELLA AS ANNOTATED BY THE NARRATOR. PRAISE FOR LOVE & FRIENDSHIP THE FILM 'A RACY DELIGHT' Guardian ***** 'FIND ME A FUNNIER SCREEN STAB AT AUSTEN, AND I'M TEMPTED TO OFFER YOUR MONEY BACK PERSONALLY' Telegraph ***** 'TREMENDOUSLY WITTY' Independent ***** 'MAY JUST BE THE BEST JANE AUSTEN FILM EVER MADE' London Evening Standard *****

A compelling regional and historical study that transforms our understanding of film history, Amateur Movie Making demonstrates how amateur films and home movies stand as testaments to the creative lives of ordinary people, enriching our experience of art and the everyday. Here we encounter the lyrical and visually expressive qualities of films produced in New England between 1915 and 1960 and held in the collections of Northeast Historic Film, a moving image repository and study center that was established to collect, preserve, and interpret the audiovisual record of northern New England. Contributors from diverse backgrounds examine the visual aesthetics of these films while placing them in their social, political, and historical contexts. Each discussion is enhanced by technical notes and the analyses are also juxtaposed with personal reflections by artists who have close connections to particular amateur filmmakers. These reflections reanimate the original private contexts of the home movies before they were recast as objects of study and artifacts of public history.