Space and Conversion in Global Perspective examines experiences of conversion as they intersect with physical location, mobility, and interiority. The volume's innovative approach is global and encompasses multiple religious traditions. Conversion emerges as a powerful force in early modern globalization. In thirteen essays, the book ranges from the urban settings of Granada and Cuzco to mission stations in Latin America and South India; from villages in Ottoman Palestine and Middle-Volga Russia to Italian hospitals and city squares; and from Atlantic slave ships to the inner life of a Muslim turned Jesuit. Drawing on extensive archival and iconographic materials, this collection invites scholars to rethink conversion in light of the spatial turn. Contributors are: Paolo Aranha, Emanuele Colombo, Irene Fosi, Mercedes Garcia-Arenal, Agnieszka Jagodzinska, Aliocha Maldavsky, Giuseppe Marcocci, Susana Bastos Mateus, Adriano Prosperi, Gabriela Ramos, Rocco Sacconaghi, Felicita Tramontana, Guillermo Wilde, and Oxana Zemtsova.

The essays collected in The Five Senses in Medieval and Early Modern England examine the interrelationships between sense perception and secular and Christian cultures in England from the medieval into the early modern periods. They address canonical texts and writers in the fields of poetry, drama, homiletics, martyrology and early scientific writing, and they espouse methods associated with the fields of corpus linguistics, disability studies, translation studies, art history and archaeology, as well as approaches derived from traditional literary studies. Together, these papers constitute a major contribution to the growing field of sensorial research that will be of interest to historians of perception and cognition as well as to historians with more generalist interests in medieval and early modern England. Contributors include: Dieter Bitterli, Beatrix Busse, Rory Critten, Javier Diaz-Vera, Tobias Gabel, Jens Martin Gurr, Katherine Hindley, Farah Karim-Cooper, Annette Kern-Stahler, Richard Newhauser, Sean Otto, Virginia Richter, Elizabeth Robertson, and Kathrin Scheuchzer

This volume investigates how Jesuits reflected visually and verbally on the status and functions of the imago, between the foundation of the order in 1540 and its suppression in 1773, in rhetorical and emblematic treatises, theoretical debates, and embedded in various instances where Jesuit authors and artists implicitely explored the status and functions of images.