Inkleurboeke vir volwassenes is steeds baie gewild en daar is eindelose opsies om van te kies en keur. Inligting oor selfdoentegnieke wanneer dit by inkleur kom, is egter nie so volop beskikbaar nie. In hierdie boek deel inkleurkunstenaar, Monique Day-Wilde, alles van die kies van papier, potlode en ander inkleurmateriale, tot die teorie van kleur en kleurvermenging. Sy deel ook basiese en meer gevorderde tegnieke vir spesiale effekte, en wat jy dan met jou inkleurprente kan doen. Leer oor skadutegnieke met enkele of 'n verskeidenheid kleure, afskerming, meng- en vryftegnieke, skep van tekstuur, interessante maniere om groot agtergronde te vul, byvoeging van blinkgoed, stempels met bosseleervloeistof en selfs die gebruik van potloodskaafsels. Daar skuil soveel meer agter inkleurwerk as om net tussen die lyne te hou. Terwyl daar werklik geen regte of verkeerde manier is om in te kleur nie, sal hierdie boek jou help om inkleurwerk te omskep in 'n ervaring wat sal lei tot 'n kunswerk waarop jy kan trots wees - net vir jouself, of om mee te spog by ander.

Learn about paper, colouring materials, colour mixing and basic and advanced colouring techniques.

Colouring books for adults are still all the rage and everybody is spoilt for choice more than ever. How-to information when it comes to colouring is not as prolifically available. In this book colouring artist Monique Day- Wilde tells all, from choosing your paper, pencils and other colouring materials to theory of colour and colour mixing, basic and advanced techniques to special effects and what to do with your coloured pages.

Learn about shading with single or multiple colours, resists, blending and burnishing, creating texture, interesting ways to fill large backgrounds, adding bling, stamping with embossing fluid and using shavings. There is so much more to colouring than just staying between the lines. While there really is no right or wrong way, this book will help you turn it into an experience, resulting in a work of art you will be proud of – just for yourself, or to show around.

The content includes:

• equipment information
• colour, techniques – shading, resists, lift-off, blending, splatter, shavings, inking, special effects, using texture plates
• how to do faces, hair, fur and large
• backgrounds
• ▪ how to display your pages

We all know South Africa has problems; we read about them in the newspapers, we see them on the streets and many people experience them in their daily lives. Fortunately, many of these problems can be solved using innovation and science. Innovation takes a look at inventions - developed in South Africa by South Africans - to address issues in the areas of healthcare, energy, environment and industry. Some of these inventions, such as a tea bag created to filter water for communities in rural areas, can save lives; others, such as a unique way to beneficiate titanium, could spell a new era of industry in the country.

The book is broken down into sections on environment, health, energy, industry and education, and in each of those parts are examples of South African innovations, from a satellite system to map fires to the concept of sterilising mosquitoes to stop the spread of malaria.

These have been developed by numerous organisations and institutions and showcase South Africa's excellence.

This book takes you beyond the traditional boundaries of muted, delicate and translucent watercolour to create rich, vivid images, not only with watercolour on paper, but with other media and materials, while still retaining a watery feel and enhancing and expanding the possible textural effects. The projects showcase a mix of water media in familiar and unconventional, experimental ways. These include paint, ink, coloured pencils and fabric dye, with texture mediums forming part of the repertoire. While watercolour paper is used a fair amount, canvases, board and drafting paper or vellum are also incorporated. Some really simple, structured techniques have been covered, which can be followed step by step to achieve a very similar outcome and are suitable for crafty projects. Readers are also encouraged to use the more spontaneous and less controlled techniques (illustrated step by step), to further their own creative path, develop a sense of adventure, learn to take risks and work with their 'happy accidents'. There are lots of things one can do with unsuccessful work and the author has included ideas for incorporating discarded endeavours into new art work. Filled with fabulous ideas for both artists and crafters, even the absolute beginner will be able to play and experiment along with Water marks.