HarperCollins is proud to present its range of best-loved, essential classics.`The woman who first gives life, light, and form to our shadowy conceptions of beauty, fills a void in our spiritual nature that has remained unknown to us till she appeared.'One of the earliest works of `detective' fiction with a narrative woven together from multiple characters, Wilkie Collins partly based his infamous novel on a real-life eighteenth century case of abduction and wrongful imprisonment. In 1859, the story caused a sensation with its readers, hooking their attention with the ghostly first scene where the mysterious `Woman in White' Anne Catherick comes across Walter Hartright. Chilling, suspenseful and tense in mood, the novel remains as emotive for its readers today as when it was first published.

HarperCollins is proud to present its range of best-loved, essential classics. 'The woman who first gives life, light, and form to our shadowy conceptions of beauty, fills a void in our spiritual nature that has remained unknown to us till she appeared.' One of the earliest works of 'detective' fiction with a narrative woven together from multiple characters, Wilkie Collins partly based his infamous novel on a real-life eighteenth century case of abduction and wrongful imprisonment. In 1859, the story caused a sensation with its readers, hooking their attention with the ghostly first scene where the mysterious 'Woman in White' Anne Catherick comes across Walter Hartright. Chilling, suspenseful and tense in mood, the novel remains as emotive for its readers today as when it was first published.

The Moonstone is one of the most famous suspense novels of all time: a masterpiece of construction and the ultimate page-turner, it introduced one of the world's most beloved genres, the detective story.

At a party celebrating her eighteenth birthday, Rachel Verinder wears the stunning yellow diamond she unexpectedly inherited from her uncle, Colonel John Herncastle.

She is not aware that the precious gem, known as the Moonstone, has been missing since it was plundered from a sacred Hindu shrine in southern India where her uncle had served with the British army fifty years ago.

But someone knows the secret of the Moonstone and will go to desperate measures to retrieve it. When it goes missing later that night, suspicions are raised and accusations fly. Could it be a trio of mysterious Indian jugglers seen near the house? Or a love-struck housemaid suddenly behaving strangely? And there is Rachel herself, who becomes furious when her paramour, Franklin Blake, directs attempts to find it.

As divergent accounts reveal more details, the diamond's recovery is complicated by unexpected twists and turns. Sifting through a compelling list of suspects, the indomitable Sergeant Cuff must find the truth about the Moonstone and its mysterious disappearance.

The Moonstone features 66 black and-white woodcut illustrations throughout.

An enigmatic countess is tormented by a dark secret. An English aristocrat, Lord Montbarry, falls ill and dies in a decaying Venetian palazzo. An Italian servant disappears, and his wife receives a note containing one thousand pounds. With the palazzo now transformed into a luxury hotel, and the late Lord Montbarry's family in residence, these strands begin to come together, yet strange and macabre events are occurring, and the dead seem unable to rest.

Introduction and Notes by David Blair, Rutherford College, University of Kent. The Moonstone, a priceless Indian diamond which had been brought to England as spoils of war, is given to Rachel Verrinder on her eighteenth birthday. That very night, the stone is stolen. Suspicion then falls on a hunchbacked housemaid, on Rachel's cousin Franklin Blake, on a troupe of mysterious Indian jugglers, and on Rachel herself. The phlegmatic Sergeant Cuff is called in, and with the help of Betteredge, the Robinson Crusoe-reading loquacious steward, the mystery of the missing stone is ingeniously solved.

An enjoyable 19th century read following doomed happenings and grisly, secret premonitions. An eminent doctor is visited by a desperate woman with a question: am I evil, or insane? When the letters from Italian servant to his wife in London suddenly cease, she is convinced he has been murdered. In the darkened bedroom of a mouldering palazzo by the Grand Canal, an English lord sickens and suddenly dies. How are these little mysteries connected? Spend the night in Room 14 of Venice's finest hotel, and find out the truth - if you dare... INCLUDES THE GHOST STORY 'THE DREAM WOMAN'

Editedand with an Introduction by David Stuart Davies. 'Have you ever heard of the fascination of terror?' This is a unique collection of strange stories from the cunning pen of Wilkie Collins, author of The Woman in White and The Moonstone. The star attraction is the novella The Haunted Hotel, a clever combination of detective and ghost story set in Venice, a city of grim waterways, dark shadows and death. The action takes place in an ancient palazzo coverted into a modern hotel that houses a grisly secret. The supernatural horror, relentless pace, tight narrative, and a doomed countess characterise and distinguish this powerful tale. The other stories present equally disturbing scenarios, which include ghosts, corpses that move, family curses and perhaps the most unusual of all, the Devil's spectacles, which bring a clarity of vision that can lead to madness.

"She looked so irresistibly beautiful as she said those brave words that no man alive could have steeled his heart against her." In love with the beautiful heiress Laura Fairlie, the impoverished art teacher Walter Hartright finds his romantic desires thwarted by her previous engagement to Sir Percival Glyde. But all is not as it seems with Sir Percival, as becomes clear when he arrives with his eccentric friend Count Fosco. The mystery and intrigue are further deepened by the ghostly appearances of a woman in white, apparently harbouring a secret that concerns Sir Percival's past. A tale of love, madness, deceit and redemption, boasting sublime Gothic settings and pulse-quickening suspense, The Woman in White was the first best-selling Victorian sensation novel, sparking off a huge trend in the fiction of the time with its compulsive, fascinating narrative.

Wilkie Collins is the only leading Victorian novelist whose letters have not been published. This two-volume edition will thus fill a gaping hole in any assessment of one of the nineteenth century's most loved novelists. It is also extremely timely. Two recent biographies have re-assessed his private life and his literary achievements. His best known novels, The Woman in White and The Moonstone, continue to feature on television, and most of his thirty-odd novels are in print. This authorized edition covers more than 2,000 of Collins' letters.

Who, in the name of wonder, had taken the Moonstone out of Miss Rachel's drawer? A celebrated Indian yellow diamond is first stolen from India, then vanishes from a Yorkshire country house. Who took it? And where is it now? A dramatist as well as a novelist, Wilkie Collins gives to each of his narratorsa household servant, a detective, a lawyer, a cloth-eared Evangelical, a dying medical manvibrant identities as they separately tell the part of the story that concerns themselves. One of the great triumphs of nineteenth-century sensation fiction, The Moonstone tells of a mystery that for page after page becomes more, not less inexplicable. Collins's novel of addictions is itself addictive, moving through a sequence of startling revelations towards the final disclosure of the truth. Entranced with double lives, with men and women who only know part of the story, Collins weaves their narratives into a web of suspense. The Moonstone is a text that grows imaginatively out of the secrets that the unconventional Collins was obliged to keep as he wrote the novel.

'The power that I have dreamed of all my life is mine at last!' How far is a mother prepared to go to secure her daughter's future? Madame Fontaine, widow of an eminent chemist, has both the determination and the cunning to bring young Minna's marriage plans to fruition, with dangerous consequences for anyone who dares to stand in her way. But has she met her match in Jack Straw, one-time inmate of Bedlam lunatic asylum? It will take a visit to the morgue to find out who triumphs - and who comes out alive. Reminiscent of Collins's blockbusters The Woman in White and Armadale, this suspenseful case study in villainy is set against the financial world of 1820s Frankfurt and tells the story of two widows, one of them devoted to realizing her husband's social reforms, the other equally devoted to the pursuit of her daughter's happiness. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Valeria Woodville's first act as a married woman is to sign her name in the marriage register incorrectly, and this slip is followed by the gradual disclosure of a series of secrets about her husband's earlier life, each of which leads on to another set of questions and enigmas. Her discoveries prompt her to defy her husband's authority, to take the law into into a labyrinthine maze of false clues and deceptive identities, in which the exploration of the tangled workings of the mind becomes linked to an investigation into the masquerades of femininity. Probably the first full-length novel with a woman detective as its heroine, The Law and the Lady is a fascinating example of Collins's later fiction. First published in 1875, it employs many of the techniques used in The Moonstone, developing them in bizarre and unexpected ways, and in its Gothic and fantastic elements The Law and the Lady adds a significant dimension to the history of detective fiction. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The Penguin English Library Edition of The Woman in White by Wilkie Collins 'In one moment, every drop of blood in my body was brought to a stop ... There, as if it had that moment sprung out of the earth ... stood the figure of a solitary Woman, dressed from head to foot in white' The Woman in White famously opens with Walter Hartright's eerie encounter on a moonlit London road. Engaged as a drawing master to the beautiful Laura Fairlie, Walter is drawn into the sinister intrigues of Sir Percival Glyde and his 'charming' friend Count Fosco, who has a taste for white mice, vanilla bonbons and poison. Pursuing questions of identity and insanity along the paths and corridors of English country houses and the madhouse, The Woman in White is the first and most influential of the Victorian genre that combined Gothic horror with psychological realism. The Penguin English Library - 100 editions of the best fiction in English, from the eighteenth century and the very first novels to the beginning of the First World War.

Reprinted in its entirety for the first time since its original publication in 1862, Somebody's Luggage is a rediscovered gem from Dickens's later life.
Stumbling upon some luggage that has been left behind in the hotel where he works, a waiter searches through it to identify its owner. He fails to discover this, but he does find, secreted away in different parts of the luggage, quite a number of stories. Impressed by their quality, he succeeds in getting them published, although the identity of their author remains a mystery until a visitor comes calling. Written with Dickens's characteristic wit and descriptive skill--and boasting contributions by eminent Victorian writers Wilkie Collins, Adelaide Anne Procter, and Elizabeth Gaskell--Somebody's Luggage is a wonderful composite of tales. Charles Dickens (1812-70) is one of England's most important literary figures. His works enjoyed enormous success in his day and are still regarded as among the most popular and widely read classics of all time.

The Penguin English Library Edition of The Moonstone by Wilkie Collins 'Here was our quiet English house suddenly invaded by a devilish Indian Diamond - bringing after it a conspiracy of living rogues, set loose on us by the vengeance of a dead man' When Rachel Verinder's birthday present - the Moonstone, a large Indian diamond - is stolen at her party, suspicion and the diamond's mysterious curse seem set to ruin everyone and everything she loves. Only Sergeant Cuff's famous detective skills offer any hope of peace and a future for them all. The intricate plot and modern technique of multiple narrators made Wilkie Collin's 1868 work a huge success in the Victorian sensation genre. With a reconstruction of the crime, red herrings and a 'locked-room' puzzle, The Moonstone was also a major precursor of the modern mystery novel. The Penguin English Library - 100 editions of the best fiction in English, from the eighteenth century and the very first novels to the beginning of the First World War.

With an Introduction and Notes by Scott Brewster, University of Central Lancashire. Wilkie Collins is a master of mystery, and The Woman in White is his first excursion into the genre. When the hero, Walter Hartright, on a moonlit night in north London, encounters a solitary, terrified and beautiful woman dressed in white, he feels impelled to solve the mystery of her distress. The intricate plot is peopled with a finely characterised cast, from the peevish invalid Mr Fairlie to the corpulent villain Count Fosco and the enigmatic woman herself.

When Rachel Verinder inherits the Moonstone from her uncle on her eighteenth birthday, the wonderful jewel is intended to make her rich and happy. So why is her mother so worried about this valuable gift? Rachel seems very fond of her cousin, Franklin Blake. When trouble strikes, why does she refuse his help? What has he done to offend her? Can Sergeant Cuff, the famous detective, solve the dangerous mystery of the Moonstone before it is too late?

When Walter Hartright meets the woman in white, it is the start of an exciting and dangerous adventure. Who is she, and what does she want? At first Walter is happy at Limmeridge House, teaching painting and drawing to Laura Fairlie and Marian Halcombe, but a wicked plot soon threatens to destroy the woman he loves. Will their courage and determination be enough to defeat the powerful forces ranged against them? Is the mysterious woman in white their friend, or their enemy?

A sharp-witted detective investigates the mystery of a gem, plundered from India and now vanished in England, and discovers shifting motives, unreliable testimony and growing danger in this foundational classic of mystery fiction. The Moonstone justly occupies an exalted position as a groundbreaking novel that opened the way for a great deal of genre fiction, mysteries and thrillers, but it is far more than simply an influence upon later works. This is an epistolary novel with a number of diverse and clearly incised viewpoints, displaying the author's skill with both character and the unveiling of the elements of a mystery plot. One of the characters is the detective charged with finding the thief who stole the Moonstone, a huge diamond with a bloody history, and he is a clear precursor to A.C. Doyle's Sherlock Holmes. Another character, much remarked upon at the novel's original release, suffers from opium addiction, depicted with frightening clarity by Collins, who dealt with that issue firsthand. The plot is sensational but relayed realistically and builds to one of the most unusual plot twists in mystery literature, made all the more remarkable by virtue of appearing in the genre's earliest days. Initially serialized in Charles Dickens magazine All The Year Round, The Moonstone was published in 1868 and has never been out of print since. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Moonstone is both modern and readable.