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Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
This invaluable new text on ICT offers support, guidance and
inspiration to anyone training to teach or currently teaching in
primary schools, as well as those studying Education Studies at
undergraduate or postgraduate level. The book encourages teachers -
and pupils - to realise the potential of the full range of ICT
resources. It provides primary teachers with the knowledge, skills
and confidence to plan, teach and assess their own ICT lessons, as
well as to use ICT creatively across the whole curriculum. This is
not a how to guide or collection of lesson plans, but instead
balances research-based theory with everyday experiences,
challenging you to understand teaching methods and how they
translates into a range of suitable teaching strategies for the
whole class, small group or individual using ICT.
Eleanor Roosevelt recognized the power of film and television,
especially as educational tools to reach young people. She hosted
three political talk shows in the 1950s and early 1960s, often
appearing in guest spots to promote the United Nations, Democratic
candidates, and progressive issues with Ed Sullivan, Bob Hope,
Frank Sinatra, Mike Wallace, and Edward R. Murrow. In the 1930s and
'40s, fan magazines such as Photoplay and Modern Screen published
her opinions on the movies, and she boldly appeared in an
interventionist prologue to the 1940 anti-Nazi film Pastor Hall.
During World War 2, she contributed to civil defense films and
became a staple joke in Hollywood comedies. She negotiated postwar
representations of FDR on the big screen, culminating in 1960's
Sunrise at Campobello, which portrayed her as the perfect wife.
This book is the first to address Eleanor Roosevelt's moving image
record and her relationship to film and television in the three
decades from the 1932 presidential campaign to her death in 1962.
This text is a go-to resource for those wanting to broaden their
knowledge and critical understanding of how international education
can be transformed in the future based on theory and research. The
core focus of the book is to enable the reader to critically
reflect on the role of education in a future global society where
justice, equality, and renewal are central features. Each chapter
explores an alternative approach to education, including:
Approaches grounded in indigenous cultures and ancient wisdom
traditions, as well as those from radical perspectives on the role
of society and culture Reconsidered interpretations of current
approaches based on critical theories and alternative ways of
knowing and understanding Exploration of the role of technology in
providing access to education in a world where learning moves
beyond fixed locations and boundaries Reflection on current
learning environments populated by new global communities. Aimed
primarily at undergraduate students in education, Pedagogies for
the Future also gives voice to new and ancient narratives of hope
and renewal which are vital for postgraduate study and initial
teacher education and training, as well as education policymakers.
This text is a go-to resource for those wanting to broaden their
knowledge and critical understanding of how international education
can be transformed in the future based on theory and research. The
core focus of the book is to enable the reader to critically
reflect on the role of education in a future global society where
justice, equality, and renewal are central features. Each chapter
explores an alternative approach to education, including:
Approaches grounded in indigenous cultures and ancient wisdom
traditions, as well as those from radical perspectives on the role
of society and culture Reconsidered interpretations of current
approaches based on critical theories and alternative ways of
knowing and understanding Exploration of the role of technology in
providing access to education in a world where learning moves
beyond fixed locations and boundaries Reflection on current
learning environments populated by new global communities. Aimed
primarily at undergraduate students in education, Pedagogies for
the Future also gives voice to new and ancient narratives of hope
and renewal which are vital for postgraduate study and initial
teacher education and training, as well as education policymakers.
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