Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

This is a book about how to be the guy that everyone needs right now. In a world full of negative influences, LADS is a toolkit for teenage boys on respect and consent, helping them call out bad behaviour and giving them the confidence to be their best selves. Have you ever been in a situation where there's a loud guy making dodgy comments, cracking jokes that only he thinks are funny or leering at the girls in the room? You can feel the tension, right? That Guy is the worst, but no one is saying anything, because the whole situation is intimidating and awkward. This toolkit will help you call out bad behaviour and understand the serious issues facing girls today. And it will make you feel confident navigating relationships, so that everyone feels happy, heard and respected, while being the best version of yourself. From flirting disasters and what staying in the friend zone really means, to the perils of porn, 'locker room talk' and the importance of consent, this is a vital handbook for lads who are fed up of That Guy, and who want to help create positive change. Recommended for ages 13 and over.

Learning to live abundantly is the ability to see, feel, believe, and expect abundance and prosperity in all areas of life-financially, physically, mentally, emotionally, and spiritually. Unfortunately what often holds us back from achieving abundance is what we believe deep inside about ourselves, our potentials, and our limitations. In her hands-on, step-by-step teaching manual, seasoned psychotherapist Roni Bissett shares practical tips and accompanying exercises that invite others to define their own meaning of abundance and create the lives they have always wanted to live. Bissett, a marriage and family counselor who has conducted numerous workshops on the art of living life abundantly, believes that if we lack abundance and prosperity in our lives, it is not because there is an absence of these things; instead, it is because we believe there is. While reinforcing the phrase "what we believe we create," Bissett explains how you can realize a happier existence through a series of steps that encourage you to look inward and change thought patterns from negative into positive; use the tools of the conscious mind to achieve goals; identify prosperity barriers and attitudes about money; and alter thinking through visualization and meditation. Abundance Is Your Birthright is an innovative guidebook that shares valuable advice for anyone ready to bring his or her unique definition of abundance into reality and ultimately achieve true happiness.

The Evolution of Horror in the Twenty-First Century examines the intimate connections between the horror genre and its audience's experience of being in the world at a particular historical and cultural moment. This book not only provides frameworks with which to understand contemporary horror, but it also speaks to the changes wrought by technological development in creation, production, and distribution, as well as the ways in which those who are traditionally underrepresented positively within the genre- women, LGBTQ+, indigenous, and BAME communities - are finally being seen and finding space to speak.

Sound Relations delves into histories of Inuit musical life in Alaska to register the significance of sound as integral to self-determination and sovereignty. Offering radical and relational ways of listening to Inuit performances across a range of genres-from hip hop to Christian hymnody and traditional drumsongs to funk and R&B -author Jessica Bissett Perea registers how a density (not difference) of Indigenous ways of musicking from a vast archive of presence sounds out entanglements between structures of Indigeneity and colonialism. This work dismantles stereotypical understandings of "Eskimos," "Indians," and "Natives" by addressing the following questions: What exactly is "Native" about Native music? What does it mean to sound (or not sound) Native? Who decides? And how can in-depth analyses of Native music that center Indigeneity reframe larger debates of race, power, and representation in twenty-first century American music historiography? Instead of proposing singular truths or facts, this book invites readers to consider the existence of multiple simultaneous truths, a density of truths, all of which are culturally constructed, performed, and in some cases politicized and policed. Native ways of doing music history engage processes of sound worlding that envision otherwise, beyond nation-state notions of containment and glorifications of Alaska as solely an extraction site for U.S. settler capitalism, and instead amplifies possibilities for more just and equitable futures.

This ground-breaking and compelling book takes us deep into the world of a public housing estate in Dublin, showing in fine detail the life struggles of those who live there. The book puts the emphasis on class and gender processes, revealing them to be the crucial dynamics in the lives of public housing residents. The hope is that this understanding can help change perspectives on public housing in a way that diminishes suffering and contributes to human flourishing and well-being. Combining long-term research into residents' lived experience with critical realist theory, it provides a completely fresh perspective on public housing in Ireland and arguably, beyond.

'a bedrock of the Scottish theatre industry' The Guardian 'a major part of Scotland's new playwriting landscape' The Scotsman After running for fifteen years, the founding principles of A Play, a Pie and a Pint remain steadfast - a new play at lunchtime every week that lasts no more than an hour, accompanied by a pie and a pint. As well as producing thirty-three new plays per year, Oran Mor also biannually hosts its much-adored pantomimes for grown up kids - both Summer and Winter - which have become a staple of the Glasgow theatrical calendar. This first volume collects some of the most popular and critically acclaimed plays from the phenomenal back catalogue. Includes the plays: A Respectable Widow Takes to Vulgarity (Douglas Maxwell) Toy Plastic Chicken (Uma Nada-Rajah) Chic Murray: A Funny Place for A Window (Stuart Hepburn) Ida Tamson (Denise Mina) Jocky Wilson Said (Jane Livingstone and Jonathan Cairney) Do Not Press This Button (Alan Bissett)

This new edition covers some of the key topics relating to the latest version of MS Office through Excel 2019, including the creation of custom ribbons by injecting XML code into Excel Workbooks and how to link Excel VBA macros to customize ribbon objects. It now also provides examples in using ADO, DAO, and SQL queries to retrieve data from databases for analysis. Operations such as fully automated linear and non-linear curve fitting, linear and non-linear mapping, charting, plotting, sorting, and filtering of data have been updated to leverage the newest Excel VBA object models. The text provides examples on automated data analysis and the preparation of custom reports suitable for legal archiving and dissemination. Functionality Demonstrated in This Edition Includes: Find and extract information raw data files Format data in color (conditional formatting) Perform non-linear and linear regressions on data Create custom functions for specific applications Generate datasets for regressions and functions Create custom reports for regulatory agencies Leverage email to send generated reports Return data to Excel using ADO, DAO, and SQL queries Create database files for processed data Create tables, records, and fields in databases Add data to databases in fields or records Leverage external computational engines Call functions in MATLAB (R) and Origin (R) from Excel