Tom Bower, Britain's leading investigative biographer, unpicks the tangled web surrounding the Sussexes and their relationship with the royal family.

From courtroom dramas to courtier politics, using extensive research, expert sourcing and interviews from insiders who have never spoken before, this book uncovers an astonishing story of love, betrayal, secrets and revenge.

The explosive new book from Britain’s leading investigative biographer, Tom Bower

As one of the most famous and influential couples in the world, David and Victoria Beckham have attained iconic status. The ultimate power couple have together built a multi-billion-dollar global brand. For decades, adoring fans have been captivated by the glamorous world they have created, while their unrivalled fusion of showbiz, fashion, football and celebrity has been cultivated alongside the image of a strong marriage.

When the much-trailed Netflix documentary Beckham aired in 2023, viewers were offered an even more intimate insight into their private lives. Produced by the Beckhams themselves, the series raised many questions, not only about their success and personal relationship, but also about the ruthlessly successful management of their image in the media. Are their lives really as perfect as the Beckhams would like the world to believe?

Through extensive research, expert sourcing and interviews with insiders, Britain’s most celebrated investigative biographer, Tom Bower, has unearthed a succession of revelations that give surprising insight into the reality of ‘Brand Beckham’. Exploring the couple’s relationship, and the truth about their football and fashion careers, their finances and their new life in Miami, The House of Beckham unravels the extraordinary reality of the business-savvy cultural icons to tell an engrossing, often astonishing story of money, sex and power.

The first two films in the comedy franchise based on Jeff Kinney's best-selling illustrated novel detailing the trials and tribulations of a wise-cracking pre-teen. 'Diary of a Wimpy Kid' (2010) follows 12-year-old Greg Heffley (Zachary Gordon), who, along with his best friend, Rowley (Robert Capron), spends his days negotiating the minefield that is middle school. Whether dodging bullies, learning complex and seemingly ever-changing social codes, grappling with the onset of puberty or attempting to fathom the mysteries of the opposite sex, Greg writes it all down in his diary. In 'Diary of a Wimpy Kid 2 - Rodrick Rules' (2011), just when he thought life couldn't get any more complicated, Greg is horrified to discover that his older brother, Rodrick (Devon Bostick), has taken possession of his secret diary. Meanwhile, he must navigate the hurdles posed by a summer swimming contest and the school talent show.

Few heirs to the throne have suffered as much humiliation as Prince Charles. Despite his hard work and genuine concern for the disadvantaged, he has struggled to overcome his unpopularity. After Diana's death, his approval rating crashed to 4% and has been only rescued by his marriage to Camilla. Nevertheless, just one third of Britons now support him to be the next king.

Many still fear that his accession to the throne will cause a constitutional crisis. That mistrust climaxed in the aftermath of the trial of Paul Burrell, Diana's butler, acquitted after the Queen's sensational ‘recollection'. In unearthing many secrets surrounding that and many other dramas, Bower's book, relying on the testimony from over 120 people employed or welcomed into the inner sanctum of Clarence House, reveals a royal household rife with intrigue and misconduct.

The result is a book which uniquely will probe into the character and court of the Charles that no one, until now, has seen.

Family comedy sequel based on the bestselling illustrated novels by Jeff Kinney. Zachary Gordon reprises his role as wise-cracking middle school student Greg Heffley, who - just when he thought life couldn't get any more complicated - is horrified to discover that his older brother Rodrick (Devon Bostick) has taken possession of his secret diary. Meanwhile, he must navigate the hurdles posed by a summer swimming contest and the school talent show.

In the Land of Magic, four friends live a life filled with wonder. But there's one rule they must not break: never set foot on the Island of Darkness. So, when one child does the unthinkable, they must all pay a terrible price - exile to Wasteland, the bleak world where only grown-ups live. For Grace, this fate is particularly cruel. She wakes up with no memory of her magical home, or how she ended up here - and the only clue to her past is guarded by two hostile and mysteriously invisible children. As Grace uncovers the Invisibles' secrets, she must work out a way to return home, before Wasteland traps her forever...

Drawing on the context of global history and re-interpreting the known and agreed historical facts, author Colin Bower mounts an irrefutable challenge to the grand narrative of colonialism and racism as the quintessential South African story.

In the course of his polemic he makes the following points:

• The historical conflict between light skinned and dark skinned South Africans need not be seen in racial terms at all, but as a conflict between land ownership by right of historical occupation, and ownership by right of title deed. This is a battle always and universally won by rights of ownership by title deed, and this is to the benefit of all South Africans today.
• If a defining characteristic of colonialism is the extraction of wealth from the colony by the coloniser, then we have reason to question the use of the word in a South African context, for neither the VOC nor the British made a net financial gain from South Africa.
• Had Britain exercised colonial dominion over the whole of an integrated four province South Africa at the conclusion of the Anglo Boer War, South Africa would have had a colour-blind national franchise as early as 1902, no Land Act of 1913, and no post-1948 apartheid.
• Although the consequences of apartheid were widespread suffering and injustice on a racially exclusive basis, apartheid can be better understood as an exercise in domination to achieve competitive advantage than as an emanation of racial hatred.

Bower suggests that obsession with historical injustice represents an escape from the responsibility of building happy, free and prosperous societies in the present, and recommends we replace it with an obsessive devotion to the protection of constitutionalism and the rule of law.

The last instalment of the teen vampire saga based on the bestselling books by Stephenie Meyer. After Bella (Kristen Stewart) is turned into a vampire by her lover, Edward (Robert Pattinson), she appears to be enjoying her new immortal life and the abilities bestowed upon her. But after Irina (Maggie Grace) mistakes Bella and Edward's child, Renesmee (Mackenzie Foy), for an 'immortal child' and tells the Volturi this, they vow to destroy the potentially threatening girl and the whole Cullen family for allowing her to be transformed. In order to protect themselves and Renesmee, the Cullen clan must enlist the help of other vampire clans from around the world, in the hope of convincing the Volturi of the false claims of Irina.

The first two films in the comedy franchise based on Jeff Kinney's best-selling illustrated novel detailing the trials and tribulations of a wise-cracking pre-teen. 'Diary of a Wimpy Kid' (2010) follows 12-year-old Greg Heffley (Zachary Gordon), who, along with his best friend, Rowley (Robert Capron), spends his days negotiating the minefield that is middle school. Whether dodging bullies, learning complex and seemingly ever-changing social codes, grappling with the onset of puberty or attempting to fathom the mysteries of the opposite sex, Greg writes it all down in his diary. In 'Diary of a Wimpy Kid 2 - Rodrick Rules' (2011), just when he thought life couldn't get any more complicated, Greg is horrified to discover that his older brother, Rodrick (Devon Bostick), has taken possession of his secret diary. Meanwhile, he must navigate the hurdles posed by a summer swimming contest and the school talent show.

The three women flinch: feel something pass outside. A reek of singed fur, scorching damp. Flaming eyes. A creature. It knows these women. They feel its wanting. From the river it comes. To the river it always returns.

Alex is trying to hold her growing family together with a husband who is becoming more and more difficult to keep happy. Lauren hopes that the new man in her life might present a fresh start for her and her two boys. And Nancy's son has moved her into a care home where she feels entirely out of place, longing for her lost dog while dreaming of her own escape.

But there is something else at play here. Something lurking in the water or at the end of an unlit street; a shadow in a bag of strangers' clothing; a chorus of voices calling in the distance.

As each woman's world spirals from her grasp, they feel it getting closer, revealing the truth of what binds them together, and what must be done to set each of them free . . .

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.